De ups en downs van een schrijver, tolk, therapeut, echtgenoot What we think we become
25-03-2012
prentjes van blote tieten en harige kutten
Lekker ranzig over mezelf lullen in deze ego-cultuur.
Vanmorgen 8 km gelopen. Buikvet weglopen van jaren vreten in depressieve toestand. Het is vervelend zitten als hangbuikzwijn, die rollen hangen daar maar te hangen. Voor de helft van de kama sutra is het ook al niet handig. Melk en andere zuivel uit mijn dieet gesmeten. Ook al twee maand geen alcohol aangeraakt. Voorwaar geen kleine prestatie in een dorp dat de collectieve zelfmoordgolf nog even uitstelt, zo lang het bier en de wijn nog vloeien. Nee, dat is geen overdrijving. Men zuipt hier. Men is er niet eens trots op. Het is zelfs geen statement meer. Men zuipt zich hier dagelijks lam, net zoals andere mensen dagelijks ademen.
Na die acht km narcistische wellness therapie langs de Dender (alwaar ik meermaals werd uitgescholden door wielertoeristen, omdat ik in de weg liep) trok ik naar de fenomenale feminatheek van collega viezen tist Boon (die mens waar ik veel sympathie voor heb, maar nooit meer dan twee pagina's kan van lezen, zonder die geschriften op kant te gooien, sorry Louis).
Ik zag daar poezen met veel haar op en niet-gefotoshopte tetten. Dat beviel mij wel, want ik hou van naturel. Ik hoef geen geschoren kutten in mijn bed. Ik heb er liever wat haar op. Maar soit, ik had mij verwacht aan 22 000 prentjes. De hele collectie. Maar nee, het waren er hooguit 200. Dat zijn er minder dan de oude, Hollandse pornoboekjes die ik vroeger stiekem vanonder de matras van mijn ouders trok, toen ik een jaar of tien was.
Verder op een terras gezeten op de grote markt van Aalst, vlak naast de Zwarte Man (één van de eerste drukkers van Europa en dat in een stad die niet leest, jawadde, die man verdient inderdaad een standbeeld) Dit in Oekraïens gezelschap. Toch een derde van de tijd in het Russisch gesproken. Zij zuiver Russisch, ik Russisch met haar op, net als op die kutten.
Gisteren heb ik de hele dag Slowaaks gelezen (ik las voor de vijfde of de zesde keer Predcitac- Der Vorleser van Bernard Schlink, ook verfilmd als The Reader) en Peter et Luce van Romain Rolland in Slowaakse vertaling.
Daarna kreeg ik nog bezoek van mijn eigenste Romain. Voorzitter van PVDA Aalst. Die zeer terecht suggereerde dat ik een aandachtszieke vergiftigde kunstenaar ben, product van een geïndividualiseerde maatschappij, waarbij iedereen zoveel mogelijk aandacht voor zichzelf wil en zijn eigen persoonlijkheid wil profileren. Allemaal eilandjes zijn we, waarop we staan te schreeuwen om een beetje aandacht van de andere eilandjes.
Romain is altijd zeer scherp in zijn analyses en ik kan hem dan ook zeer makkelijk gelijk geven. Ik ben een aandachtszieke, over-geïndividualiseerde kunstenaar. Die onder andere actief is op: www.verkrijt.net
en liever harige kutten likt dan er foto's van ziet.
Tags:Louis Paul Boon, Feminatheek, Aalst, kutten, seks, beffen
11-03-2012
The female alphabet: Pia
You look like the Hawaïan beauty in some commercial for shampoo, who
jumps under a waterfall like a tanned nimble dolphin with her black
hair full of soap. Well, at least during a shower. You shower a lot.
You use up the daily ration of warm water all by yourself. Some
people seek the limit by going on a survival tour through the
Australian desert. You get your adrenaline kicks in more mundane
ways. You like ordering the most expensive dish on the menu, you like
booking rooms in boat hotels only three streets from our block. The
only thing you don't spend huge amounts on are clothes. You always
wear the same outfit. I never met a woman with such a minimalistic
wardrobe. When we travel your suitcase is smaller than mine. Why
are you hogging all those books?, you ask me. Leave some to the
other library geeks. They don't do you any good. They don't make you
any smarter. Smarter in your world means: making more money. And
no, you're right, if there was a link between reading books and
making money I'd be a millionaire by now.
Stop
reading books. You need to merge more. With life people, not dead
authors. Those books are only written to make the publishers rich and
to make the writers look smart. Don't think you're smart because you
read, because you're not.
It's
my curse that I fall for opinionated women, I say.
Oh,
don't do that, please don't do that. Your self-pity makes me gag.
I'm not sure why I'm with you. It can't be just your beauty. On the
train to work I see women at least as beautiful as you are.
Objectively speaking.
Some of my friends wonder why I get to have pretty girls like you.
But it's a fairly easy trick. It's easier to get you, than it would
be to get a less physically attractive girl. I recognize the type.
The woman alone on her throne. The nice guys don't impress you, and
the bad guys are too threathening. Which leaves a loop-hole for me.
The erractic mix. The passive-agressive kind. Your outward dominance
and your inward insecurity, my outward insecurity and meekish ways
and inward smugness and cruel lust. On the one hand I reassure you
and the other hand I scare you just enough to excite you. There's
attraction, sure, but there's no real connection, no harmony.
It ends when I get too arrogant outwardly and too insecure inwardly.
A law of communicating vessels, of course.
Or it ends, when I stop returning your calls, submerge and dissapear.
All in keeping with my passive-agressive nature.
What
happened to this latest one? Nina was it?
No,
Pia.
Well,
I knew she was named after one of Colombus' ships.
That
was the Pinta.
When
did you date a girl named Pinta?
I
didn't.
So,
anyway, what happened to this Pia?
She
was a tiny bit too generous with her harsh comments.
Why
do you always pick these cold-blooded chicks?
They're
not cold-blooded in bed.
Still,
you know what I mean.
I
don't know. Secretly I hope some of their firmness and emotional
stability rubs off on me.
Then
pick a nice, solid one, someone you can lean on.
A:
they're never hot. B: I'm not their type.
I like the storm too much. And the restlessness in between the
storms. And being out there, like a tree, naked in the field, and
feel the storm gathering around me, how it slowly intensifies, until
it's all upon me, and I'm there, flirting with disaster. It's hard to
fuck the demons out of a woman when she has none to begin with.
Russian girls come with a couple of
certainties. They will treat your money like they treat your sperm,
they drain it all, daily, with a smile. The only area they economize
in, is textile surface.
It's harder to keep a Russian girl away
from her two-weekly manicure and pedicure and near daily shopping
spree than it is to keep a rooster from cackling.
Oljga has green Scorpio eyes. When she
looks you in the eye you never know whether she wants to slit your
throat or hump you. When she drives her fluorescent pink nails in my
back, I never know if she didn't dip them in some poison that's gonna
make me vomit blood. Strange thought anyway, my she looks like this
giggly radiant angel. Still, I don't trust angels. And I don't trust
giggles.
Four days into this escalated flirt/
hormonal rollercoaster/ budding relationship (??) my hands smell like
this salty-fishy blend of semen and pussy juice. It's in the air, it
dips the bedroom, the hall and the bathroom in some ubiquitous
lecherous haze. It puts us in a state of constant arousal.
We never talk. We joke and we fuck, but
we never talk. She's either laughing or moaning. Or humming. She
likes to hum. Very zen, very hot, very zen. I don't know why we are
always laughing so hysterically. I can't recall a single joke. It
must be the exhiliration of an absurd situation. We met on a plane. I
don't know what started us talking. I think you wanted to trade your
chicken for my salad. I don't usually trade food, but it's hard to
refuse a girl in a tennis short with thies that meet olympic
standards.
We went straight to this house. It's
neither mine nor yours. It's the house of a friend of yours. A phd
student in engineering. Sasja. A guy with the biggest pair of glasses
I ever saw, judging from his pictures. There's no vodka in the fridge
and I say: 'He is not a real Russian.'
'He is', you say, 'a true Russian
doesn't store vodka, he drinks it. Besides, a real Russian drinks
cognac, especially in his class.'
There are two bottles of expenisve
looking cognac on the book shelf of his study. The taste of cognac
blends with the aroma on my and her hands, her belly and the inside
of her wet thies.
'Where is this going?', I ask on the
fourth day.
'With that question you piss in our
soup', Olga with a mjagkij znak says.
Olga with a soft sign: Ольга
as opposed to Олга
without a mjagki znak.
'If
you manage to pronounce my name correctly for this one time, I will
tell you where it's going'
This
mjagki znak makes the L sound like a French L, she tells me.
'You
know French?', I ask.
'Russian
aristocracy is traditionally well-versed in the French tongue', she
says sitting wide-legged on my chest.
'You're
an aristocrat?'
She
rubs herself off on my chest and says:
'With
a jewel like this, how can I be anything but royalty?'
This
isn't going to last. I feel it. Girls like these, they don't stick
around with guys like me.
On
the fifth day we have to leave. Big Glasses Sasja is about to return
from his engineering conference in Dublin.
We
promise to stay in touch. She kisses me on the cheek, not the mouth,
when we part. A doernij znak. A bad sign, as they in Russian. A
doernij znak from the girl with the mjagkij znak.
I
send her a friend request on Facebook. She doesn't respond. Russians
use a Russian variant of Facebook, an actual friend tells me. But I
don't find her there.
Two
weeks later I see her in the main shopping street of Gent. There this
small, fat, round, bald, pink worm-like entity glued to her arm. I
hear her giggles, before I see her. We pass. She looks me in the
eyes, but says nothing. Two guys in black suits follow them. Holding
5 or 6 shopping bags in each hand. They dive into yet an other
clothes-shop.
Gas
and oil money, I take it.
My
friend sees my face drop and says: 'Cheer up, dude, you had four days
with her. And it didn't cost you anything.'
'I
don't know if it's such a good thing', I say. 'I feel like a man who
was born blind, got his eye-sight for four days,only to have it taken
away again. Those four days were so short, it's like they never
happened.'
My
friend shoves me against a tree and walks on, saying: 'You know what
I can't stand about you? No matter what kind of delicious soup life
serves you, you always have to piss in it.'
I
protest. The soup was great, I just want more of it. A little bit too
much, is just enough for me. And 4 days is far, far too little.
My
friend is adamant: 'Cherish the memory. Quit yanking. Move on. What
else are you gonna do? Stalk her? Become a billionaire?'
I
read somewhere that lavender suppresses sexual desire. For weeks I
wash my hands in seas of lavender. I put lavender on my night-stand.
I hang lavender on my neck. Lavender like garlic to fight off the
lethal attraction to a modern day vampire, a giggling angel. Olga
with the mjagkij znak.
My
friend frowns: 'You're excessive about everything you do.'
I
don't answer. The lavender works. It's better to be always blind,
than to be always blind minus four days.
My friend disagrees: 'Four days, even four hours, of heaven, is enough to fill a life-time and it's more than most of us are allowed, you unappreciative drone. And get rid of this lavender, before I make you eat. You smell like my grandma's linnen closet.'
It
was once given to me by the aunt of a French speaking girlfriend.
I
picked it, thinking, which 'classic' can I finish in under two hours?
I
didn't keep track of time, so can't say if I managed to do exactly
that.
I
read it in French to rub off some of the guilt I feel for indulging
in such an unproductive act as reading. If it were legal my family
would have burned me at the stake on charges of heresy by now. Or
stoned me to death. One rock for every book I ever read. I think that
would do it.
As
you can see, I'm not really saying anything about the book itself.
That is because there is very little to be said about it.
It's
about silk. But not really. It's about eggs. But not really. It's
about getting the eggs. In Japan. And bringing them back to France.
But
it's also not quite about that.
Do
I even know what it is about?
Maybe,
just maybe, it's about the power of our imagination in constructing
experiences that never happen, but that are so enticting, they
bewitch us and even make us travel for three months, just to catch a
glimpse of the thing or person that could make the product of our
imagination real.
The
end made me slightly melancholic (even more than I normally am) and
made me feel extra guilty (could it be I have enough guilt to start my own religion?- a quote borrowed from Toris Amos) about every time I took being loved for
granted. The book isn't about that, it just made me feel that way.
Maybe most of all because I didn't get any sun today and was alone
most of the day.
It's
a nice story. That could have done without the first half and would
have made a nicer short story than a slender novel.
There's
a letter at the end that probably was the main reason for bombarding
this into such lists as '1001 books you should read before you die'
I
have the list that was custom-made for the environment of Aalst, town
marinated in alchohol and the historic haze of a textile industry,
long since moved to Asia.
So
being such a slender book, it had a much bigger chance to get on this
Aalst edition of '1001 books you should read before you die'. The
length of the selected volumes being stricly in keeping with the
local life expectancy.
I'm
not sure who gave whom the -lazy- idea, but this book smells like
Murakami's 'What I think about when I think about running' (see somewhere else on this blog)
Both
books are written by famous writers. And both rave about their
preferred sport and make some comparisons between that and their
writing. In Irving's case it's wrestling, in Murakami's case it's
long-distance running.
First of all, one of the more obvious remarks to make here:
If
either one had sent this in as his debut novel, both would have been
instantly rejected, without a thought.
I
don't recommend reading this. I only finished it, because it's
mercifully short, and well, most any autobiographic appeals to a
certain degree.
So
what do we learn? The same thing as in Murakami's book:
writing
isn't so much about talent, it's about self-discipline.
A
friend of mine happened to quote Murakami in a late night email
yesterday:
I
think certain types of processes dont allow for any variation. If
you have to be part of that process, all you can do is transform
or perhaps distortyourself through that persistent repetition, and
make that process a part of your own personality.
To keep on going, you have to
keep up the rhythm. This is the important thing for long-term
projects. Once you set the pace, the rest will follow. The problem is
getting the flywheel to spin at a set speedand to get to that
point takes as much concentration and effort as you can manage.
The friend adds: To sum
up: Motivation is what gets you
started, habit is what keeps you going
Or as Kerouac used to put it: 'If you want to
write, write and keep it up like a guy hooked on benny' (benny not
being a person, but the era's drug of choice)
Irving states: my life as a writer
consists of 1/8 talent and 7/8 discipline
The same was true about his wrestling career,
he says.
My life as a writer consists of ¾ talent and
¼ desperate fear of death caused by my genes vomitting up a dark
hole which suddenly inhales me (I'm not kidding)
How this could help anyone's writing? It
can't. The only interesting thing Irving says about writing througout
this book, is that writing can't be taught, and that you can only
point out his or her weaknesses and strenghts to a budding writer.
Which the budding writer would discover on his/her own, but then at
least you save him/her some time.
Any reason why anyone should read this? It's
more interesting to a wrestler, than to a writer. The genuine love of
wrestling the book comes with and Irving's apparent joie de vivre can
cheer you up. 1/8 of a Prozac pill pulverized into 148 pages.
I like the tone of Irving a lot better than
Murakami's. If I had to choose between having dinner with one of
them, I would most definitely go for Irving. He seems a lot more fun
to hang around with.
If you want to read a famous author's book
about writing, go for Stephen King's 'On writing', it's also
autobiographic, it doesn't come with a sport and it does help budding
writers save some time in developing their craft.
I liked this kloon of Bright Lights,
Big City, by the same author.
These two quotes were worth the read:
Beware the woman who doesn't
like other women; she's probably generalizing from her own
character.
So true.
If the concept of romantic love
has any use, it is to denote that vast residue of inexplicable
attraction which is not covered under the categories of blind lust
and well-informed self-interest.
Hit me like a glass hammer soaked in
truth. Though this could also be the feeling I get from drinking
three (??) liters of coffee a day. Which probably also explains my
current reading speed.
What's the book about? If you read
Bright Ligt, Big City, (I
strongly recommend it) you know what it's about.
Setting:
New York.
Guy
works for a magazine. Doesn't like the work. Lots of self-loathing.
Is in a relationship with a hot model. The hot model has more
ambition than love. She goes on a business (no, career) trip. Doesn't
come back. Is very stingy about shedding any light on her not coming
back. Guy loses it. Goes on a half-year (?) drinking binge.
There's
more cocaine in Bright Bright; Lights big city, which was more to my
taste. Alchohol doesn't quite do it for me. In Bright Lights, Big
City the main character wants to be a writer, and works as an editor.
Here the main character is a fashion journalist, who wants to do, I
don't know what exactly, something useful anyway, either that or be
screenwriter. In the end he's a screen writer. He also has a best
friend who IS a writer. The kind of writer that thinks he is the real
thing. And maybe he is, because he writes short stories. I am a fan
of brevity outside of the bedsheets and Nirvana songs not included.
I'm
drifting. What is the book REALLY about?
About
not cherishing what you have. About getting something just to make
other people envious. About only wanting a toy because someone else
shows interest in it. Other splashes on this literary canvas:
-how
to behave when you want to be taken serious as a writer. The correct
answer is: not to give a shit about how to behave to be taken
seriously. The writer in the book does care. He tries to avoid the
parties of the jetsetters and is afraid he will lose all credit with
the credits when he's photographed with a famous model.
-when
we lose something the value of the thing or person (in this book
mainly symbolized by a dog and top model-turned-actress) suddenly
rises sharply and then we sulk and get a little bit crazy in trying
to get it back
-'casualties
of privilege', most of the characters in the book underachieve
because the necessities of life came far too easy to them and they
got lazy. The one that lost pretty much everything as a child is the
only one who kicks ass in the real world.
-the
very fickle opinion of mainstream media towards famous people. They
get their ego pumped up to the stretch limit, just to get ripped, and
torn down, all for the bloodlusting crowd. Modern day gladiators.
With the blood mainly spent in warm bath ubs gushing out of opened
wrists. (no, no, I get carried away here: there are no suicides in
this book, thank you for that Jay, the last thing we need is an other
novel with a suicide in it)
Bright
Lights, Big City and Model Behaviour both give hope. If you just got
dumped read either one and skip your personal half-year drinking
binge.
If you
try to avoid angel dust, don't read Bright Lights, Big City, there's
something about that book that makes you want to rush into the
nearest toilet and do a line off the toilet seat.
If
you're thinking about studying literature, read Model Behaviour, and
opt for law school.
Tags:Jay McInernery, Bright Lights, Big City, suicide
05-01-2012
On Chesil Beach, Ian McEwan
I like writing about books, not the
minute I put them down, but months after I read them. Just to see if
there's any, ANY bloody use to reading AT ALL.
I remember enjoying this book. Which
doesn't happen very often. I read, mostly because I'm a masochist.
It's about a couple.
A young couple.
In the fifties.
The guy wants to have sex with her.
She wants to postpone this devilish
act for as long as possible.
He thinks the only way to get to the
carnal delights is to marry her.
They get married.
They don't fuck. (This is called a
spoiler)
She says he can fuck anything in a
skirt, and she won't say anything. They can live happily ever after,
together, all the marital bliss, but without sexually consuming the
marriage, which needn't be a problem to the woman, she tells the guy
he can go and get it anywhere.
The guy for whatever destructive
residue of too many bed-time fairy tales and culturally dictacted
decorum, doesn't think twice about it and rejects the offer.
She runs off. They get a divorce.
They don't fuck.
The guy comes to the understanding
later on, that it was an offer ahead of its time. A sixties offer of
free love, handed out in the fifties. He comes to see she really must
have loved him and never stops wondering about the
might have beens.
All in all, the book struck me as an
advocate for patience and tender care.
It's the quick decisions we make to
get instant gratification or because we fret because we didn't get
instant gratification.
It's short, the prose is fast-paced,
the mood has everything of the oppressive fifties and makes you
scream for air on every page, which makes you appreciate the agonies
of free choice open to us all today, so much more.
Oh, they DO NOT GET TO FUCK.
Which believe it or not, makes it a
damn good read.
Best read in the nearhood of a
loving spouse. There might be a sharp rise in the want of instant
gratification after turning the last page.
Do IT at least once, just to take
revenge on an oppressive decade.
Then opt for the blissful choice of
ignoring instant gratification, most of the time.
Because it's only any fun to do that,
when instant gratification is in such luxurious abundance, and the choice is yours, and dictated by oppressive morals.
What do they think, what do they want,
what are they capable of? Written by Greet De Keyser and Miel
Dekeyser
First of all, I'd like to say that- whatever the title implies- it must be higly unlikely that all US citizens think alike.
I picked this book mainly because Greet
De Keyser was the Belgian on-the-spot-correspondent in the US for
many years. She always came across as being passionate about her job.
Everything you always feared to be true
about America, is in fact:
disturbingly true (at least according to this book)
So, to make this summary very terse:
what do Americans want, according to this book:
*they want to drive their SUV's
everywhere (though mostly within the US) without paying attention to
how much gasoline their tanks-without-cannon soak up, no they don't care about the environment
*they seem to evaluate everything on its size. The bigger the better. A large farm is necessarily better than a small farm, in there eyes. They decide this without even considering that the small farm might actually be producing a bigger crop than the larger one.
*they want to pay the lowest possible
price for their gasoline, sending off boys and girls to get blown up
by an IED somewhere in the sand, is not concern to them in this respect
*they actually believe in the American
dream, they are blind to the American nightmare, being poor in
America is your own damn fault
*the state doesn't regulate social
security, so most Americans are very much into charity and will try
to contribute something to orphanages, shelters for the homeless,
soup kitchens and so on. This has to compensate for the lack of a well-functioning social security system
*it's really hard to be well-informed
in America. Much harder than in Europe, because American news
focusses on American events and devotes very little attention to
foreign news. Most Americans are really not aware about what's going
on in the world.
*a lot of volunteers for the US Army,
only volunteer because the army pays for their education. For many
it's their only chance to get a decent education. They don't know the
real risks involved.
*the military academy at West Points
doesn't necessarily put out great officers, it mainly makes
highly effective business executives, graduates are sought out by
private companies as these men and women have an unwavering
discipline and are very loyal, they value their subordinates more
than they do themselves. West Points teaches them to lead by example.The book's message is, among other things, the US is a higly militarized society. But apart from their officer corps, quality of the troops is low, due to low motivation and not being trained for the tasks they are burdened with
(e.g. policing the strees of Bagdad)
*it appears on the outside that the US
is a very free nation. But in fact, especially the middle classes,
are very unfree, shackled to a rigid social convention. They HAVE to
attend church, they have to get their children to softball, they have
to be involved in charity work, they have to work all they can, they
have to get ahead in life or suffer social penalties.
*they've kept the pioneer spirit alive
and want to have a gun near at hand
*they are very patriotic, are not prone
to criticize their government, not even when they are willing to
admit they have a weak president (something good might still come
out of it)
*they look down and look up to Europe
at the same time. Europe is a medieval backwoods in their minds,
whereas at the same time it's also the place of art, fashion and
'grand' style
*when they say they don't invade
countries to steal their oil and overflow them with American
products, but say they do it with the best intentions and to spread
democracy and higher values, they actually believe it (scariest part
in the book)
*they are very prude when it comes to
sex, lots of 'forbiddenness' which ironically leads to a sex-crazed
youth. Nipplegate is an emblematic affair of the American attitude
towards sex. Highly hypocritical.
*America does not have the ambition,
nor the willpower, nor even the capability of actually conquering the
world, their strategy when it comes to messing with countries is:
engagement
exhaustion
exit
*president Bush knew something like
9/11 was coming or at the very least CHOSE not to know
In short, interesing piece of journalism,
more nuanced than this brief summary, but still clear that America
might be the most powerful country in the world right now, but
certainly not the smartest.
The author did confuse the American revolution with the American civil war, in such an unforgiveable manner as to give rise to the fear they got other historic facts horriblly wrong.
Not a bad book, on the whole, but not a good one either. And as will always be the case with literature on a fast developping nation: 7 years after publication it's no longer up to date, so it's certainly not the best book to get some useful insight in the spirit of the US.
this one had been on my reading list for quite a while, but when my literary compadre and dedicated road runner, Dominique Biebau told me to read it, I finally did.
I wouldn't recommend this book to people who don't combine running and writing and are fairly obstinate in both undertakings, but, the book holds some interesting ideas, for instance:
-as a writer you don't only need talent, you also need focus and endurance, running long distances regularly sharpens both
-running has a very positive effect on Murakami (and more importantly, especially with the future of Dutch Literature in mind) on Dominique Biebau. Running prevents mood swings (my friend Pieter-Jan Honoré reminded me about this one yesterday), it helps of course to keep a lean, trim figure and it helps to get disciplined in other areas of life.
This doesn't mean however that running is the solution for every one and that every one should lace up their running shoes right now. Murakami runs because 'it suits' him. Especially long distance running. So find something that suits you. Which brings us to the following:
-the book is not so much about running, as it is about listening to who you are and doing exactly what it is you want to do with your life.
To sum up:
*only compete with yourself, get to your next personal level, don't care about what the others say or do
*there are infinitely more reasons to quit a healthy habit than there are reasons to keep it up. Hang on to those few good reasons, ignore the excuses. Excuses will always pop up, so do it anyway.
*prior to starting in a swimming race: don't wipe your swimming goggles with your hands dripping in vaseline and do check if your shoes are laced up tightly before running
*Murakami is not a fun person to hang out with (he goes to bed way too early)
*Murakami mops the myth that says 'the only good artist is an artist torn apart by his inner demons, hard-drinking, hard-whoring, unkempt and unhealthy' under the carpet. He claims that the best literature comes when the artist learns to control his demons. (and Murakami does it by running)
So, go out and read this book?
Nèh, go out and run and chastice the 21st century 'evil' voices in your head.
The only way to remember the name of a
physcially unattractive woman is to sleep with her.
It's not a waterproof approach, but the
prospects of remembering the woman's name are much brighter once
you've been inside her.
And Margot is a beautiful name to
remember.
The things you said about yourself were
painful to hear.
You would sigh and say: 'Life is fair
for no one, but it's the least fair for ugly women'
I hate the word 'ugly' and never use
it, never even think it.
It's my feeble attempt at not being
superficial.
Margot, you had an obession about your
abs. 'It's the one thing I have going for me', you said.
I couldn't agree. I don't care about
abs. Abs don't do 'it' for me.
I care about long hair, big eyes and
thies.
And, not as much as I should, but
still, I care a great deal about personality.
You had a lot of that going for you, if
you hadn't cut yourself down with every other sentence that sprang
from your pitifully pale and thin lips.
But you were fun. You were such fun to
hang out with. And you were a babe magnet. A real babe magnet.
We'd go places and you'd be chatting
with a ton of good-looking girls in an instant. Maybe you didn't pose
a threat to them, but no, that can't be it, you were simply that much
fun, let's leave at that.
And ok, at first I went out with you,
primarily for that magnet quality, but seriously, there were soon so
many times the best part out of a night out was when we were slumped
back in sacks used as chairs and talking about anything. You had a
sharp, quick-witted mind and you were amazingly well-read.
'Girls like me don't get asked out
between the age of 14 and 20. So I had plenty of time to do a hell of
a lot of reading.'
'What happened after 20?'
'I realized the stunning imbecility of
waiting around for guys to ask you out to start a social life. I only
had two dates in high school. One was with a guy who wanted to figure
out if he was gay. He thought he was after our date, but no. He
hooked up with the girl next door a week later.'
'And the second?'
'The second really was gay.'
I don't really know why I waited till
then, but I kissed you. Right smack on those near invisible lips,
which seemed to have developed attractiveness out of, well, thin air.
'Is this going to be a pity fuck?', you
asked.
Talk of kill the mood...
'No,' I said, 'I really think you're
hot.'
And you really were hot. Not in a
beauty magazine kind of way. But who in a right mind cares about
those?
I saw it. Right that instant I took in
your beauty. And the old rock and roll of attraction found its
devious rhythm.
And we could have been great together.
We really couldn't have been something.
If it hadn't been for streets.
There are a lot of streets in this
world.
And couples walk those streets and get
stared at.
And I saw your beauty. But the others
wouldn't.
Evil others.
Evil me.
I never deserved a slap more than the
one you gave me when you walked out on me.
And the truth is that I miss your
unique look. It's not that you were unattractive, it's just that you
were totally different.
A bit like a sinewy Viking woman with
droopy eyes and an albino complexion.
I think it's good a writer knows the official rules of writing, so he/she can totally ignore them. So every now and then I read one of those 'learn how to write guides' which people buy as the first and often only step to writing their bestseller.
Though I liked Storm's blunt style -hard not to be blunt with such a last name- I got very bored halfway through the book.
Only useful info I gleaned from it:
Storm suggests a writer should ask him/herself 4 questions after writing a story:
1) Is what you're trying to write not too direct and too purely personal? In short: make sure it doesn't escalate into a therapeutic treatment. (after years of making this stupid mistake I most certainly agree) 2) Is what you want to write your kind of story? Does it fascinate YOU? 3) Is your story going somewhere, is there an evolution in it or something intriguing that makes the reader turn the page? 4) Is there something at stake for your characters?
Still not convinced I should be reading a lot in order to write better. This one was a waste of time.
Storm isn't positive about 'the secret of the writer', an other such guide by the hand of Renate Dorrestein, I happen to have lying around.
This not bode well for Dorrestein, I am willing to give her a 5 page chance and if she bores me, back to the library with these superfluous guides to the back benches of literature.
The best writing rules still come from Kurt Vonnegut (see elsewhere on this blog)
So, the maxim 'I don't read, I am read' is clearly sent packing.
The series 'A song of fire and Ice' was highly recommended to us and we read the first part.
The plot twists and character list are very impressive, it's a higly entertaining read, full of fluff and just a tiny smitch of fantasy elements. Not the usual 'peasant boy turns out to be the saviour of the world' kinda crap.
Most of the characters are so backstabbing the book breathes the atmosphere of a teacher's room with more blood.
Highly recommended indeed.
The amount of evil in it, makes it immensely human.
If you like Russian classics with over 200 characters, but you like them better with more action and shorter sentences, go for it.