Ik ben
Ik ben een man en woon in () en mijn beroep is .
Ik ben geboren op 01/01/1970 en ben nu dus 55 jaar jong.
Mijn hobby's zijn: .
I'm a nirvana-loving, wanna-be-grunge writer, who talks too much, I'm a girl-sniffing cunnilingus addict, I stick by my
exhibitionistisch proza
we play with the toys the gods gives us "it's better to burn out than to fade away"
04-12-2011
the female alphabet: Fay
Half Japanese. It said so
on your T-shirt.
I don't know why a similar
taste in music should pave the way for sexual intercourse, but it
often does.
You liked Half Japanese,
but you said it wasn't one of your favorite bands. The reason you
wore the T-shirt was because you actually were half Japanese. Your
father was Japanese, your mother was Belgian. At least she was at the
time, now we would call her Flemish.
We met on the second
afternoon of Pukkelpop. I only go to music festivals when a
girlfriend drags me along or to get over one. That time the latter
was the case. We were in luck.
Normally I only like the
atmosphere in the camping area. When I'm in front of the stages I
always catch myself watching the band on the tv screens. Why go to a
music festival if you are going to just stand there in a meadow and
watch tv? I can do that much more easily at home, without feeling
like a cow staring at passing trains. But I like the camping grounds
and the smell of pot that gently floats among the tents, like a
marihuana sea breeze. I like the bits of conversation that come to my
ear and it makes me feel young and free and neo-hippie-like to see
people wash their hair out in the open. And I like having sex in a
tent with music in the distance and bass beats shaking the earth
under your twirling bodies.
You were there, because
you worked there. You helped build the stages and you were supposed
to take them down after. In the mean time you were free to catch some
of the concerts. The only reason you became a roadie. That and the
sense of freedom the irregular working hours gave you. You had 'the
9 to 5 world ain't no place for me' tatoed on your wrist. In some
kind of very aggressive pink. I guess roadie is one of the few career
options open to someone who has that kind of a tatoe displayed in
full view.
I was in the middle of
getting over a break-up. So when when I was walking back to my tent,
after our first conversation, I was telling myself: this time it's
going to be different. This time I am not going to make the same
mistakes again. Not that you had just agreed to a life long
relationship or even a short festival fling, but one can dream,
right?
We agreed to meet in front
of a stall that sold something that was called Chinese food, but
wasn't. You knew Asian food, so I didn't argue. 'You were in China?',
I asked. 'Yes, is that strange?'
'Isn't that a bit like a
German going to Russia?'
'How do you mean that?'
Yes, how DID I mean that?
I wasn't making much sense. The sun, the vibes of the masses, quite a
bit of beer (I drink at the end of relationships and at the start of
new ones, and here the two situations blended, so yes, quite a bit of
it) and the old butterfly feeling was making me blurt out crap.
'Nevermind, I was just
wondering how Chinese people look at Japanese people. Knowing what a
rowdy time the Japanese had in China right before and during world
war two.
'Right', you said, 'you
are one of those guys who read history books.'
You looked at me like
you'd just said: 'Right, you are one of those guys who wake up every
morning in their own vomit and like to brag about it.'
'Nevermind', I said again.
'Yes, Nevermind', you said
with one eyebrow raised, 'great album, though In Utero and Bleach are
my favorite.'
'You look like the bass
player of Shonen Knife', I said.
'Which one?', you asked.
Right, had to admit
a) I didn't know they went
through more than one bass player.
b) I didn't know any of
their names.
'It doesn't matter', you
said, 'they're all good-looking. So thanks.'
I like girls who can take
a compliment. Girls who don't fend off compliments, usually have no
trouble stating what they want in bed.
'Do you want to grab a
bite?', I said. Being so near to all those food stalls, it was the
most logical thing to ask.
'No, I am not hungry.'
'Are you one of those
girls who never eat?'
I can't stand girls who
don't eat. They don't have calories to burn in bed. Or tent.
'No, I eat. I'm sure I'll
git a bit peckish when the sun goes down. It's just too hot to eat
anything now.'
'Are you sure? Because you
are really slim.'
'Seriously, you should
feel my thies.'
You pulled me and my left
hand down and put it on your right thie.
'Feel that?'
'It's firm.'
'Maybe. Broad is more the
word for it.'
'Seriously, you got a
great waist and you got killer legs.'
You were wearing black
shorts. So short, the rim barely peeked from under the rim of your
T-shirt.
'Ok, ok, enough with the
compliments.'
'Sorry, but it's true.'
Grinning and silence.
'Ok, give me an other
one.'
'You got a very feline
look.'
'Is that a good thing?'
'That's a very good
thing.'
'Ok then. Give me an other
one.'
How many compliments does
it take till you get to the centre of the...?
I didn't keep count, but
we put up a seperate tent that night. All the way in the back. You
moved out of the one you were sharing with your friends, I moved out
of the tent I was sharing with mine. It sort of felt like moving to
the far corner of the island to engage in mystical initiating rites,
which was a good feeling to have. At least we could make a little bit
more noise there. And we were closer to the toilets. It wasn't like
we needed to be close to the concert area any more.
'You smell like basmati
rice, but better.'
'You talk too much.'
Silence.
'But come on, go on. How
do I taste? And please don't say something like hot Sushi.'
You tasted like the most
expensive cocktail on the menu, and you don't want to lose the taste,
'cause you can't afford an other one.
You sat on my face.
'Now you have your
cocktail on tap.'
When you rolled away, you
asked: 'Doesn't it make your tongue hurt?'
'We are those who ache
with amorous love.'
'What?'
'It's the title of an
album by Half Japanese, isn't it?'
'Yes, I know. Stop trying
to impress me. You already have me naked.'
I was really starting to
like you.
The tent at the border of
the island, seceded from the rest and formed it's own little kingdom.
We only crossed back to the main island when we ran out of food.
Which we didn't buy at the stalls. We walked all the way to a
supermarket.
'I am what you would call
a skinflint. I like that word to describe my obsession with saving
money.'
'I suppose a roadie
doesn't get that much pay.'
'Ow, it's ok. Saving money
is more like a hobby. Or a challenge I can't resist. Has something to
do with a residue of old Samurai perfectionism.'
Being cheap never sounded
so sexy.
I had promised myself not
to make the same mistakes again. But it all felt so right, so I
copied that habit of yours. And every time I pick up a new habit, I
overdo it just a tiny bit. The first month of our relationship, I
managed to save over 70 percent of my salary. It's amazing how much
you can save if you really want to.
After Pukkelpop we filled
the gaps in your tour schedules with fucking. The fucking was long,
the gaps were short. Every time you left, felt like the waiter
snatched a big dessert I had barely touched right from under my nose.
We texted the skin of our
fingers off. Saving money didn't seem to count for our phone bills.
Sometimes we even spoke on the phone. Every other day at 11 am. You
were very given to routines for a girl who vowed to hate the nine to
five world.
There a lot of pauses when
we were on the phone. Half of the time there was silence, the other
half of the time we were looking for a topic to talk about. We had
agreed not to fill telephone conversation by repeating over and over
how much we missed each other. I hated missing you, your physical
presence and your laughter, so much I drew up a wall between us, to
not get too emotioally attached to you.
That's not very smart.
Going into a long-distance relationship while rejecting the pain of
missing, is like declaring war while rejecting the violence it will
cause.
During our last telephone
I said: 'Who needs the disappointment of a telephone call?'
'What?'
'It's in a song by
Razorlight.'
'I know that. Tell me the
title of the song.'
'Why?'
'Just say the title.'
'Who needs love?'
'Yes, if you can't fucking
handle the distance, then fucking have the guts to tell me so,
straight on.'
You hung up.
Very girly thing to do.
I didn't call back.
Very boyish thing to do.
I still can't listen to
Half Japanese without craving your body and wondering in which tent
you are sleeping tonight.
I called you the Lady of
the questionmarks. You flooded me with questions. It even started
with one. We were on a train. You sat across from me and you said: 'I
am sorry, but may I ask what you are writing?'
Nothing of any literary
worth.
'Ehm, my diary', I said.
'You write a diary?'
Yes, but if you would read
two sentences of what's in there, you would run to an other
compartment at the speed of lightening.
Of course, I didn't show
you my diary and so we managed to have a drink at the train station.
More questions came. Normally that's my part of the game, but you
didn't even give me a chance to ask you one. It was a welcome change,
I must admit. A girl who showed initiative.
You asked my telephone
number. You asked me in which part of the city I lived. You asked me
if I wanted to go and see a movie.
And then finally, my first
question to you: 'When?'
'How about tonight?'
When you woke up in my bed
the next morning you asked:
'Why do you have so many
pictures of dead people on your walls?'
'They inspire me.'
'To do what?'
Your best question so far.
I went to get you some
breakfast. When I got back you had already cleaned my place.
'Do you mind if I tidy the
place a bit up?'
You didn't ask if you
could move in, but you did. You would only ask if you could put your
this or that here or there. My closet started filling up with your
clothes very rapidly. That was fine, I'm used to using the floor to
store my clothes.
Sometimes you didn't ask
questions. Like when you were cooking. You liked cooking. You also
liked to braid my hair. You liked to wash, shampoo, brush and braid
it. I don't think you were trying to tell me something about personal
hygiene. I'm sure you would have asked me something about it
otherwise.
When we went out to
restaurants, I would pay. You were still studying. You could pick
whatever you liked, but you asked:
'Why do you always order
the cheapest on the menu and nothing to drink?'
'I am an artist. I don't
believe in artists who eat well.'
'Why not?'
'Writers are like
mushrooms. Keep them in the dark and feed them on shit.'
'No really, why do you
never treat yourself to anything good. You always buy the best for
me.'
'If you choose to be an
artist and never produce anything of any practical use, you are like
a parasite. So when I deny myself some of the luxuries of life, I
feel less like a parasite.'
'You don't like being an
artist?'
'I love being an artist.'
'I think if you had a
different profession, you would invent some other reason to deny
yourself the luxuries of life. Maybe you are just not satisfied with
yourself?'
I could stand the
questions, but the analysis that came with them was something else.
The first time we had
dinner with your parents I saw where you got your questioning habit
from. Your dad was a cop. He would ask your mother: 'How long was
this chicken in the oven? How many degrees? Did you put enough salt
and pepper on it? How much does it weigh?'
Where were you at the time
the potatoes burned? What were you doing in the bathroom? Was someone
there with you at the time who can confirm this?
Any question he had about
me, he directed to you. I didnt have a name. I was this guy. 'Is
this guy treating you well? Is this guy good for money? At what time
does this guy get up? Is this guy handy with a hammer? What kind of
car does this guy drive?'
The answers rolled right
out of your mouth. Like you had prepared for an exam.
The only question he ever
asked me, was: 'What's your poison?'
Meaning my favorite drink.
Apparently you weren't supposed to know anything about liquor.
I knew it wasn't the right
thing to answer to the man's question he had a reddish, strawberry
like nose-, but I said I didn't really like the taste of alcohol.
When we were walking back
to my place afterwards, you were bouncing up and down and telling me
what a good impression I made.
I couldn't understand all
this enthusiasm and asked:
'Why do you like me so
much?'
You said: 'You are like a
cute little bird with a broken wing. I just love taking care of you.'
Wrong answer.
I asked:
'What if you like taking
care of the bird so much, you don't want the wing to ever heal?'
'What do you mean?'
I don't know why I didn't
keep my mouth shut. I mean, you were good-looking, very girly, very
soft skin, nice hips, fashionable, but unpretentious clothes, subtle
perfume and you had a sensual walk. I could get used to your
cleanliness. Your spoiled me with your cooking, but I liked the time
it saved me. And your giving nature was most giving in the bedroom. I
was grateful, but tense. I prefer girls who exploit me for their
personalized hedonistic purposes. I guess it gives me a sense of
usefulness. But still, we had a good horizontal connection.
It didn't make much sense.
All those qualities landed
you straight on the list of luxury items I like to deny myself.
'Why do you wanna break up
with me?'
'I can't stand being
pampered.'
'Why not?'
'Did you ever read the
novel Oblomov? You're going to rock me to sleep with all this good
care of yours. I'm afraid I'm going to be like a sedated baby
eternally sucking at his mother's breast.'
'But I like taking care of
you! And it's good for you too. You're finally getting some colour.'
'Look, I don't wanna be
your rosy cheeked baby, ok?'
'Is this your way of
saying I clean too much? I have it from my mother. I can stop if
that's what you want. What do you want?'
I walked out on you then
and there,
but thanks for letting me
discover, I was never looking for any easy ways out of adult life,
but for hard ways in.
It took an altruist to
make me see I'm a masochist.
In a relationship there
can only be the certainty of choice. The relationship by itself never
comes with any certainty. I gave myself the certainty of choice when
we were together for about a year.
At one moment I said to
myself: 'This is as good as it gets. I choose you and rid myself of
all the nagging what ifs'
I remember the moment
well, because I was walking back to my place from a night spent in
bed with Hilde.
A very fine night it was,
and now I have the quietness of dawn in a sleepy city on Easter
morning to be torn between feeling elated and being scared out of my
wits because you might discover what I did. So no more of that. It's
all very clear now. What this fear is telling me, is that the one for
me is you.
In choosing you, I wasn't
settling for less than I thought I could have. I must be clear about
that, in all fairness to you. There was more I could praise you for
than there were things I could criticize you for. I am ready to admit
that.
You had good taste in
everything. A bit posh sometimes, but still, good taste. You looked
great. A hardbody. Slim waist. Long legs. D-cup. Very Arian, but with
an original face. I especially liked what you called your 'Ukranian
slut look'. Tight glitter top, tiny tennis shorts and leather orange
high-heeled shoes with lots of kinky looking straps. Purple
eye-shade. A one-woman sex invasion.When you walked the streets, you
were like a magnificently glistening sword cutting through the
masses.
The only reason I stopped
telling you how beautiful you were, was because you got it into your
head to sign up for beauty contests. When you told me that, I could
already see you in glossy magazines, showing off your new slick
looking boyfriend. I was sure you would trade me for a famous soccer
player the second they put that crown on your head.
You called me while
I was jogging along the river. They didn't accept you. I tried to
sound empathic. Hard when you're smiling with relief. I said you were
too beautiful to enter. You wanted to believe that, but didn't. You
said it was the fault of me and my constant compliments that you even
tried. I promised to stop complimenting you. You promised to see
beauty contests as what they were: the mainstream promotion of a very
shallow beauty ideal.
We had a very quiet dinner
that evening. It takes a lot of talking to reach a compromise, but as
soon as you've reached it, an eery silence can creep in. Silence was
new to us. We were never silent before. Always laughing, or talking
and if we weren't talking, we filled the room with the sound of your
moaning. You were the loudest by far. Your orgasms could trick nearby
factories, schools and companies into thinking they were having a
fire drill. My dad used to say: 'Something kept me awake last night.
It's about 1.75 cm high, blonde and puts a dumb grin on my son's
face.'
Yeah, you were blonde. Out
the window went my pathetic adolescent boast: 'I don't do blondes.'
I also propagated I
preferred small breasts.You asked: 'I can't figure it out. What do
you even see in me?'
How much time do you have?
When I first saw you, you
were unlike any woman I'd ever seen before. You looked like an angel
with developed sexual organs and at the same time you looked like you
killed your five previous husbands in a way that would make the most
talented Nazi henchman envious. You even said you were a Nazi on our
first date. Not that you had anything against jews, but you couldn't
stand the sight of weaklings. I remember you saying something:
'Without inflicting pain, I go insane.'
The part of you inflicting
it, wasn't quite true. You liked being administered pain. You could
reach orgasm by hitting your 'chatte'. You spoke French at home.
Which makes it even worse that you beat me nine out of ten times we
played Scrabble. We played it in Dutch. As a break in between having
sex. Even you and I couldn't have sex ALL the time. Your father often
had 'I can't stand losing', playing in his car. I don't know if he
did that on purpose, but it was a fine soundtrack to those days.
The moment I chose to be
with you for good, I became so scared of losing you, that, instead of
talking you up, with compliments I had always meant, I started
talking you down, with scathing comments I never even believed I
meant.
Why do things become so
clear only in hindsight?
You broke up with me,
because I got too arrogant. Excellent observation, I must say.
Arrogance, a bombastic, yet very fragile shield for insecurity. In
all those sex marathons, you, looking so aggressively sexy and
independent, giving yourself over to me, so passionately, made me
overflow with self-confidence until it turned into blind
over-confidence. I was starting to feel infallible.
I was dealing with the
same question. I could never quite figure it out either, why did you
ever fall for me? In the end I was too arrogant to ask you. I think
now, you fell for me because I wasn't a macho, was modest, funny and
caring. Walking hand in hand with someone like you somehow convinced
me I should be a bigger, better, much more confident man todeserve
you and so I turned into the exact opposite of what you liked. How
ironic can self-destruction get?
It took me six months and
a lot of innocent broken hearts before I stopped trying to mend the
cracks in my arrogance. And three years to get over my fear of the
certainty of choice.
We're still not on
speaking terms, but at least I got rid of enough arrogance to finally
wish you a happy life.
What we had was brief, but
the memory stretched. Hooking up with someone when you least expect
it, has the pleasurable quality of becoming a movie stored in the
library of the mind. It usually lasts no longer than one night in
real time, but it takes up more memory space than a boring year will.
You were half American,
half German, but you felt German. We spoke German. In a park, close
to the outdoor reception where we met. The first hour or so we talked
about the feeling of guilt young Germans still carry with them. You
said you could travel nowhere without someone bringing up the
Holocaust. I was no exception. I apologized. You patted me on my
shoulder a second too long and said: 'It's ok, I'm used to it.'
You were used to a lot of
things. Being compared to your mother for example. The worst one is
your father. He never fails to notice: 'It's a pity you don't have
your mother's nose'. She was a model when she was in her prime.
You are not a model.
Not by rigid 21st
century standards anyway. You hate your nose, you say. I protest and
insist you have a very attractive nose. The outdoor reception seems
to get more and more distant, but one of your colleagues keeps
bringing us wine.
We end up in my bed at
around six am. My roommate won't be able to concentrate all day,
because he woke up to the sight of your breasts. Very firm breasts
you have. Pointy nipples. You are very active, even after a night
spent walking through town. Is this an attempt at compensation for an
inferiority complex? I don't wanna feed your inferiority complex,
but, damn, I like your action.
I walk you back to
your hotel around 10 am. When my psychologist makes me associate
something with women I spontaneously say: 'lack of sleep'. All the
way to the hotel your head is on my shoulder, your eyes are closed
and you say: 'You know, my boyfriend would never do this, he always
falls asleep right after.' I raise my eyebrows, but am too tired to
react.
In the hall of your hotel
I ask: 'Can I have your emailadress?' You say no. 'There's no point,
my boyfriend and I share the same emailadress.' I ask how long the
two of you are together. 'Five years', you say. 'Like an old pair of
shoes you are attached to and can't throw away.' I leave it at that.
'You have an attractive nose', becomes my pick-up line for quite some
time.
It works best with girls
who already have boyfriends.
A girl in a relationship
is a girl who hasn't had a spontaneous compliment for the dure of the
relationship minus the first three months.
You didn't love me. And
that's alright. You didn't really need me. And that's ok. You didn't
want to need me. That's fine. I've been loved before, I know what
it's like. Being loved scares me more than not being loved.
You were Serbian. I like
that about you. You wore a long black fake leather coat and boots
with heels like daggers. When our eyes met for the first time, I
thought I read: 'Wanna see my gun collection?' But you didn't collect
guns. You collected orthodox icons. Your room was full of them.
Fucking surrounded by icons is way more disturbing than fucking in
the midst of stacks of kalashnikovs and old ammo, I must admit.
Bojana. I thought it meant
something like 'battle babe', but boja meant colour in Serbian, your
name wasn't derived from boj meaning battle. It didn't change much, I
kept seeing you like the twin of Xena, warrior princess. We would
meet after work and you'd say: 'my boss wanted me to re-do all last
week's invoices' and I would say: 'So you cut his throat with the rim
of a plastic cup.'
You didn't like that.
You were distant, yes, and
you took everything very serious and looked like you could ram your
head through a brick wall if you wanted to, but you only looked that
way. You were very sweet actually. Walked your 11-year old dog every
day. He couldn't walk very fast, so you skipped lunch at work to take
him out. You brought your old grandfather his newspaper every
morning. You would knock on his wooden backdoor and yell: 'Are you
still alive?' I thought it was funny, but of course you were serious.
You were always serious. 'I put my soul into everything I do', you
said. And you did. You had a ritual for everything.
You would only put your
running shoes on when you were standing exactly in the middle of your
doormat. You would make a cross every time you ate something. You ate
beans at every supper. No matter what the main dish was, you would
warm up a can of beans to go with it. You said it protected you from
colon cancer. You sounded so convincing, I started to do it too.
I liked observing you do
things. Everything you did was like a prayer in motion. You didn't
like me watching you all the time. 'What? What? Why are you
smiling?', you would ask while you were folding towels or something.
When you broke up with me,
you said: 'You never take anything serious and I don't think you ever
will.'
I said I took our
relationship serious.
You said: 'That's the only
thing I don't want you to take serious. You make me feel like I am
your study object. It's exhausting.'
I was confused for months
after. With new girls I started behaving like a clown more than ever.
They didn't stay either. I texted you and asked if you really thought
I was never serious about anything. You answered: 'God, you are like
a Martian studying to be human.'
I became passive with
women. Just sat their with them, didn't dare say a word, afraid that
every word I'd utter would be fake anyway. Passivity turned out to
work rather well. It gave timid girls the courage to open up and made
them playful. It made extravert women use me like a living dildo.
Before I knew it I was being passive on purpose.
And so, as I sit here
eating my beans and I keep staring at your picture with the defiant
pose (truly sorry, but you really look like you're about to climb
aboard an Abrams battle tank and shoot some village all the way back
to the middle ages) I have to admit:
you were right once again
my serious Serbian girl, I am in fact studying to be human.
You smoke fifty sigarettes
a day. It tastes like shit every time we kiss. I soak my tongue in
apple juice, but it won't wash off.You should be writing your thesis,
but you ride me six times a day. Seven on Sundays. You take the
purple ribbon out of your blonde hair and you strap it around my
cock. It's the only way to keep it completely hard. Every vein feels
about to pop, but the pain drowns in your moans.
To call you impulsive, is
to call a nuclear bomb a bit destructive. We go to restaurants at 3
am. I don't know how you find these places. When the bill comes, it
kindly says: 'Pay what you think it's worth' Homeless poets crowd our
table and pay you with verses to get some of your attention. Little
rhymes on pieces of magazines, napkins, cardboard and even wall
paper. You plaster the tiles of your bathroom with them.
'I wash myself in street
poetry', you say. It keeps me young.' Well, your bathroom sure looks
like a temple of punk. For some reason your hands are on the mirror,
dipped in your menstruation blood. You have no idea why you did it.
'But it looks pretty cool, don't you think?' You love it when I go down on you when you have
your period. 'Good doggy', you say afterwards and then you grab my
balls and just squeeze them real hard, until, against all
expectations, the pressure makes me come. You only like sex when you
are in full control. You like giving blowjobs, but only if you leave
your teethmarks.
You always get your way.
You once walked up to a girl and offered her money for the boots she
was wearing. You got them for 40 euros and a kiss on the lips.I call
you Miss Pallenberg when I text you. As in Anita Pallenberg, Brian
Jones' girlfriend until she 'eloped' with Keith Richards. You kinda
like it. 'I guess we do have the same decadent style', you say. You
pride yourself on your decadence. 'Some people they try so hard to
get their yaya's out, they go on till it's five to
twelve. I go on till it's five past twelve.' To this day I don't know
if you knew you were paraphrasing Hitler.
It's too late to ask you.
You also 'eloped'. You called me 'too much of a thinker, not enough
of a do-er'. That stung. That stung bad. For months after you left, I
tried rather obstinately to proof you wrong. But first of all, I had
trouble locating these underground go-go's, as you liked to call
them, and then when I did locate them the people there looked at me
like I was the taxman, about to bust their moonlighting asses,
clumsily posing like one of them. I kept falling asleep whenever I
sat down during the daytime. I had to admit you were right.
That was hard, swallowing
my pride. Getting used to 'normal' sex after you left, was even
harder. Like going back from cocaine to cafeine. Sometimes I still
run into one of those bum poets. I smilingly throw them a dime. As a
small offering to fucking in the fast lane. I often wonder what kind
of guy could keep up with you. They say you are sharing a floor of an
old factory with a manic-depressive playwright somewhere in
East-Berlin. I have a good feeling about that.
When I really miss you, I
look at the napkin you left me, pinned on my own bathroom wall.
Stand up and face the music
Embrace madness, everybody is
already so frigging normal
embrace madness, but do it
genuinely, open your eyes
everybody is already so stupendously
delusionally
blind
embrace madness
it's the only thing that's pure
I go for a jog then, even
if it's 4 am and pouring harder than over the Mekong delta. And when
cops pull over and ask if I'm in the habit of running so early in the
morning and I say, without bothering to look at them, 'sometimes I
just feel like it' and they drive off with a wry smile, I feel like
you and I really connected at some very deep level. And the eight
months we were together suddenly feel like so many life-times. And
when my new girlfriends put up some token protest when I want to lick
the crimson nectar right off their thies, I just say 'embrace
madness' and dig right in.
Mensen houden te veel rekening met wat anderen van hen denken.
Mensen geven niet toe aan wie ze werkelijk zijn.
I'm all about sex. In combinatie met een aangeboren obsessie met schrijven en geplubliceerd raken.
Ik val op kleine brunettes. Op B tot C cups. Op meisjes die helemaal into rockmuziek zijn. Op meisjes die anti-wanna-be zijn.
Ik hou van beffen. Van vrouwen die lekker klaarkomen. Die niet faken. Die niet beschaamd zijn over hun lichaam.
Ga schaatsen, ook als ge niet kunt schaatsen. Zolang je niet pretendeert da je het wel kunt is het ok. Zolang da je u niet schaamt over uw onkunde is het ok.
Ik schrijf straks een toneelstuk dat helemaal mij is. Mijn ziel zal er in zitten.
Ik heb meer liefde dan de meeste mensen.
Ik zie lees beter harten dan de meeste mensen.
Ik ben meer op seks uit dan de meeste mensen.
Ik zet mijn muziek luider dan de meeste mensen.
Ik sta meer open voor andere mensen.
Ik droom meer.
Ik ben niet egoïstisch genoeg.
Zelfrespect. Kostbaarste goed.
Als ge niet ok zijt, met wie je bent, moet je u niet in een relatie storten. Komt dan toch nooit iets duurzaams van.
Heb mijn ogen open voor die brunette. Ondertussen mag ik slapen met wie ik wil. Omdat slapen met vrouwen leuk is.
Van zin om zaterdag stevig in te vliegen. Wil naar huis gaan met een stuk of vijf telefoonnummers van nieuwe jongedames.
Check out the market, before you settle down. Behoud een voorraad gewone vriendinnen als je de juiste tegenkomt. Bedrieg uw lief niet.
Mijn volgend lief ga ik meer appreciëren , niet meer ondergraven, niet meer stresseren, niet meer stiekem niet verdragen.
Ik weet al hoe ze er uit ziet. Ik weet al hoe ik mij er bij zal voelen. Ik weet al dat ik meteen zal weten dat zij het is.
Ik kom ze gauw tegen. Het zal niet lang meer duren. Ik zal mijn geluk op prijs stellen. Ik zal geen domme dingen doen. Het zal goed zitten tussen ons.
-je mag geen kushandjes werpen naar de knappe dame op de achterste rij. Ook niet als je denkt dat niemand het ziet.
-je mag je neus niet snuiten in het gordijn
-uitwijdingen over je privé-leven leiden misschien wel tot hilariteit, maar brengen de leerlingen niet echt iets bij
-borden komen los als je er te wild mee om springt
-gebruik geen leerlingen als bordenwisser. Zelfs niet als ze wanten dragen.
-ontbijt niet terwijl je les geeft
-als de pauze langer duurt dan de les, schort er iets aan je planning
-ben je naar bed geweest met een leerling, dan is het een slecht idee om de rest van de klas daar van op de hoogte te stellen. Ook al lijkt je dat het geschikte moment om het thema seks te bespreken in het Russisch.
-de lavabo, aanwezig in het standaardklaslokaal, dient niet als foltertuig. Leerlingen onder water houden, is niet de manier om een correct antwoord uit te lokken. Soms weten ze het gewoon echt niet.
-huiswerk opvragen dat je niet opgegeven hebt, lijkt een leuke grap, maar in de praktijk zien de leerlingen er zelden de humor van in
-je mag de traagste van de klas niet laten stenigen door de rest van de klas. Zelfs als de rest van de klas daar geen probleem van maakt, want als je elke week iemand laat stenigen, kom je uiteindelijk zonder leerlingen te zitten. Waar ga je trouwens al die stenen halen? Je kan de speelplaats niet opbreken. Dat valt op.
-als een leerling je verbetert, mag je hem niet uit het raam gooien. Je kan hem eventueel wel opwachten na de les om zijn of haar tong te verwijderen met een nagelveiltje
-het woord belastingen uitleggen door de leerlingen twintig procent van hun geld aan jou te laten geven, is erg afdoend (ze vergeten het nooit meer), maar de directie is meestal niet zo happy met die methode
-coke versjacheren aan je leerlingen mag je niet zien als een klasgesprek over drugs
-les voorbereiden kan belangrijker zijn dan bloggen
Vanochtend gelopen, acht kilometer. Is niet zo overdreven veel.
Gekatapulteerd naar volwassen leven. Klopt niet, maar ik voel het zo aan.
Gisteren goeie film gezien in de cinema: American Gangster.
Not bad, not bad at all.
Ik denk aan E.
E is echt wel leuk. Heeft altijd iets te vertellen. Heeft een grappige lach.
Nogal delicaat. Psychologie-minded.
Overdreven gefixeerdheid op seks: nefast voor elke relatie.
Want to know more people.
Want to be someone else.
Ik kijk naar een cola blik. Los van de inhoud is dat toch maar vakmanschap. Hetzelfde met auto's. Ik hou niet van auto's, maar er rijden er miljoenen rond en dat zijn allemaal producten van mensen die hun werk goed doen. Neem nu die lerares waar ik stage loop. Veel ambiance is er niet in haar lessen, maar ze leert die leerlingen op korte tijd toch wel de basis van een vrij moeilijke taal.
't zelfde in t restaurant waar ik werk. Die mensen doen hun jiob goed. Nooit bij stil gestaan hoeveel mensen hun werk goed doen.
Professionalisme.
Dat heb ik niet.
E. voelt zich minder dan mij.
Waarom dan wel? Omdat ik mij met twintig verschillende dingen inefficiënt bezig houd?
Ik ben een dromer en zelfs daar ben ik niet echt goed in.
Have to find my way out.
It's like I can adopt any personality I wish and that's frightening. It's easy to blend too much and end up with no clear personality whatsoever.
Om eerlijk te zijn: ik voel wel dat ik iets kan, maar op deze manier komt het er niet uit.
Ik dring mezelf op tot ik een leiderspositie heb en daarna weet ik niet meer wat ik daar moet mee aanvangen en snap ik niet meer hoe ik daar geraakt ben.
People are strange. Zeg dat wel.
Wil af van mijn alles of niks mechanisme. Moeilijk om daar van af te stappen. Kben het zo gewoon. Werkt uit zichzelf.
In need of other priorities, less talk, more action.
Ik ben William Peynsaert
Ik ben een man en woon in Erembodegem/Aalst/Gent (België) en mijn beroep is student/schrijver/whatever makes the money roll in.
Ik ben geboren op 20/03/1983 en ben nu dus 42 jaar jong.
Mijn hobby's zijn: schrijven, lezen, uitgaan, excessive drinking, cunnilingus, muziek, bestuur van verenigingen infiltreren, shockeren, teg.
muziek: Nirvana, The Foo Fighters, the pixies, ramones, rolling stones, beatles, brenda lee, the hives, the butthole sur