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    24-03-2011
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Guest Blogger and 'American Idol' Alum Didi Benami: 'The Show Needed a Naima'
    Guest Blogger and 'American Idol' Alum Didi Benami: 'The Show Needed a Naima'

    The Season 9 finalist says Casey Abrams is "interesting, mysterious and cool," calls Paul McDonald "Season 10's Casey James" and describes Pia Toscano as "flawless."

     
    didi benami pg portrait 2010
    PictureGroup / FOX
    Didi Benami

    Season 9's Didi Benami appreciates the pressure of this week's American Idol. After all, a year ago, she was thrilled to make it through one more pivotal round -- the Top 10 -- guaranteeing her a spot in the summer tour. But the show's Motown theme would ultimately send her home a week later, giving the Knoxville native a unique perspective into what Season 10's remaining 11 are going through right now.

    Not that Didi is looking back too much these days. Currently living in Los Angeles, she's working on her debut album and "staying focused on the mission," which includes performing as much as possible, like her appearance earlier this week at the Cleveland Cavaliers vs Orlando Magic game. Look for Didi at the upcoming Reality Rocks Expo, where she'll join fellow Season 9 alums for a THR-sponsored American Idol panel. For updates, check Didi's Twitter or Tumblr, and read on for Didi's guest blog... 

    The Top 11. I remember this week and it was a scary one. Everyone is on edge because, at this point, you really want to make the tour. You want to know that you’ll have a summer job doing what you love. But all you can do is put that anxiety aside and remember why you’re there in the first place: because you love to sing and you love music. 

    When you reach this stage of the competition, behind the scenes, they give you a lot of advice about how to work the stage. They tell you to look at the camera and to connect with who’s behind it. That’s really important because the people on the other side are the ones voting. It’s good to show that you can perform in front of an audience, but there are millions of viewers beyond that stage who you also need to impress. 
     
    That said, it’s really cool to see these contestants improve so much from week to week. You can tell they are working really hard. They are all incredible singers, with very different tones and qualities to their voices so regardless of who ends up going home, they all can be proud knowing they did an amazing job and they can saaaang. Overall, I think tonight was a really good night.  
     
    Starting with…
     
    Casey Abrams ("I Heard It Through the Grapevine," Marvin Gaye): Going first is so hard. He really has to make an impression, which he did. But every time Casey is about to take the stage, I get so excited wondering, “What is he going to do?!” If that’s not a reason to keep voting him through week after week, I don’t know what is. His voice is great, that’s a given, but he’s also a great entertainer. He’s interesting, mysterious and cool. 
     
    Thia Megia ("Heat Wave," Martha and the Vandellas): I love this girl. She’s so sweet and you wouldn’t think that voice would come out of that body at all. Vocally, she was on it Wednesday night. She sang every note perfectly. Yes, she does have a tendancy to pick “safer” songs. I’d like to see her come out of her shell even more, but I think Thia will make it to tour no problem. Most importantly, she looked like she had a lot more fun on stage than the last two weeks. I’m glad she enjoyed it. It's what Idol is all about, and when you have fun, everyone does! 
     
    One more thing, I’ll attest to this: it’s hard to walk on that stage in heels -- it’s really uneven and easy to trip on, I’ve done it. As a performer, my advice is to pick shoes you can walk in or you will trip on national TV. Just keep it in mind.  
     
    Jacob Lusk ("You're All I Need to Get By," Marvin Gaye & Tammi Terrell): I have to agree with the judges -- that was the best performance by Jacob so far this season. I was actually a tiny bit worried about him coming into this week, and was hoping he would bring it this week and he did. I don’t think there’s any doubt that he will get through. I feel like I’m going to church every time he sings. It’s an experience, not just watching a performance -- he’s got one of those voices that really takes you somewhere. Motown week was a particularly good fit for him, but he has a beautiful voice no matter what the theme. 
     
    Lauren Alaina (You Keep Me Hangin' On," The Supremes): I think she has a really good voice and I like her vocal style- it’s very appealing- but I wish she would connect through the camera more. She did a good job with the song, but it would have been cool if she changed it up a bit. Still, Lauren did have command of that stage, which can be very intimidating.
     
    Stefano Langone ("Hello," Lionel Richie): He has a great voice but I think the other performances were stronger on Motown night. And like Lauren, Stefano needs to connect more with the camera. He did at the end when he mouthed "I love you," but the performance still felt mechanical. I didn’t feel the soul in it. I agree with what Jennifer Lopez said, like he was more concerned with making it through the week as a mechanical singer as opposed to bringing the soul -- which is Motown. Soul, baby! It’s about feeling the song and being in that moment with it. It didn’t have enough of that, which is important in order to really connect. 
     
    Haley Reinhart ("You've Really Got a Hold on Me," The Miracles): I like her voice personally, and it’s clear that true rhythm and blues music doesn’t intimidate her. Also let me reiterate how hard it is to walk in heels that high. It can affect your performance and she was wobbling quite a bit. Aside from the shoes, the girl can sing. My only advice would be to think about performance beforehand -- you have to be able to move on stage freely or practice the heck out of walking in heels.  
     
    Scotty McCreery ("For Once in My Life," Stevie Wonder): I like the tone of his voice. He’s a great country singer. Maybe it’s just me, but I felt like he was really uncomfortable on this song. It just wasn’t his best, but perhaps it’s because he’s having a hard time going from country to soul/R&B. If anyone gets it, I do. If you listen to the studio version I did of “What Becomes of the Broken Hearted,” I had a similar issue last season.  
     
    Pia Toscano ("All in Love Is Fair," Stevie Wonder): She is so good, I don’t even know what else to say. The girl is flawless. She really does bring to mind Celine Dion or a super mega singing star. Pia has such a universal voice that it would do well in every country. And she looks exotic too. You would almost think she was a pageant girl, but she doesn’t come off that way, which is so important if you’re a girl competing on Idol.
     
    Paul McDonald ("The Tracks of My Tears," The Miracles): Here’s another one where it doesn’t matter what he sings, that smile kills me. Fortunately, Paul can actually sing! He has a really cool tone and I love his voice. Also, he played guitar tonight, but he’s not using it frivolously for every song, he’s showing that he can do both – that he’s a stage performer and not just a musician. Lastly, he wore a cougar pin, which was just hilarious. He’s definitely the Casey James of season 10. 
     
    Naima Adedapo ("Dancing in the Street," Martha and the Vandellas): BAM! First of all, her outfit was amazing. I would totally wear that! And I love that she picked a song that was enjoyable for the audience and gave her room to move on stage. Her energy was all there. Naima had this really focused look about her, and even though she was having a good time, you could tell she has been working her ass off every week to better herself. The proof is in the performance. Plus, I love that she broke into dance because American Idol has needed this! But most importantly, you can feel that Naima loves what she does. And she’s nice, too. I met her at the Top 24 party and she’s really cool. 
     
    James Durbin ("Living for the City," Stevie Wonder): It takes cajones to get that close to the camera, and he was definitely bringing it. He moved more, he had that intensity, he connected with the people on the other side of the camera. He was “crazy” in all the right ways, but even though his was a great performance, I was still thinking about Naima’s turn just prior.
     
    So no surprise here, my favorite of the night was Naima. She’s got some skills. As for who might be in danger, I think Haley might be, and Stefano. Even though he has such an incredible voice, the fact that he’s almost been eliminated before makes me worry about him. Plus, I didn’t feel very connected to that performance, just like what Jennifer said. 
     
    Honestly, all the other performers were so good that it’s hard to choose a third. Then again, this was the week that I went home so I’m probably the last person who should be blogging about Idol, but you’re welcome! 

    0 1 2 3 4 5 - Gemiddelde waardering: 0/5 - (0 Stemmen)
    24-03-2011, 20:59 geschreven door Star updater  
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Guest Blogger and 'American Idol' Alum Didi Benami: 'The Show Needed a Naima'
    Guest Blogger and 'American Idol' Alum Didi Benami: 'The Show Needed a Naima'

    The Season 9 finalist says Casey Abrams is "interesting, mysterious and cool," calls Paul McDonald "Season 10's Casey James" and describes Pia Toscano as "flawless."

     
    didi benami pg portrait 2010
    PictureGroup / FOX
    Didi Benami

    Season 9's Didi Benami appreciates the pressure of this week's American Idol. After all, a year ago, she was thrilled to make it through one more pivotal round -- the Top 10 -- guaranteeing her a spot in the summer tour. But the show's Motown theme would ultimately send her home a week later, giving the Knoxville native a unique perspective into what Season 10's remaining 11 are going through right now.

    Not that Didi is looking back too much these days. Currently living in Los Angeles, she's working on her debut album and "staying focused on the mission," which includes performing as much as possible, like her appearance earlier this week at the Cleveland Cavaliers vs Orlando Magic game. Look for Didi at the upcoming Reality Rocks Expo, where she'll join fellow Season 9 alums for a THR-sponsored American Idol panel. For updates, check Didi's Twitter or Tumblr, and read on for Didi's guest blog... 

    The Top 11. I remember this week and it was a scary one. Everyone is on edge because, at this point, you really want to make the tour. You want to know that you’ll have a summer job doing what you love. But all you can do is put that anxiety aside and remember why you’re there in the first place: because you love to sing and you love music. 

    When you reach this stage of the competition, behind the scenes, they give you a lot of advice about how to work the stage. They tell you to look at the camera and to connect with who’s behind it. That’s really important because the people on the other side are the ones voting. It’s good to show that you can perform in front of an audience, but there are millions of viewers beyond that stage who you also need to impress. 
     
    That said, it’s really cool to see these contestants improve so much from week to week. You can tell they are working really hard. They are all incredible singers, with very different tones and qualities to their voices so regardless of who ends up going home, they all can be proud knowing they did an amazing job and they can saaaang. Overall, I think tonight was a really good night.  
     
    Starting with…
     
    Casey Abrams ("I Heard It Through the Grapevine," Marvin Gaye): Going first is so hard. He really has to make an impression, which he did. But every time Casey is about to take the stage, I get so excited wondering, “What is he going to do?!” If that’s not a reason to keep voting him through week after week, I don’t know what is. His voice is great, that’s a given, but he’s also a great entertainer. He’s interesting, mysterious and cool. 
     
    Thia Megia ("Heat Wave," Martha and the Vandellas): I love this girl. She’s so sweet and you wouldn’t think that voice would come out of that body at all. Vocally, she was on it Wednesday night. She sang every note perfectly. Yes, she does have a tendancy to pick “safer” songs. I’d like to see her come out of her shell even more, but I think Thia will make it to tour no problem. Most importantly, she looked like she had a lot more fun on stage than the last two weeks. I’m glad she enjoyed it. It's what Idol is all about, and when you have fun, everyone does! 
     
    One more thing, I’ll attest to this: it’s hard to walk on that stage in heels -- it’s really uneven and easy to trip on, I’ve done it. As a performer, my advice is to pick shoes you can walk in or you will trip on national TV. Just keep it in mind.  
     
    Jacob Lusk ("You're All I Need to Get By," Marvin Gaye & Tammi Terrell): I have to agree with the judges -- that was the best performance by Jacob so far this season. I was actually a tiny bit worried about him coming into this week, and was hoping he would bring it this week and he did. I don’t think there’s any doubt that he will get through. I feel like I’m going to church every time he sings. It’s an experience, not just watching a performance -- he’s got one of those voices that really takes you somewhere. Motown week was a particularly good fit for him, but he has a beautiful voice no matter what the theme. 
     
    Lauren Alaina (You Keep Me Hangin' On," The Supremes): I think she has a really good voice and I like her vocal style- it’s very appealing- but I wish she would connect through the camera more. She did a good job with the song, but it would have been cool if she changed it up a bit. Still, Lauren did have command of that stage, which can be very intimidating.
     
    Stefano Langone ("Hello," Lionel Richie): He has a great voice but I think the other performances were stronger on Motown night. And like Lauren, Stefano needs to connect more with the camera. He did at the end when he mouthed "I love you," but the performance still felt mechanical. I didn’t feel the soul in it. I agree with what Jennifer Lopez said, like he was more concerned with making it through the week as a mechanical singer as opposed to bringing the soul -- which is Motown. Soul, baby! It’s about feeling the song and being in that moment with it. It didn’t have enough of that, which is important in order to really connect. 
     
    Haley Reinhart ("You've Really Got a Hold on Me," The Miracles): I like her voice personally, and it’s clear that true rhythm and blues music doesn’t intimidate her. Also let me reiterate how hard it is to walk in heels that high. It can affect your performance and she was wobbling quite a bit. Aside from the shoes, the girl can sing. My only advice would be to think about performance beforehand -- you have to be able to move on stage freely or practice the heck out of walking in heels.  
     
    Scotty McCreery ("For Once in My Life," Stevie Wonder): I like the tone of his voice. He’s a great country singer. Maybe it’s just me, but I felt like he was really uncomfortable on this song. It just wasn’t his best, but perhaps it’s because he’s having a hard time going from country to soul/R&B. If anyone gets it, I do. If you listen to the studio version I did of “What Becomes of the Broken Hearted,” I had a similar issue last season.  
     
    Pia Toscano ("All in Love Is Fair," Stevie Wonder): She is so good, I don’t even know what else to say. The girl is flawless. She really does bring to mind Celine Dion or a super mega singing star. Pia has such a universal voice that it would do well in every country. And she looks exotic too. You would almost think she was a pageant girl, but she doesn’t come off that way, which is so important if you’re a girl competing on Idol.
     
    Paul McDonald ("The Tracks of My Tears," The Miracles): Here’s another one where it doesn’t matter what he sings, that smile kills me. Fortunately, Paul can actually sing! He has a really cool tone and I love his voice. Also, he played guitar tonight, but he’s not using it frivolously for every song, he’s showing that he can do both – that he’s a stage performer and not just a musician. Lastly, he wore a cougar pin, which was just hilarious. He’s definitely the Casey James of season 10. 
     
    Naima Adedapo ("Dancing in the Street," Martha and the Vandellas): BAM! First of all, her outfit was amazing. I would totally wear that! And I love that she picked a song that was enjoyable for the audience and gave her room to move on stage. Her energy was all there. Naima had this really focused look about her, and even though she was having a good time, you could tell she has been working her ass off every week to better herself. The proof is in the performance. Plus, I love that she broke into dance because American Idol has needed this! But most importantly, you can feel that Naima loves what she does. And she’s nice, too. I met her at the Top 24 party and she’s really cool. 
     
    James Durbin ("Living for the City," Stevie Wonder): It takes cajones to get that close to the camera, and he was definitely bringing it. He moved more, he had that intensity, he connected with the people on the other side of the camera. He was “crazy” in all the right ways, but even though his was a great performance, I was still thinking about Naima’s turn just prior.
     
    So no surprise here, my favorite of the night was Naima. She’s got some skills. As for who might be in danger, I think Haley might be, and Stefano. Even though he has such an incredible voice, the fact that he’s almost been eliminated before makes me worry about him. Plus, I didn’t feel very connected to that performance, just like what Jennifer said. 
     
    Honestly, all the other performers were so good that it’s hard to choose a third. Then again, this was the week that I went home so I’m probably the last person who should be blogging about Idol, but you’re welcome! 

    0 1 2 3 4 5 - Gemiddelde waardering: 0/5 - (0 Stemmen)
    24-03-2011, 20:59 geschreven door Star updater  
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Rob's New EW Article/Interview. Mag Scans. Full Interview Trancript

    Rob's New EW Article/Interview. Mag Scans. Full Interview Trancript

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    Read the article/interview!

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    Scans epnebelle and QueenNothing303 via RPLife and ToR for the transcript.

    Full transcript of the interview/article from EW under the CUT 



    Write up from the scans of the interview

    “Pattinson says that signing on to Elephants, directed by I am Legend’s Francis Lawrence, was a no brainer, and that he’s considering his post-Twilight career very carefully- though ultimately he knows whatever will be, will be. “It’s impossible to predict anything,” he sighs before grinning. “When it all goes down the toilet, you can just weep.” After the labour intensive shoot for the final two Twilight films, Breaking Dawn parts 1 & 2 (in theatres Nov 2011 & Nov 2011), wraps in April, he’ll start shooting David Cronenberg’s Cosmopolis, with Juliette Binoche and Paul Giamatti. “He’s an incredibly hard working person with an incredible work ethic,” says Witherspoon. “He doesn’t ever complain. Not once. Which is sort of lower than the national average for actors. They’re always complaining. Especially the men

    Twilight lovers will be happy to know that Pattinson is as good looking and thick-maned in person as he appears on screen. But they shouldn’t confuse him with any of the broody characters he’s played. He’s talkative and laughs easily- about the intense fame that’s followed him since Twilight became a phenomenon (“How is this still a story? It’s boring.”), about the darkness of the Breaking Dawn movies (“It’s going to be sooo weird.”), and most of all, at himself. “I’d love to play a big fat person,” he says, contemplating a different look in a post-Edward Cullen era. No doubt it would just mean more of him to love.

    EW: You and Tai, the elephants, have a special bond in Water for Elephants. Do you think she’ll remember you at our photo shoot tomorrow?
    Robert Pattinson: I don’t know. I’m terrified that she won’t. I’ll be so so happy if she does.

    EW: There were a lot of animals on the set. What was that like?
    Pattinson: It could be really scary. The bars of the cages for the lions and tigers were too wide, and they could fit their arms out completely. There were tigers like, battling at the top of the Steadycam operator’s camera. But Christoph! I’ve never seen anything like it. Once he was in character, he somehow managed to take away every bit of fear and walk down this passageway that was only a foot wide, and there were all these tigers literally jumping out, and there wasn’t a single flinch! I was like, “That’s not acting, that’s actually schizophrenia.” [Laughs] It was crazy, because I’m genuinely terrified.

    EW: And then there are your human co-stars. How was working with Reese?
    Pattinson: There’s something about her. She’s just this genuinely nice person. I don’t know if she puts an effort into creating a nice aura, but her mood dissipates over the whole set. It was a completely different environment from when she wasn’t there. All the kids and the animals were just drawn to her. It made it incredibly easy to do my part- all my reaction shots are just watching her work brilliantly. She’s really cool and she’s just…never, ever annoying. God, that’s the worst description isn’t it?

    EW: You played her son in 2004s Vanity Fair, but your character didn’t make the final cut.
    Pattinson: Yes, my big break. [Laughs] Me and my best friend- it was both of our first jobs, and we had adjacent scenes. We went [to the premiere] and we saw his scenes but not mine. They forgot to tell me. I was jealous of him for about 5 years.

    EW: Did you and Reese remember each other from that time period?
    Pattinson: Yeah, completely. No, actually, I don’t know what I’m talking about, not really. I only worked with her for two days. But she was lovely to me, I remember that. I didn’t know what I was doing. I was freaking out. It’s pretty much the only time I’ve forgotten my lines, and it scarred me so much I’ve never let it happen again. We did a scene where she cries, and we started doing the scene and immediately there were tears…and I couldn’t remember a single thing in my head. And then they say, “Cut” and she wasn’t crying anymore. I was like, “How are you doing that? That isn’t fair. I want to be able to do that!”

    EW: Do you feel like you’re getting better, or at least more confident, with each film?
    Pattinson: I think so. The tiredness helps as well. I’m just so constantly clouded in self-consciousness all the time because I didn’t grow up as a very dramatic kid. I did this movie called Bel Ami at the beginning of the year, and we did a lot of rehearsals, and we were doing all this body language stuff, and I was so embarrassed doing it in front of other actors. And they were so comfortable with it! I felt like the biggest moron ever.

    EW: Do you think they’re really comfortable or just that they’ve learned how to fake it better?
    Pattinson: Genuinely comfortable, I think. I was watching the other actors- the director would be like, “Just run around screaming!” And I’d go, “Um, no!” [Laughs] People would take off screaming, and they were loving it! I was like, “But how can you love that?” I would love to love that. I would love to revel in my own physicality. I just feel like Id trip over my own feet.

    EW: You’re almost finished with The Twilight Saga, with Breaking Dawn parts 1 & 2 wrapping soon. You’ve been filming for a long time.
    Pattinson: I literally feel like we’ve been doing it my whole life. [Laughs]

    EW: There are a lot of crazy things that happen in these last two movies- not the least of which involves a half-vampire baby’s horrific birth.
    Pattinson: [Cracks up] There’s some interesting and weird stuff going on- very, very, very strange. It’s great. For a big mainstream movie, it’s the most obscure storyline and really outside the box. It’s a horror movie. I’ve seen a few bits, and I just can’t see how it’s going to be PG 13… unless they cut everything out. [Laughs]

    EW: Harry Potter also gets pretty dark by the end.
    Pattinson: But you can sort of gloss over all that stuff in Happy Potter. Here the key story points are the strangest and most disturbing parts. [Laughs] I’d love to know what they’re going to come up with as the [advertising] tagline for it.

    EW: How are you and the cast and crew going to celebrate at the end of the series?
    Pattinson: I have to go directly to a press tour [for Water for Elephants]

    EW: It must be strange to go from filming such dark material into promotion for another film.
    Pattinson: A few weeks ago, I did some interviews and was like, “Uh, yeah, so this guy gets an elephant pregnant and gives birth to a panda.” [Laughs] It’s about a vampire elephant baseball players! Water for Elephants was a relief because, for one thing, I didn’t have to wear all that make-up and those contacts… My God, I’ll be glad to see the last of those.

    EW: Not so comfortable?
    Pattinson: I actually want to get some kind of plastic explosive. I want to reanimate them into something so I can kill them. It’s embarrassing for me- after so many years, it’s still a process every single morning. Everybody else has figured out how to do it, and then there’s two people holding me down because I can’t do it myself.

    EW: And after you do press for Elephants you’re going straight into David Cronenburgs Cosmopolis?
    Pattinson: Yes, I’m so excited, and I’m freaking out. I have no prep time, and it’s a Don DeLillo book with semi-obscure dialogue, and I have to change my body shape quite a bit. I’m playing one of those masters-of-the-universe types, and I have to have about 6 percent body fat… which means I need to lose about 70 percent. [Laughs]

    EW: So its gym time.
    Pattinson: If I could just cut out beer, that’s my one thing. At the beginning of [Breaking Dawn] I had to be really buff because I had to have my shirt off. And when I start [getting fit], I just go crazy about it. It’s like the only thing I can talk about to anyone. So I was like, “I’m going to keep this up the whole time, so for whatever movie I do afterwards I’m going to be so buff.” And then literally one day after my last shirt off scene I started being all [mimics eating voraciously] nom, nom, nom. And I didn’t realise I had one more [shirt off] scene, and you can see it in one of them- I’m clearly [exaggeratedly sucks in his stomach and cheeks].


    EW: Do people ever send you comedy scripts? Because you’re funny, and I don’t know if people know that.
    Pattinson: It’s weird. Comedy is scary. There are so few comedy scripts, and most of the good ones are written for comedians. There are a few things… I read, like, three things that I really like as comedies, but my agents will never let me do them. [Laughs]

    EW: Why not?
    Pattinson: Because they’re soooo far out. [Laughs]

    EW: Just a complete departure?
    Pattinson: That’s why I kind of wanted to do it. I think that’s the only way to do it: You gotta be like, “Okay, I’m going to jump off the moon.”

    EW: But once Twilight is finished, can’t you do whatever you want?
    Pattinson: I mean, I can. But at the same time, I think people have an incredibly short shelf life, and you can never really predict what an audience wants or how to maintain a career, other than doing what you think is cool. Generally, what I think is cool is whatever everybody else hates.

    EW: I’d think you have enough collateral built up so you could do a couple of out-there things.
    Pattinson: I know, but then you suddenly start crawling back to the studios, like, “Please, please, please! I’ll do anything, I’ll do the most [idiotic] rom-com you can think of!” [Laughs]

    EW: There’s been a lot of Twilight-like excitement about the casting of The Hunger Games. Do you find it amusing? Do you know the books?
    Pattinson: I sort of came across it last year, and I didn’t realise it was the most enormous thing in the world. It’s good! It will be a good movie.

    EW: Would you ever do a big franchise thing again knowing what you know now?
    Pattinson: I would. But I’d want to have more input. The only horrible thing about being part of a franchise..well, not horrible..no, it is horrible…is that the bigger and bigger you get, it’s quite difficult to break out of stuff. When you’ve been playing the same part, you can’t suddenly start playing it differently. It takes away a little bit of the creative kind of..urge.

    EW: Who do you turn to for advice when it comes to picking projects?
    Pattinson: I really trust my agent and my managers opinion on things, and I also send them to my parents most of the time. My sisters, too. It’s all the same people.

    EW: Where’s home? Does L.A feel like home at all?
    Pattinson: Sometimes. I just started missing L.A. a bit when I leave it. But any City, I have a shelf life of about 2 months- then there’s the paranoia. When I had a house here, you just really are waiting for it to be discovered. I’d love to have a place, but I’d just be freaking out about it all the time. I’d be constantly thinking someone was going to come I and take stuff.

    EW: Do you think after Twilight ends in 2012 you’ll be able to start living a more normal life?
    Pattinson: It’s funny how it’s ending in 2012. This is how the world will end. But, um, I don’t know. I think most of people’s recognition is based on the magazines and stuff. All the gossip stories won’t work- they’re always combined with Twilight, so once that’s done and it can’t be combined with the promotion of the film, I think it will end. Because I have an obscenely boring life.”



    Yey! Love the interview. It's so Rob. Naturally funny and entertaining Rob. *sideeyesVF*

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    24-03-2011, 20:56 geschreven door Star updater  
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    24-03-2011, 20:55 geschreven door Star updater  
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