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  • Algemeen (59)
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  • Elvis and Women (10)
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  • The Elvis Presley Fan and more.....
    for fans only
    24-01-2011
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.'The Last Vegas Opening Night' - import CD delay
    'The Last Vegas Opening Night' - import CD delay: Straight Arrow label announced its 12th release near the end of December; a double CD with the famous December 2nd, 1976 Opening Night. Some fans are asking, "Why is this release delayed and will it ever see the daylight?". The answer is very simple: Straight Arrow is here to give you the best possible quality. We originally intended to use a 1978 first generation copy for this release, simply because we figured that the original tape was no longer around or could no longer be traced. But then, as the project was almost near completion, our search for the original tape finally paid off, and we got in touch with the person who recorded the concert and owns the original 120-minute master tape. The sound fidelity and overall quality of this tape is FAR superior to any copy in circulation, and unlike these copies is also 100% complete!
    The negotiations took some time, but we came to an agreement, and the Straight Arrow team is now working its magic on the original tape. We can assure you that you will be impressed when you hear this; one of the King’s finest ’76 concerts in a remarkably clear and dynamic sound. The person who recorded the show also wrote the liner notes, a unique eye-witness perspective from a person who was THERE and describes the show in fascinating detail.
    Tracks: CD1: 01. Also Sprach Zarathustra - 02. C. C. Rider - 03. I Got A Woman / Amen - 04. Love Me - 05. If You Love Me (Let Me Know) - 06. You Gave Me A Mountain - 07. Jailhouse Rock - 08. It's Now Or Never / Are You Sincere (excerpt) - 09. All Shook Up - 10. (Let Me Be Your) Teddy Bear / Don't Be Cruel - 11. Dialogue / Don't Be Cruel (excerpt) - 12. And I Love You So - 13. I Just Can't Help Believin' (by request / last live version) - 14. Fever - 15. Softly As I Leave You - 16. Polk Salad Annie.
    CD2: 01. Band Introductions - 02. Early Mornin' Rain - 03. What'd I Say - 04. Johnny B. Goode - 05. Drum Solo (Ronnie Tutt) - 06. Bass Solo (Blues - Jerry Scheff) - 07. Piano Solo (Tony Brown) - 08. Electric Piano & Clavinet Solo (David Briggs) - 09. Love Letters - 10. School Day - 11. Celebrity Introductions (Vikki Carr, Glen Campbell) - 12. Hurt #1 - 13. Hurt #2 - 14. Hound Dog (with false start) - 15. Hawaiian Wedding Song (with false start) - 16. Dialogue - 17. Blue Christmas - 18. That's All Right, Mama - 19. Bridge Over Troubled Water - 20. Introduction of Vernon Presley - 21. Can't Help Falling In Love - 22. Closing Vamp.
    Approx. runing time: 101 minutes (News, Source:SA)

    24-01-2011 om 18:07 geschreven door zooroo  

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    Categorie:Algemeen
    Tags:'The Last Vegas Opening Night' - import CD delay
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Johnny Wilkinson: Elvis's Right-Hand Man

    Johnny Wilkinson: Elvis's Right-Hand Man

    How a 417-land kid gave Elvis Presley a piece of his mind… and then found himself on the road with The King.



    I’ve got a pair of tickets to see Elvis Presley and Hank Snow at the Shrine Mosque tonight for the 13th caller,” announced Springfield radio DJ Jim Stanley. “They have a dress rehearsal and sound check this afternoon. You can’t go to that, but I’ve got tickets to the show tonight.” Johnny Wilkinson, 9 years old at the time, had been left at home for the first time ever that weekend and heard all he needed to hear. He didn’t care about making the show that night. He needed to find his way into the Shrine to speak to Elvis in person. Wilkinson didn’t know it yet, but the circumstances that came together that Saturday in 1956 would prove to be life-changing.

    “The minute my folks rounded the corner at Grand and Weller, I got on my bicycle and rode all the way down to the Shrine Mosque, parked my bike, and went up to the second floor where the dressing rooms were,” says Wilkinson. “I’m looking to the right and the left; nobody there. Then in the very last dressing room on the right, there he was. I thought, ‘Okay Wilkinson, here’s your chance, are you going to do it or not?’ So, I knocked on the door. His hair was neatly combed and brushed. He had a on a pair of Levi’s. His boots were shined, and he had a red-and-white checked Western-style shirt.”

    After exchanging some pleasantries, Wilkinson told Elvis why he was really there. With his characteristic boldness, present even at 9, he said: “There’s a reason I come looking for you today. I come to tell you that you can’t play guitar worth a damn.”

    Wilkinson had watched Elvis enough on television to determine that he was a better guitar-player than Elvis. Taken aback, Elvis pointed to his Gibson guitar in the corner and told Wilkinson to show him how it’s done. Wilkinson had been playing since he was 5 and managed to impress Elvis with a couple of songs before Elvis’s bodyguards came in, putting an end to the impromptu child-to-musician guitar lesson. Wilkinson left that day, but not before Elvis predicted that he would see him again. In most cases, a story like this might be told by a man reminiscing about the one time he met Elvis Presley. But for Wilkinson, this was just the start. Elvis’s prediction had been right.



    “The young man on the rhythm guitar - he makes records for RCA Victor - his name is John Wilkinson. Also one of my closest friends.”

    Elvis Presley, Las Vegas, August 21, l970.

     




    A Chance Encounter

    Wilkinson now lives in the same home he grew up in, but he’s been just about everywhere else in the 40 years between. He returned to Springfield just a few years ago, and his playing days are over due to a stroke in 1989, which forced him to exchange his guitar for a cane. The screaming fans are gone, but in their stead he has two equally adoring dogs, Pugsley and Sammy. To meet Wilkinson now, there are just hints to his rock ’n’ roll past. His sideburns and mustache remain, as well as his gold necklace featuring Elvis’s band name, TCB, with its characteristic lightning bolt. Yet, most telling are Wilkinson’s stories, rich with detail that could only come from someone on the inside of landmark moments in music history.

    Wilkinson with Elvis.

    After first meeting Elvis, Wilkinson continued to work on his music. “Springfield was a crossroads for just about every country singer there ever was,” says Wilkinson. “I’d watch them on TV or when they played the Shrine Mosque. I learned guitar by watching and listening. I’d hear them play a guitar chord, I’d come home and find that chord on the piano, and then I’d take that knowledge to a guitar.”

    Soon after graduating from Greenwood Laboratory School, Wilkinson left for Los Angeles to pursue music. “When I got out to L.A. in late ’63, I haunted every club,” says Wilkinson. His hard work paid off as he was soon discovered, playing for such varied groups as folk singers New Christy Minstrels and the Greenwood Country Singers, to Jefferson Airplane, among others. Wilkinson developed a reputation as a great studio musician. So, when Jethro Tull had to pull out last-minute to open for Jefferson Airplane at Whiskey A Go Go, it was Wilkinson they called to fill in. He got his band together, and they headed down to the club. Walking in, he noticed a roped off area to the right of the stage, but he didn’t think much of it. Wilkinson remembers after his show, “I was down in my dressing room changing out of the show clothes into my regular civvies, and I looked in the mirror and this huge form filled my dressing room, and I thought, ‘Uh-oh, I’m in trouble. I dated somebody I wasn’t supposed to, or I kissed somebody’s wife that I wasn’t supposed to.’ I turn around and this guy says, ‘There’s a man that wants to see you right now.’ I follow him up by the roped-off area, and there’s Elvis.”

    Astonishingly, Elvis remembered Wilkinson from years earlier. “He looked at me and said, ‘Are you the same Johnny Wilkinson who told me I couldn’t play guitar worth a damn?’” says Wilkinson. The two old acquaintances sat and talked at the club before driving to Elvis’s home in Beverly Hills.

    Getting to Know Elvis, on and Offstage

    It wasn’t until four years after that encounter that Elvis called on Wilkinson again in 1968. After a couple of phone calls, the first of which ended with Wilkinson hanging up on Elvis thinking it was his friends prank-calling him, Wilkinson went back to Elvis’s house to jam. Elvis asked him to be his rhythm guitarist, but Wilkinson expressed some hesitations, as he was more of a folk picker than a rock ’n’ roll guitar-player. “Elvis pulled out a piece of paper, wrote something on it, handed it to me, and it was a money figure. He said, ‘Now will you be my official rhythm guitar player?’” With eyes wide, Wilkinson explains in a way only he can, “I looked at it and said, ‘You bet your ass.’”

    For the next nine and a half years, Wilkinson traveled the world as a member of the TCB Band, compiling inimitable experiences and seeing an Elvis few people got close to. “He was a wonderful guy,” he says. “Don’t ever let anybody tell you different. He had his faults like everybody else. But he was a wonderful, nice, caring, compassionate and giving person. Outside of my own father, he was probably the most compassionate, giving and caring guy I ever met in my life.” He hasn’t forgotten the time in Memphis when Elvis saw a woman on the sidewalk longingly staring into the showroom of a Cadillac dealership. Elvis jumped out and bought  the woman a car on the spot. Wilkinson also remembers Elvis as a prankster who once shot a water pistol at him while playing electric guitar, accidentally sending 1,200 volts of electricity through his body.

    Over the years, Wilkinson developed a friendship with Elvis, making his death in 1977 that much more devastating. “Even to this day, Elvis’s death still hurts me,” he says. “I’m sorry he’s gone, not just because he was my employer. He was my friend. He was like the brother I never had.” Wilkinson thought about quitting music altogether after his friend’s death, but he managed to continue playing before meeting Terry, his wife of 27 years. When he did eventually quit music he picked up a “regular job” managing Radio Shacks in the Los Angeles area. Wilkinson says proudly: “To this day, I still have the record of having the best bottom lines of any Radio Shack on the West Coast.”

    Wilkinson has the unique capacity to speak with the same pride about the ordinary things in his life as he does the extraordinary. He is as equally fond of telling about his 60-year friendships from Greenwood Laboratory School, as he is about telling of the time that the band had to race off stage to a nearby limo to escape rabid fans. Reflecting on it all, Wilkinson says: “If everything just all of the sudden ended today, and I dropped over dead, I would not have a regret in the world. I wouldn’t change a single thing. I’m happy.”

    c. 417 magazine

    24-01-2011 om 18:04 geschreven door zooroo  

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    Categorie:TCB band
    Tags:Johnny Wilkinson: Elvis's Right-Hand Man
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Viva Las Vegas

    Viva Las Vegas

    Elvis Movie #15
    Metro-Goldwyn-Mayer, 1964

    Certainly Viva Las Vegas is one of the most remembered of Elvis Presley’s 3l theatrical films. That’s due to two factors. The first is the pairing in the lead roles of Presley and Ann-Margret, two of Hollywood’s hottest film commodities in 1964. The second is the film’s theme song, which through the years has served as the unofficial anthem of the booming entertainment center in the Nevada desert.

    Vivas Las Vegas poster While not considered a critical masterpiece, Viva Las Vegas is a classic in its presentation of its two energetic, young musical stars. Everything else in the film is secondary to the screen rapport between Elvis and Ann-Margret. With camera angles accentuating the attractive physical features of both, it is difficult for the average viewer to focus on other aspects of the movie.

    When reviewers considered Viva Las Vegas on its release in 1964, however, they were obliged to look beyond the film’s stars in forming their assessment. Their appraisals varied, and so the movie received mixed reviews.

    Variety’s review appeared on May 20, 1964, and the New York Times printed its analysis the next day. Variety’s reviewer, identified only as “Tube,” acknowledged that the “sizzling co-star combination” guaranteed box office success for the film. On the screen, however, "Tube" judged Viva Las Vegas to be a “pretty trite and heavy-handed affair, puny in story development and distortedly preoccupied with anatomical oomph.”

    The Times calls it a pleasant, musical romp

    For the Times, however, Howard Thompson gave the picture a pleasant, if not glowing, review. “Coming on a balmy day, with no pretensions of art,” Thompson wrote, “’Viva Las Vegas,’ the new Elvis Presley vehicle is about as pleasant and unimportant as a banana split. And as fetching to look at, it might be added. By now, after some rocky beginnings, the Presley movie formula has leveled off to a series of musical romps that are extremely easy to take.”

    The difference between the two reviewers was that Variety’s still operated under the impression that Presley should be making more serious films, while Thompson at the Times understood that Elvis and his Hollywood handlers had come to the realization that light, musical comedy was the star’s box office niche in pictures. So, while “Tube” kept looking for dramatic substance in Viva Las Vegas and found only a “hackneyed yarn,” Thompson sat back and allowed the unassuming and visual narrative to have its way with him.

    “This time Metro-Goldwyn-Mayer happily teams him with Ann-Margret, a perfect musical foil with her galvanized dancing,” Thompson noted. “The story … as directed by George Sidney, tools along rosily.

    “All this, from the pen of no less a writer than Sally Benson, unfolds against the stunningly picturesque background of the famed desert resort, photographed in excellent color. Miss Benson’s script snugly combs the entire area, from the neon-spangled clubs, casinos and hotels to Boulder Dam Lake. And the picture winds up with a wing-ding of an auto race across the countryside. Whatever it isn’t, ‘Viva Las Vegas’ remains friendly, wholesome and pretty as all get-out.”

    Auto race one of most exciting passages ever put on film

    Even “Tube,” who seemed disappointed with most of the film, was impressed with its car race sequence. “This depiction of an auto race is one of the most exciting passages of its type ever put on film,” the Variety reviewer gushed. “The driver’s eye-view position in which the audience is placed as the cars whoosh over the swoops and dips of the desert highway engenders a genuine sensation of giddiness in the spectator—much like that generated by a roller coaster ride in Cinerama.”

    One puzzling element of the race sequence involves the fate of Cesare Danova, Elvis’s romantic and racing rival in the film. Danova’s character, Count Mancini, receives sympathetic play through much of the film, but when he apparently dies in a horrific crash near the story’s end, no one seems to care beyond a “that’s-a-shame” shrug from Elvis as he drives on to victory.

    Elvis and Ann-Margret share musical spotlight

    Of course, with two versatile musical talents available, Viva Las Vegas is packed with song and dance numbers throughout. Elvis sings seven solo tunes, and Ann-Margret performs two songs, along with showcasing her dancing talent several times. The two also combine for a vocal duet and a couple of dance numbers. It was the only time in Presley’s film career that he shared the spotlight with a performing talent of comparable ability. Reluctantly, this Elvis fan must admit that Ann-Margret held an edge over him in their musical performances in Viva Las Vegas. Choreographed dancing was never Elvis’s strength, and while he was lively enough on his feet in this film, he couldn’t quite match his co-star’s energetic dancing style.

    Variety parceled out the performing kudos as follows: “Neither EP nor A-M fares too well histrionically, but then this isn’t the kind of vehicle that demands high-powered emoting … A few of the musical specialties have some merit and sparkle. The title tune gives Presley his meatiest and most commercial sounding material. His co-star’s best number, although not her most sensually torrid, is the ‘My Rival’ routine in which she laments the competition of his would-be profession. They pair up most successfully on ‘The Lady Loves Me,’ which has the earmarks of a fairly popular wax entry.”

    Too much emphasis on female physical assets, says Variety

    For other reasons, though, Ann-Margret received some scolding from “Tube.” He thought the starlet’s physical assets were overstressed in the film:

    “Any excuse to stare at a derrierre in motion seems good enough for director George Sidney and cameraman Joseph Biroc. The provocative pulchritude of Ann-Margret and assorted other chicks and chorines makes the sexy scrutiny downright pleasurable to the male eye, but there is a certain lack of tastefulness or subtlety about the film’s obsession with peeping at anatomical contours and epidermis simply for the sake of peeping.” Of course, norms for such arousing displays in films have changed in the past 45 years. Today the worst that can be said about Ann-Margret in Viva Las Vegas is that she was just too darn cute.

    Elvis and Ann-Margret shared no classic romance (at least on-screen) in Viva Las Vegas. In fact, the stubbornness of their characters was more reminiscent of a volatile teenage romance. The only real amorous stretch in the film was the day the two starry-eyed young lovers spent together flying, waterskiing, and nightclubbing. It was enough, though, to link the two young entertainers together in the public consciousness for decades to come. There will always be speculation concerning the personal relationship between Elvis Presley and Ann-Margret, but Viva Las Vegas will always be ready to testify to the magic they created together on-screen back in 1964.— Alan Hanson (June 2008)

    24-01-2011 om 17:51 geschreven door zooroo  

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    Tags:Viva Las Vegas
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Lamar Fike overleden


    Lamar Fike overleden


    Vanmorgen ontvingen we het trieste nieuws dat Lamar Fike is overleden. Lamar was het zwaargewicht binnen de Memphis Mafia. Hij verzorgde de verlichting tijdens de optredens van Elvis in de seventies. 
    Omwille van zjn gewicht noemde Elvis hem "Buddah", en ook wel 'The Great Speckled Bird". Hij hing al in 1956 rond bij het huis aan Audubon Drive waar Elvis toen woonde tot Gladys hem eindelijk binnen liet. Lamar was bij Elvis tijdens zijn dienstperidode in Duitsland. Daarna bleven Elvis en Lamar close tot 1962, waarna hij manager werd van Brenda Lee. Enige tijd later vervoegde hij zich opnieuw bij de Elvisclan. Hij speelde na de dood van Elvis een wat onduidelijke (en onbegrepen) rol als raadgever bij het controversiële boek van Albert Goldman. Lamar Fike kampte al een tijdje met zijn gezondheid. Moge hij rusten in vrede, onze gedachten gaan uit naar Lamar's directe familie en vrienden.

    I have the unfortunate task of officially sadly announcing the passing of Lamar Fike as authorized by his cousin Tommy McDonald who was very close to Lamar and was with him daily in his hospital room in Arlington,Texas. Lamar passed away very peacefully last night, Friday, January 21.

    Lamar had been hospitalized since last October 14th and then transferred to the physical therapy wing of the hospital. Unfortunately he did not improve and was sent back to the hospital about a month ago.

    Outside of Red West, Lamar was with Elvis the longest and he remained close to him until Elvis' passing. Lamar was also very close to Elvis' mother.

    Lamar's wishes to be cremated will be carried out and the Brown,Owen,Brumley Funeral Home, Ft. Worth are handling his funeral. A memorial service will be held in Mart, Texas, one of Lamar's boyhood homes at a date to be announced. He was born in Cleveland,Mississippi on November 11,1935.

    Those of us in the Memphis Mafia who remained his friend are greatly saddened by the loss of yet another member of our close group. May G-d Bless his Soul and may he Rest In Peace.

    Marty Lacker

    PS: This is the official announcement, his family has asked that it you hear anything else from anyone else do not believe it.

    24-01-2011 om 16:48 geschreven door zooroo  

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    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Speedway boek met promo cd vanaf maart leverbaar

    Speedway boek met promo cd vanaf maart leverbaar



    In de loop van de maand maart verschijnt het nieuwe fotoboek van JAT: Speedway.  Wederom een hardcover boek van een honderdtal bladzijden boordevol foto's uit deze Elvisfilm met Nancy Sinatra. Als extraatje wordt er een promo-CD bijgeleverd. Zodra de prijs bekend is hoort u meer van ons. Hierboven vindt u alvast de covers.

    24-01-2011 om 16:46 geschreven door zooroo  

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    Tags:Speedway boek met promo cd vanaf maart leverbaar
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.White Knight In Vegas (5'' Digipack)
    Nieuwe uitgaven FTD op komst

    White Knight In Vegas (5" Digipack)

    White Knight In Vegas (5" Digipack)

    We kunnen op 15 februari 2011 weer nieuwe titels van het FTD collectors label verwachten.
    De titel van de eerste cd is nog niet helemaal zeker en de lay-out onder voorbehoud, maar we weten wel dat het gaat om een concert van 26 augustus 1969 uit LasVegas. De foto's van Ann Moses zijn gebruikt in de lay-out van het boekwerkje (12 paginas). Zij was correspondent voor de NME en Tiger Beat en gezegend tijdens deze magische periode uit Elvis zijn carriere aanwezig te zijn.

    01 Blue Suede Shoes 3:06
    (Carl Perkins)
    02 I Got A Woman 2:44
    (Ray Charles)
    03 All Shook Up 3:50
    (Otis Blackwell/Elvis Presley)
    04 Love Me Tender 3:04
    (Vera Matson/Elvis Presley)
    05 Jailhouse Rock / Don't Be Cruel 2:23
    (Jerry Leiber/Mike Stoller) / (Otis Blackwell/Elvis Presley)
    06 Heartbreak Hotel 4:56
    (Mae Boren Axton/Tommy Durden/Elvis Presley)
    07 Hound Dog 1:35
    (Jerry Leiber/Mike Stoller)
    08 Memories 2:42
    (Billy Strange/Mac Davis)
    09 My Babe 4:23
    (Willie Dixon)
    10 Mystery Train / Tiger Man 3:39
    (Junior Parker/Sam Phillips) / (Joe Hill Louis/Sam Burns)
    11 Monologue 8:39
    12 Baby, What You Want Me To Do 3:29
    (Jimmy Reed)
    13 Runaway 2:58
    (Max Crook/Del Shannon)
    14 Inherit The Wind 3:06
    (Eddie Rabbitt)
    15 Yesterday / Hey Jude 4:35
    (John Lennon/Paul McCartney)
    16 Introductions 4:35
    17 In The Ghetto 3:04
    (Scott 'Mac'Davis)
    18 Suspicious Minds 7:48
    (Mark James)
    19 Can't Help Falling In Love 2:10
    (Hugo Peretti/Luigi Creatore/George Weiss)

    c. It's Elvis Time

    24-01-2011 om 16:45 geschreven door zooroo  

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    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Nieuw boek Paul Lichter
    Nieuw boek Paul Lichter 


    Paul Lichter kondigt zijn nieuw te verschijnen boek Elvis In Vegas aan. Paul Lichter heeft inmiddels al heel wat titels op zijn naam staan, kijkt u even mee:

    1. Portrait Of A Legend 1975 Gold Collectors Edition
    2.  Portrait Of A Legend 1977 Red Memorial Edition
    3.  Elvis In Hollywood 1975 coffee table edition
    4.  Elvis In Hollywood 1975 hardback (very rare 500 copies)
    5.  Elvis The Legend Lives On
    6.  The Candid Elvis
    7.  Elvis TV Years
    8.  Elvis The Boy Who Dared To Rock coffee table edition
    9.  The Definitive Elvis - The Boy Who Dared To Rock hardback edition
    10.  Elvis Presley Memorial Book Of Days 1977
    11.  Elvis Presley Memorial Book Of Days 1978
    12.  Elvis Presley Memorial Book Of Days 1979
    13.  Elvis Presley Memorial Book Of Days 1980
    14.  Paul Lichter's Elvis Memories Are Forever book & 33 1/3 record album marketed through TV by Crane & Norris
    15.  Paul Lichter's Elvis Memories Are Forever coffee table book
    16.  Elvis A Portrait In Music
    17.  Elvis Memories A Love Story Golden Anniversary Edition
    18.  Elvis Memories A Love Story Deluxe Collectors Edition
    19.  Elvis Behind Closed Doors standard edition turquoise leather cover with stamped gold Elvis silouette
    20.  Elvis Behind Closed Doors Deluxe Graceland Edition (note: first printing featured a lavender leather cover, next 17 printings a deep purple leather) 
    21.  Elvis All My Best
    22.  Rebel Heart
    23.  Magic Moments
    24.  EP In Concert
    25.  From The City Of Brotherly Love To The Big Apple
    26.  Thank You Very Much
    27.  Millennium Elvis - As Good As It Gets/Larger Than Life
    28.  Elvis Immortal (contributed photos)
    29.  Charro (JAT Productions - contributed photos)
    30.  Tickle Me (JAT Productions - contributed photos)
    31.  Viva Las Vegas (JAT Productions - contributed photos)
    32.  Paul Lichter Presents Elvis in Las Vegas

    24-01-2011 om 16:43 geschreven door zooroo  

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    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.'The Elvis Imperials' in Memphis
    'The Elvis Imperials' in Memphis

     
    Deze foto's werden afgelopen zondag gemaakt tijdens de gospelshow in Memphis ter gelegenheid van Elvis zijn 76ste verjaardag.

    24-01-2011 om 16:39 geschreven door zooroo  

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    Tags:'The Elvis Imperials' in Memphis
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.How Great Thou Art - Vinyl uitgave
     

    How Great Thou Art - Vinyl uitgave

    Dit keer is er in de serie van deFTD vinyl releases (180 gram 2- LP set) gekozen voor het uitbrengen van het album 'How Great Thou Art'.
    Het album bevat alle originele masters en vele outtakes. Een leuk extraatje is het nummer 'Beyond The Reef'dat informeel werd opgenomen tijdens de sessies. Het betreft hier een overdubde versie.

    Side 1
    01. How Great Thou Art (3:02)
    (Stuart K. Hine)
    02. In The Garden (3:11)
    (Charles A. Miles)
    03. Somebody Bigger Than You And I (2:27)
    (John Lange/Hy Heath/Sonny Burke)
    04. Farther Along (4:06)
    (Arranged by Elvis Presley)
    05. Stand By Me (2:29)
    (Arranged by Elvis Presley)
    06. Without Him (2:30)
    (Mylon LeFevre)
    07. How Great Thou Art - takes 1 & 2 (3:30)
    (Stuart K. Hine)

    Side 2
    01. So High (1:59)
    (Arranged by Elvis Presley)
    02. Where Could I Go But To The Lord (3:38)
    (James B. Coats)
    03. By And By (1:52)
    (Arranged by Elvis Presley)
    04. If The Lord Wasn't Walking By My Side (1:38)
    (Henry Slaughter)
    05. Run On (2:23)
    (Arranged by Elvis Presley)
    06. Where No One Stands Alone (2:44)
    (Mosie Lister)
    07. Crying In The Chapel (2:28)
    (Artie Glenn)
    08. Somebody Bigger Than You And I
    - takes 14 (fs), 15 & wp 5 (4:39)
    (John Lange/Hy Heath/Sonny Burke)

     Side 3
    01. Run On - takes 1 & 2 (4:52)
    (Arranged by Elvis Presley)
    02. Stand By Me - takes 9 & 10 (4:20)
    (Arranged by Elvis Presley)
    03. So High-  take 1 (2:15)
    (Arranged by Elvis Presley)
    04. By And By - takes 1, 2, 3, 4 (fs), 5 & 7 (4:28)
    (Arranged by Elvis Presley)05. By And By - takes 8 & 9 (2:34)
    (Arranged by Elvis Presley)
    06. Beyond The Reef (3.11)
    (J. Pitman)

    Side 4
    01. If The Lord Wasn't Walking By My Side
    - take 1 (1:53)
    (Henry Slaughter)
    02. Without Him – take 1 (3:04)
    (Mylon LeFevre)
    03. Somebody Bigger Than You And I
    - take 12 (2:42)
    (John Lange/Hy Heath/Sonny Burke)
    04. In The Garden - takes 1-3 (5:02)
    (Charles A. Miles)
    05. Run On-  takes 3- 6 (5:02)
    (Arranged by Elvis Presley)
    06. Where No One Stands Alone
    - takes 2, 3 & wp 5 (3.45)
    (Mosie Lister)

    24-01-2011 om 16:36 geschreven door zooroo  

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    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Herdenkingsdienst voor Myrna Smith in LA op 29 januari 2011
    Herdenkingsdienst voor Myrna Smith in LA op 29 januari 2011

    I wanted to give you all a great big THANK YOU from the bottom of my heart for all that you did for my mother. Not only when she was ill, but all the support you gave her during the years of touring, as well as, listening and purchasing her music. Many of you followed her closely and she loved you for that.
     
    My mother was a wonderful lady. My life with her will never be forgotten. I have watched my mom from day one of her time with Elvis and the people from Graceland, showing many people what a great entertainer should project. My mom, although had friends by her side all the way to the end, always understood our special relationship. I will always love and respect my mother for who she is and what she became. Her grandson had the opportunity to sit with his Grandmother long before she became too ill  and shared with her his aspirations to follow her entertainment footsteps.
     
    Thank you all for the respect while the family was grieving and we appreciate your well wishes and condolences. I have included the memorial information below and would love to hear from you or see you there.
     
    For people who cannot make it to the memorial, we will be taking all emails and posting them at the memorial for people to read. We may even read a few there.

    Sincerely,
    Martin Smith
      
    Myrna's Memorial:
    First Christian Church of North Hollywood
    4390 Colfax Ave.
    North Hollywood, CA 91604
    818-763-8218
    (please send flowers directly to the church)
    Please RSVP at myrnasmemorial@hotmail.com
    Time: 11:00 AM - 1:00PM
    Date: 1/29/2011
    Refreshment will follow.
    We appreciate the fans that had done so much for Myrna and a special thank you to Carole Drexler who has been a valuable friend of the family.
    Bron:EIN


    24-01-2011 om 16:35 geschreven door zooroo  

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    Tags:Myrna Smith
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Lay-out legacy Elvis is Back
    Lay-out legacy Elvis is Back

    Elvis Is Back! - 2 CD Legacy Edition Elvis Is Back! + Something For Everybody

    By: Elvis Australia
    Source: Sony
    January 19, 2011 - 4:55:27 PM
    Elvis CD News,Elvis News,EP

    Email this article
    Printer friendly page


    Sony Music will release Elvis Is Back!: Legacy Edition (2-CD) on March 1st. This is an odd but interesting release as it combines both Elvis' classic album, Elvis Is Back with his second, non movie, secular album released after he returned from the army, Something For Everybody. This upgraded CD features the original LP tracks as well as the 12 songs chosen for singles for each respective album, and every track is sublime. Both CDs highlight how the addition of the single releases (It's Now Or Never, A Mess Of Blues, Are You Lonesome Tonight? and His Latest Flame, Little Sister, Good Luck Charm) of the time would have benefited each album if some or all had been added. It was customary to not include singles on albums.

    Rave Review From Rolling Stone For Elvis Is Back!

    Currently available are the two albums in the FTD Classic Album series, for the serious fan they contain not only the album tracks and singles but also many out-takes (usually referred to as alternate takes) as Elvis went through the recording process. These offer a glimpse into how Elvis recorded, and indeed produced his albums and songs, it is often a delight to listen to Elvis talk or joke between takes and often you can find an alternate take that you really love that is just special to listen to. These are for the real fans out there!

    Buy Elvis Is Back! Legacy Edition

    Pre-order this Sony legacy Edition now, or buy the two Special Edition albums as below ....

    Buy Elvis Is Back! FTD 2 CD Special Edition
    Buy
    Something For Everybody FTD 2 CD Special Edition

    Disc 1: Elvis Is Back (1960)

    Make Me Know It
    Fever
    The Girl Of My Best Friend
    I Will Be Home Again
    Dirty, Dirty Feeling
    Thrill Of Your Love
    Soldier Boy
    Such A Night
    It Feels So Right
    The Girl Next Door Went A'Walking
    Like A Baby
    Reconsider Baby
    Stuck On You
    Fame And Fortune
    It's Now Or Never
    A Mess Of Blues
    Are You Lonesome Tonight?
    I Gotta Know
    Surrender

    Disc 2: Something For Everybody (1961)

    There's Always Me
    Give Me The Right
    It's A Sin
    Sentimental Me
    Starting Today
    Gently
    I'm Coming Home
    In Your Arms
    Put The Blame On Me
    Judy
    I Want You With Me
    I Slipped, I Stumbled, I Fell
    I Feel So Bad
    (Marie's The Name Of) His Latest Flame
    Little Sister
    Good Luck Charm
    Anything That's Part Of You

    Elvis Is Back - A Must have album

    Elvis Is Back! ..... Elvis returned to Nashville's Studio B on March 20th 1960, just 15 days after coming home from his army stint for Uncle Sam. Elvis had been away from the music scene for nearly 2 years and the charts were no longer full of the excitement of fifties Rock 'n' Roll but had given way to a smoother sixties sound. Elvis knew too well that just one year out of the music business can kill your career and, although he had made some home recordings while in Germany, Elvis hadn't recorded in a Studio since June 1958!

    While 1968 is named as Elvis' 'Comeback' nothing could have been more important than this 1960 session & no one could have been more concerned than Elvis himself. Would he still be as important to his teenage fans now that he was 25 years old? Could he still select suitable hit material in this new decade?

    Would his new sound even be relevant?

    Of course, Elvis always rose to a challenge and tended to produce his best work under pressure. When the session finished there could be no doubt that from his explosive first recording 'Make Me Know It' to the very last moment, as dawn was breaking, 'Reconsider Baby' this might be the best music that Elvis would ever produce. In an amazing two nights work Elvis recorded eighteen classic tracks including seven Gold records! When the LP was originally released surprisingly it did not sell as well as expected, and GI Blues would sadly do better. However, had it included the mega-selling Hit singles recorded at the same session (Stuck On You, It's Now or Never, Are You Lonesome Tonight) there is no doubt that it would have sold multi-millions.

    Now, at last, this upgraded CD features the original LP tracks as well as the 12 songs (Stuck On You, Fame And Fortune, It's Now Or Never, A Mess Of Blues, Are You Lonesome Tonight?, I Gotta Know, Surrender and I Feel So Bad, (Marie's The Name Of) His Latest Flame, Little Sister, Good Luck Charm, Anything That's Part Of You) chosen for singles for each respective album, and every track is sublime.

    From the exciting feel of Elvis blasting away that Army despondency on his first recording 'Make Me Know It', to the beautiful pop of 'Girl of My Best Friend' & 'A Mess Of Blues', the pure musical genius of the blues of 'Like a Baby' & 'It Feels So Right' along with the emotion in the ballad 'Soldier Boy' - Elvis covered every musical style.

    While the Gold singles are well-known, two LP tracks also stand out as some of Elvis' most important recordings of all-time. 'Reconsider Baby', recorded in one magnificent live-take, captures Elvis as he is consumed in the passion of the music and working with such a great band. The wailing sax of Boots Randolph combined with Elvis' intense vocal is hard to beat. Similarly Elvis' growling moan of 'Such A Night' pushed this lightweight Drifters' song into another league all together. Here the new idea of using dual drummers (Buddy Harman & DJ Fontana) never would be bettered, helping urge Elvis an awe-inspiring performance. While Elvis was never recognised as a song-writer, his all-important contribution as an arranger/producer is perfectly demonstrated here. Elvis' whoop of joy at the end really says it all!

    This was a very different sound to the Elvis of the fifties, smoother, more mature and with a new beauty and strength to his voice. This was a powerful statement that no one could deny – 'Elvis Is Back!'

    There are three Elvis albums that every fan should own. 'Elvis Presley' his essential first LP, 'From Elvis In Memphis' the 1969 comeback LP, and 'Elvis Is Back'. The importance of these 3 LPs cannot be overstated.

     



    Zo zal de verpakking eruit zien van de komende "Legacy" RCA release "Elvis Is Back", die eind februari verschijnt.  Eerdere releases waren "On Stage" en "From Elvis In Memphis". De tracklisting publiceerden we al eerder op deze site.

    24-01-2011 om 00:00 geschreven door zooroo  

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    01-01-2011
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Miner's Memphis visit worthy of the King

    Miner's Memphis visit worthy of the King
    Trapped Miners in Chile Are Rescued

    MEMPHIS, Dec. 31 (UPI) -- Chilean miner Edison Pena, the Elvis fan trapped underground for months, gets a chance to visit his idol's haunts and celebrate his birthday next week.

    Graceland spokesman Kevin Kern said Pena will get "the King-sized Elvis visit" with a private tour of Elvis' Memphis home, airplanes and car museum, The Commercial Appeal reported Friday.

    Graceland collaborated with the Memphis Convention and Visitors Bureau, the Tupelo, Miss., Convention and Visitors Bureau, The Peabody Hotel, Delta Air Lines and American Dream Safari for Pena's visit.

    Plans call for Pena to cut the giant cake on Graceland's front lawn on the Jan. 8 observance of what would have been Elvis' 76th birthday, which the miner says is just fine.

    "I'm not a greedy person," Pena said. "I'm a person who receives gifts that life has given me."

    Pena's Memphis visit also includes attending practice of the Memphis Grizzlies professional basketball team with a chance to meet Spanish-speaking players Marc Gasol of Barcelona and Greivis Vasquez of Caracas, Venezuela, The Commercial Appeal said. He will be honorary duckmaster at The Peabody before attending an Elvis-themed Memphis Grizzlies-Utah Jazz game.

    He also will have a private recording session at Sun Studio before attending the Elvis Birthday Pops concert by the Memphis Symphony Orchestra.

    While in Elvis's hometown of Tupelo Jan. 9, Pena will receive the key to the city and visit the Tupelo Hardware Store where Elvis got his first guitar.

    © 2010 United Press International, Inc. All Rights Reserved. Any reproduction, republication, redistribution and/or modification of any UPI content is expressly prohibited without UPI's prior written consent

    01-01-2011 om 13:01 geschreven door zooroo  

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    26-12-2010
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Elvis Christmas Party Den Haag

    It's Elvis Time,

    Elvis Christmas Party Den Haag 

    Afgelopen zaterdagavond kreeg een totaal andere wending dan wat wij van te voren hadden kunnen verwachten. Op vrijdag 17 december is hemel en aarde bewogen om te proberen Jenson Bloomer met zijn Mondo Carne band vanuit Engeland naar Nederland te laten vliegen, maar niets mocht baten. Alle vluchten werden gecancelled. Vlak daarna kwam de volgende domper: de geluidtechnicus belde af, hij zag het niet zitten om te komen. Op de ochtend van de meeting belde tot overmaat van ramp ook nog eens de band 'Profile' af. Dit alles vanwege het slechte weer.
    Gelukkig hebben we een aantal zeer efficiente medewerkers en met zijn allen hebben we naar onze smaak alsnog het publiek gegeven waar ze voor kwamen: Een spetterende Christmas Party.
    Mijn speciale dank gaat daarom uit naar: Rogier van Luyken, Eric en Anneke van Rooy, Lore Audio ( het geluidsbedrijf dat ons op het allerlaatste moment nog de helpende hand kwam bieden), de band met bandleden van The Clarks.
    Over de hele avond gezien gaat de grootste lof voor improvisatie en prestatie uit naar Mark Elbers. Zonder enige voorbereiding heeft hij een waanzinnige show neer gezet, zowel solo als een geweldige finale met The Elvis Imperials. Jenson Bloomer onze lead vocalist werd op deze manier op een zeer waardige manier vervangen.

    De Elvis Imperials waren werkelijk groots. Muzikaal gezien briljant! De nieuwe leden van The Imperials doen niets af aan hun voorgangers, wat een oorstrelende mix van stemmen. Terry Blackwood en Joe Moscheo waren beiden onder de indruk van het Nederlandse publiek en het enthousiasme waar ze mee zijn ontvangen.

    Dank aan iedereen die heeft meegewerkt en deze avond hebben mogelijk gemaakt. En dank aan iedereen die ondanks het slechte weer is gekomen, het bewijst maar weer eens hoe loyaal Elvis fans zijn aan hun held! We mochten na afloop veel enthousiaste reacties ontvangen, waar we natuurlijk enorm blij mee zijn.
    Uiteraard komt er een uitgebreid verslag in magazine 265.

    Thank you Jenson and Monde Carno band for trying to come over, we are really sorry you missed the show but we appreciate you TCB-ing for Elvis.

    With special thanks to Joe, Terry, Royce and Darryl. You did a show we will never forget!

    Bovenstaand ziet u foto's van informele momenten, soundcheck en de show

    Vriendelijke groet/Kind regards
    Freia Roos

    AMERICAN TRILOGY (CLICK)

    The Elvis Imperials in Nederland!

    Eindelijk! Na maanden voorbereiden zijn ze in Nederland. Rond 19.15 uur landde het vliegtuig met aan boord The Elvis Imperials. Ze gaven direct aan dat ze enorm uitkijken naar hun optreden van aanstaande zaterdag in Den Haag. Voor dit unieke evenement zijn nog wat kaarten te koop aan de zaal. Wees er snel bij want: "op is op". Op bovenstaande foto ziet u The Elvis Imperials bij hun aankomst op Schiphol. 


    Ik was aanwezig op deze avond. Ik dank het bestuur voor hun inzet om er toch nog wat van te maken. Tot een volgende elvis meeting. - Zooroo.

    26-12-2010 om 10:57 geschreven door zooroo  

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    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Merry Christmas
    Merry Christmas



    http://www.youtube.com/watch?v=-CBsRWAgwgg&feature=player_embedded


    http://www.youtube.com/watch?v=DDQ8FTw7TIs&feature=fvw

    26-12-2010 om 10:41 geschreven door zooroo  

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    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Myrna Smith overleden


    From It's Elvis Time,

    Myrna Smith overleden


    Het zat er al een poosje aan te komen, maar helaas moeten wij op deze eerste kerstdag aan u meedelen dat Myrna Smith van ons is heen gegaan. 
    Alweer een grote klap in de Elvis wereld, na het kort geleden overlijden van Sherrill Nielsen.
    Myrna is geruime tijd ziek geweest, zoals wij eerder vermeldden. Myrna was dol op haar muziek en fans. Zij stond van 1969 t/m 1977 met Elvis op het podium als backing vocal. Op 20 oktober 2002 kwam Myrna voor de eerste keer naar Nederland tijdens een Elvis meeting in Dordrecht, zij verzorgde daar samen met de overige "Sweets" en "The Imperials" de backing vocals van Jenson Bloomer. De dag daarvoor zong zij in Belgie bij de fanclub Elvis Presley Society.
    Zij heeft tot op het laatste moment hoop gehouden te herstellen om vervolgens weer te kunnen toeren. Helaas, dit mocht niet zo zijn.....Rust in vrede Myrna.


    I Saw her in Dordrecht oktober 2002. R.I.P. Myrna. (zooroo)


    Zangeres Myrna Smith (69) overleden

    Myrna Smith.

    ROTTERDAM - Zangeres Myrna Smith is op kerstavond op 69-jarige leeftijd overleden in een ziekenhuis van Los Angeles. De zangeres was een van de originele leden van The Sweet Inspirations, die in de jaren zeventig als achtergrondkoor van Elvis Presley dienden.

    Smith leed al geruime tijd aan een vermoeiende nierziekte, laat de officiële Nederlandse fanclub Elvis Matters weten. Presley vroeg The Sweet Inspirations voor zijn grote comeback in Las Vegas, nadat ze in 1968 een grote hit scoorden met het nummer Sweet Inspiration.
     
    Een jaar eerder verzorgde de groep de achtergrondzang bij de hit Brown Eyed Girl, van Van Morrison. In 1994 kwamen The Sweet Inspirations opnieuw bij elkaar en in 2004 zongen zij als achtergrondkoor bij enkele nummers van The Killers.
     
    Myrna Smith sloot zich in 1965 aan bij de groep die werd in opgericht door Cissy Houston, de moeder van Whitney Houston. Hierna maakte Smith carrière als liedjesschrijver, voor onder anderen de ex-Beach Boy Carl Wilson. In februari trokken The Sweet Inspirations nog door Europa met de videoproductie Elvis: The Concert, dat ook in een uitverkocht Ahoy speelde.
     
    Myrna Smith, die voor haar carrière een tijdlang als leerkracht werkte, liep in maart een longontsteking op waarna haar gezondheid hard achteruit ging. Een beroerte en nierfalen zorgden ervoor dat Smith sinds oktober aan haar bed was gekluisterd. (NOVUM/BVDL)

    26-12-2010 om 00:00 geschreven door zooroo  

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    18-12-2010
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Elvis Christmas Party

    Elvis Christmas Party


                 

    Elvis Christmas Party gaat door!

    Tussen de vele sneeuwbuien door is het team van It's Elvis Time druk bezig met de laatste voorbereidingen voor de Elvis Christmas Party in Den Haag. The Elvis Imperials en It's Elvis Time kijken er naar uit u vandaag te mogen begroeten in Den Haag. De zaal is ook met het openbaar vervoer heel makkelijk bereikbaar (neem vanaf Station Den Haag Centraal tram 3 richting Loosduinen, uitstappen halte Mozartlaan).

    The Elvis Imperials in Nederland!

    Eindelijk! Na maanden voorbereiden zijn ze in Nederland. Rond 19.15 uur landde het vliegtuig met aan boord The Elvis Imperials. Ze gaven direct aan dat ze enorm uitkijken naar hun optreden van aanstaande zaterdag in Den Haag. Voor dit unieke evenement zijn nog wat kaarten te koop aan de zaal. Wees er snel bij want: "op is op". Op bovenstaande foto ziet u The Elvis Imperials bij hun aankomst op Schiphol. 

    18-12-2010 om 15:54 geschreven door zooroo  

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    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Sherrill Nielsen

    Donderdag 16 december 2010 begrafenis Sherrill

    Aanstaande donderdag wordt Sherrill Nielsen begraven. De herdenkingsdienst is in Cullman, Alabama. Sherrill (Shaun) Nielsen, wordt naar Texas gevlogen en begraven naast het kindje van Sherrill en  Brenda, SherRee Elicia Nielsen.
    Ed Hill, Butch Owens en Bill Baize zullen daar hun laatste eer betuigen door voor Sherrill en de aanwezigen te zingen. Wij wensen hen daarbij heel veel kracht, want deze klap is bij iedereen hard aangekomen.

    Sherrill (Shaun) Nielsen overleden

    IN MEMORIAM

    Na eerdere berichten dat er longkanker bij Sherrill (Shaun) Nielsen was vastgesteld, moeten we u nu de verdrietige mededeling doen dat hij afgelopen vrijdag 10 december rond 11.00 uur is overleden. 
    Het nieuws werd bekend gemaakt door Donnie Sumner, neef van J.D. Sumner. Dit is een zeer groot verlies voor de familie en vrienden van Sherrill, maar ook zeker voor alle Elvis fans over de hele wereld. Ons diepste medeleven gaat uit naar Brenda Nielsen. Via onderstaande link kunt u luisteren naar Elvis en Sherrill.

    Elvis en Sherrill

    18-12-2010 om 15:52 geschreven door zooroo  

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    03-12-2010
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Elvis Presley Import Top 40

    Elvis Import Top 40

    1
    American Crown Jewels (1996)
    Bilko 1800
    Outtakes
    2
    A Greensboro Revolution! (2008)
    Madison CWP/22
    Live, Greensboro, 1972/04/14
    3
    From Sunset Blvd to Paradise Rd (1996)
    Diamond Anniversary DAE 3595-6/7
    Live, Las Vegas, 1974/08/19
    4
    A Hot Winter Night In Dallas (1998)
    Fort Baxter 2207
    Live, Dallas, 1976/12/28
    5
    Finding The Way Home (1999)
    Southern Style 6969
    Outtakes
    6
    One Night Only! (2006)
    Madison CWP/13 MS
    Live, Boston, 1971/11/10
    7
    Closing Night - February 1970 (2007)
    Madison CWP/17 MS
    Live, Las Vegas, Nevada, 1970/02/23
    8
    The Brightest Star On Sunset Boulevard, Volume 1 (1998)
    Fort Baxter 2205
    Rehearsal
    9
    The Brightest Star On Sunset Boulevard, Volume 2 (1998)
    Fort Baxter 2206
    Rehearsal
    10
    A Profile - The King On Stage, Volume 2 (1996)
    Fort Baxter 161096
    Live, various, 1974-75
    11
    Guaranteed To Blow Your Mind (1997)
    Luxor 4931-1
    Live, Richmond, 1974/03/18
    12
    Opening Night - January 1970 (2008)
    Madison CWP21
    Live, Las Vegas, 1970/01/26 D.S.
    13
    Burning In Birmingham (1998)
    2001 2001-05
    Live, Birmingham, 1976/12/29
    14
    Just Pretend (1991)
    Fort Baxter 2091
    Live, Las Vegas, 1975/12/13 10:15 P.M.
    15
    Elvis At Full Blast (1995)
    Fort Baxter 2098
    Live, Las Vegas, 1972/08/11 M.S.
    16
    Adios, The Final Performance (1993)
    A.J. Records CD 92-2002
    Live, Indianapolis, 1977/06/26
    17
    Totally Stung (2001)
    Madison CWP 04
    Outtakes
    18
    A Profile - The King On Stage (1995)
    Fort Baxter 161095
    Live, various, 1973-77
    19
    Desert Storm (1996)
    Fort Baxter 2200
    Live, Las Vegas, 1974/09/02
    20
    The Brightest Star On Sunset Boulevard (2008)
    Gravel road 
    Rehearsal
    21
    24 Carat Gold (1997)
    2001 2TZ
    Outtakes
    22
    Holding Back The Years (1995)
    Diamond Anniversary Editions DAE 3595-3
    Live, Cincinatti, 1976/03/21 8:30 P.M.
    23
    You've Lost That Lovin' Feelin' (2001)
    Audionics 2001-01
    Live, Las Vegas, 1970/08/21 M.S.
    24
    Hello Memphis (1997)
    Rock Legends Acum CD 1005
    Live, Memphis, 1974/03/16
    25
    If You Talk In Your Sleep (1994)
    Fort Baxter 2094
    Live, Las Vegas, 1974/08/19
    26
    There's Always Me, Volume 2 (1995)
    Bilko 1698/1699
    Outtakes
    27
    A Capital Performance (Madison) (2002)
    Madison CWP 06
    Live, Jackson, 1975/06/08 Evening
    28
    Opening Night, 1969 (1993)
    Fort Baxter A.S. CD 731-69
    Live, Las Vegas, 1969/08/01 D.S.
    29
    Fairy Tales (1994)
    Chips CH 1503
    Live, Cleveland, 1976/10/23
    30
    Let Me Take You Home (1995)
    Diamond Anniversary Editions DAE 3595-2
    Live, Memphis, 1975/06/10
    31
    Gyrating Asheville (1997)
    Live Archives EPE 1020
    Live, Asheville, 1975/07/23
    32
    Goodbye Memphis (1997)
    Fort Baxter 2202
    Live, Memphis, 1976/07/05
    33
    It's A Matter Of Time (1993)
    Fort Baxter 2093
    Live, Las Vegas, 1973/02/05 D.S.
    34
    Moody Blue & Other Great Performances (1995)
    Fort Baxter FB 2097
    Live, Charlotte, 1977/02/21
    35
    The Hampton Roads Concert (2004)
    Triangle 
    Live, Hampton Roads, 1972/04/09
    36
    Don't Think Twice (2000)
    Madison CWP 02
    Live, Las Vegas, 1973/01/29
    37
    Black Diamond (1998)
    Generations 5001/5002
    Live, Las Vegas, 1976/12/12
    38
    That's The Way It Is - The Complete Works (2009)
    International 
    Live, Las Vegas, 1970/08
    39
    Absent Without Leave (1999)
    Double G DG 004-005
    Outtakes
    40
    Stranger In The Crowd (2009)
    Audionics 
    Live, Las Vegas, 1970/08/13 D.S.

    03-12-2010 om 14:24 geschreven door zooroo  

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    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Myrna Smith

    Myrna Smith


    This is the latest information from Carole Drexler:

    "On Nov. 23, Myrna was sent from dialysis to the hospital & will remain there for several days. Myrna was sent to the hospital because her blood pressure was very low. There is a problem with the stent in Myrna's arm where the dialysis machine connects & they must surgically correct it. Will keep you updated.

    When I saw Myrna on Nov. 21, she was about the same, very weak, she sleeps a lot & not much interaction. We read her all the cards you send. Myrna wants everyone to know how much she appreciates your love & prayers, all the cards & gifts. Myrna received a large banner from the Elvis Cruise & a healing jade charm from New Zealand.

    Please keep the prayers going.




    Update on Sweet Inspiration Myrna Smith

    Elvis Unlimited yesterday posted an update on Myrna Smith, who provided backing vocals for Elvis from 1969 to 1977 as a member of the Sweet Inspirations. “Myrna continues to be very weak, her health is not good, & she sleeps most of the time. She is still getting dialysis three times a week,” reports the site.



    For more information, read the full update on Myrna at Elvis Unlimited.

    Voor de Diehards,
    Myrna Smith Interview

    Q : How did you get started singing for Elvis Presley show.

    A : Well we had recorded in 1967 a song in Muscle Shoals. We had a session there. Atlantic sent us there to record. And, the session was going O.K. but there weren't any songs that kind of stood out. So a couple of the guys left the session, went into another room. Maybe 40 minutes later they came back with a song that was named after us called "Sweet Inspiration." And, it went on the album and it was our big hit and Elvis heard that song and liked it. And, so he got his people to get in touch. We didn't have to audition. He just knew that we were the ones that he wanted to sing because he wanted a soulful, R&B, gospel sounding female group and a gospel male group. He had it all planned. And so we did it without an audition. He just liked our record. He liked it so much he used it on Suspicious Minds too. But same writer though, same bass player.


    (Right: The ever-youthful Myrna Smith gets close with the lucky EIN interviewer! - Sydney 2004)


    Q : Where did you meet Elvis?

    A : Well, we were starting rehearsals July of 1969 and we were all on the stage at what was then called the International and Elvis hadn't arrived yet, nor his entourage. And we're sitting there waiting for him to come in and all of a sudden he walks onto the stage, walks right over to us and plants a kiss on each one of us. That's how we met him.

    (Right: The ever-youthful Myrna Smith gets close with the lucky EIN interviewer! - Sydney 2004)


    Q : How were those rehearsals?

    A : Well, he gave us pretty much a lot of freedom. Because what had happened was, his people had sent us probably a million albums. And we tried to have a rehearsal, but it didn't work because we weren't too familiar at the time with Elvis material and it was just we were bombarded with too much. So we waited until we got to Las Vegas to learn the songs. And as we rehearsed it we realized, "Oh I know this." But our backgrounds weren't the same sometimes as was on the record. But, he gave us the freedom to do that.



    Q : Tell us about your first night in Vegas at the International.

    A : I remember Elvis being very, very nervous. And I remember thinking, Gee I hope he has a good crowd. Because I knew he hadn't performed live on stage like that for a number of years, I think 10 years. So I was just hoping that, I had butterflies for him and was I surprised.
     

     

    Looking back at them, the 1976 & 1977 seem to be such sad years.

    Q : Tell us about the relationship between Elvis and his audience?

    A : He was very playful with the audience and I think he really cared about his fans. He wanted to give them a good show. But he sometimes got upset because I know the show was loud. And sometimes you'd see people their fingers in their ears and he'd get upset about that, saying, "They just have old ears." Because for us on stage, we have monitors, we hear something completely different from what the audience hears. But I know it's loud, but that's what rock 'n' roll supposed to be.



    Q : The first performances outside was the Houston Astrodome. There was a story behind that.

    A : Well, Elvis -- the Rodeo didn't want us to come. There was a message sent to leave the black girls, they didn't need the black girls. And so Elvis responded with, "Well if they don't come, I don't come." But he was really upset about it. There was one person in particular who had sent the message. So when we got there, we were greeted by this little blonde in a convertible and she had to drive us around and she was his daughter. So Elvis always made sure he got even. I'm sure he said, "And I want your daughter to drive them." But, when it was happening we didn't know. We learned that later.

    ESTELLE BROWN

    The Sweet Inspiration
    ED BONJA
    BILL BELEW
    WILLIAM TAYLOR JR.
    BILLY STANLEY
    TOM JONES
    AL DVORJN
    SCOTTY MOORE
    RONNIE TUTT
    SHAUN NIELSEN
    BOBBY MORRIS
    MARIE JENKINS
    SAM THOMSOM
    SUE AN LANGDON
    RICHARD DAVIS
    MILLIE KIRKHAM
    THE MEMPHIS HORNS
    NANCY ROOKS
    SUSANNE LEIGH
    ESTELLE BROWN

    The Sweet Inspiration
    ED BONJA
    WILLIAM TAYLOR JR.
    BILLY STANLEY
    TOM JONES
    AL DVORJN
    SCOTTY MOORE
    RONNIE TUTT
    SHAUN NIELSEN
    BOBBY MORRIS
    MARIE JENKINS
    SAM THOMSOM
    SUE AN LANGDON
    RICHARD DAVIS
    MILLIE KIRKHAM
    THE MEMPHIS HORNS
    NANCY ROOKS
    SUSANNE LEIGH


    Q : Tell us about Elvis generosity?

    A : To a fault. Elvis was generous to a fault, I think. He gave away most of his fortune, y'know, when he was alive. He rewarded you because it made him feel good. And if he had something, he wanted to share it with you. And you could eat dinner at his house. Even if he stayed upstairs, y'know, dinner was still served at Graceland. And, then you could just sit around and wait for him to come downstairs and we'd go to the movies. And, he just gave us jewelry all the time, big rings that covered half my knuckle. And, he gave me an El Dorado. And he's given a lot of people that he didn't even know lots of things.



    Q : Do you have specific gift that is special?

    A : I have a gold purse. It's a little square gold purse that he gave me. And when he gave it to me it was full of silver dollars and he signed it inside, Love Elvis. That's pretty dear to me. And, well the reason he gave me the car, the car was dear to me, I just didn't feel that he had to do it. But he did. He felt that he had to do it because there was a little misunderstanding.

    And some of the girls walked off stage. Well all of the girls walked off stage, Kathy, Estelle and Sylvia. But I was privy to information that they were not because I had been with Kathy the night before, so I knew what was going on. And the other, Sylvia and Estelle didn't. And, you never try to upset Elvis before a show and he was told not to introduce Kathy in a manner that would embarrass her. And so he introduced all of us in a manner that embarrassed us. So the girls walked off and I stayed and he put a ring on my finger and we talked tussled. Finally, I just kept it because it was holding up the show with him pushing it on my finger and me pulling it off. And then I was on the plane with him and Lisa Marie and, because I was with Jerry Schilling at the time. And, I took off the ring and I said I like the way this looks on you, and I put it on his finger. And he had the most hurt look in his eyes because if he gave you a gift, he didn't want you to return it. Because he didn't know how to say I'm sorry about anything. It's hard for him to say "You know what, I'm really sorry I did that." But he gave all the girls gifts, y'know, a couple of nights later because they missed a couple of nights. And, the next night he took that ring, threw it in the audience.

    And a couple of weeks later I guess it was, I was at the house and he'd bought all these cars. I think 11, 12, 14 cars for the guys and all and himself. And I heard him ask Jerry "Come -- Jerry, I want to ask you a question?" Jerry went. And the question that he wanted to ask Jerry was "Is it all right if I buy Myrna a car?" And Jerry said sure. But he didn't tell me. He asked me if I would go with him to the Cadillac dealer to pick out a car for his dad because he's forgotten to buy his dad a car. I said sure. So I go and we pick. I pick out this brown, I don't know what it was, but a nice brown big Cadillac for his dad. And, it's nighttime. The place is closed. We're in the lot. Takes his flashlight out and goes looking, asks me what my favorite color was first. And goes looking around til he found a blue El Dorado and said, "There's your car." And, y'know, how do you respond. You're like What? What? But it was because he had to give me something. If I didn't accept the ring, I had to accept the car, y'know, or he would have just kept doing something like that. But I really appreciated it.


    AUTOGRAPH45.jpg


    Q : Elvis did have a tender heart?

    A : Very. He was easily embarrassed and easily hurt and very forgiving because I've seen people do things to him and -- y'know, he'd be angry at first, really angry. Then he'd calm down gradually and then he'd show them nothing but love. Buy 'em some incredible house or whatever.

    Q : Can you explain Elvis sense of humor?

    A : Sick. We used to call him squirrelly. Cause he knew we didn't like guns and he loved them. And every night he would come into our dressing room because we were right across from him. After he changed clothes from his show clothes, he'd come into our dressing room, especially if he had a new outfit he wanted us to see. And, he would always take out the gun just because we were scared of it, and start laughing. But, he liked to play with water guns. Y'know, he'd shoot us onstage. We got water guns. He'd come with bigger with machine water guns. So he was very playful.

    Sweets_Elvis.jpg


    Q : Were there a lot of hijinks backstage?

    A : Not before show. Mostly it was, he would do it onstage. He would do things onstage. But we would do things to him too, like take black tape and put it on our teeth and then when he looked over we'd smile. Do things to crack him up. But he was so nervous before a show that he wasn't ready to play around.


    INSPIRATIONS15.jpg

    Q : Can you think of one practical joke on the girls?

    A : Oh, on us? Elvis really cared about our feelings a lot and he never let anybody disrespect us except for him. Y'know, but he did it playfully. I can't think of any practical joke that he played on me, but yeah, I can. I don't know if it was a joke or not. He took me for a ride in his, let's see, it was a yellow Pantera. He had this little sports car and he asked me if I would take a ride with him. He was so proud of this little car. It was a two-seater. And so I got in the car with him and we'd go down -- leave Graceland, go through the gates and he must have been doing 130 miles an hour. And I knew he was trying to frighten me so I'm just sitting there, y'know, trying to be cool, just sweating. But he kept looking over at me. As we got back, he pulls up to the front. I got out and he said, "How do you like it?" I said, "Oh, it's O.K." And because he didn't frighten me, he took a gun and he shot the car! He just shot the dashboard. And I think that's pretty expensive car, isn't it?

    Sweet_Inspirations_big.jpg


    Q : Oh yeah.

    A : But I remember, it was Vale, Colorado. And, we couldn't go out during the day so we would go out at night. And all the guys were there and their girlfriends. We'd go out at night, but we wouldn't ski. We would take little, like garbage can tops, just little things, and go down, slide down the hill or he had a ski bike like, and the police came, y'know, security or whatever, came and because they had all ready smoothed out the slopes for the next morning and we were messing it all up. And Elvis has on this ski hat, it was covering this part of his face and his whole head and they said "You guys, y'know, you can't do this. You have to leave." And Elvis walks up and says "Don't you know who I am?" Guy says, "No, I don't know who you are, I'm Elvis Presley. Sure!" And he shows him his face and says, "Oh, we'll have fun." So he takes me up on one of those bikes. I'm sitting on the back and he's driving and we just tumble all in the snow and tear it up. But it was fun. None of us got hurt. He was a daredevil. He drove fast. But he's a very good driver. He'd take out his little siren and put it up there. Stop people if they were speeding. Walk up to their car. But can you imagine being pulled over and Elvis Presley walks up to your car and says I want you to slow down. He didn't give you a ticket.

    COLINTHESWEETS.JPG

    PORTIA - COLIN - MYRNA - ESTELLE


    Q : Tell us about rehearsals with Joe Guercio.

    A : When Joe Guercio became conductor for the orchestra at the Hilton and we had to open the show. We did like 20, 22 minutes before the comedian. Before Joe we kinda put our show together ourselves and Joe thought that we could be more Vegas, more slick. And so he put together with our input, and sometimes his ideas overpowered ours because they were better, he'd come up with three or four songs that we should do in our set. And then he would rehearse us. He would have our charts done and he would rehearse us with Ron Feur who's a great audio player. And then we'd have, I mean, the whole orchestra would have parts. And we had our own rhythm section that we took with us. And he'd make sure that our rhythm section couldn't read music, they just played. So he'd make sure that they knew what they were doing. So I think our show really improved when Joe became conductor.

    And a lot of times people aren't given credit. But I'd just like to give Joe credit because, y'know, he's put together lots of things for lots of entertainers. He's worked for Gladys Knight. He put together things for her that he's never gotten credit for. He worked with Natalie Cole. And, you know the thing that David Foster with her and her dad? Well, Joe's never been given credit for that. But that was Joe's idea. Y'know, he just wants the credit. And I hope that this stays in so he'll get credit for that. Because he did it long before David Foster ever put it on a record. He's a wonderful man and Elvis loved him because he's a jokester. I hated Joe when I first met him.

    SWEETS9.jpg


    Q : Why's that?

    A : Because he just walked up to me and just pinched me on the butt! I went like "How dare you?" and he laughed. I said this is a crude man. But then his wife was around, he did it around his wife. I says "Oh, that's just Joe."

    INSPIRATIONS1.jpg

    ESTELLE BROWN - PORTIA GRIFFIN - MYRNA SMITH  - 2009


    Q : How did you prepare for the Aloha concert?

    A : Well actually we didn't have to do any more preparation than normal. That was all in the hands of directors and producers and the Colonel. Elvis had to look gorgeous and he did. He looked absolutely stunning on that show. He was down to a good weight. He was down to the weight that he was when I first met him in 1969. And when he came on that stage he had on a chocolate brown suit and no shirt and he was dark, tan and most gorgeous man I've ever seen. And, he wanted to look good for the Hawaii thing. But actually, I don't think we really knew what was going on. They said satellite, y'know. And it didn't click with me. It was just a TV show as far as I was concerned. I think we were informed that it was gonna be satellite, but that was so new to me, and I'm not technical at all. So I didn't know that it was going to be shown the way it was.



    Q : Why did Elvis want to record at Graceland only?

    A : Well, I only remember one time that he recorded at Graceland. That was the last album, cause I was there on that one. But, I remember going to sessions at RCA when he was recording. And, we were supposed to do a session on Nashville that I was at, but he didn't make it to that one. He cancelled at the last minute and we all had to go home, but he paid us. But he didn't feel, that's when he was not feeling very sure of himself. And he was tired of doing the same thing. He wanted to start branching out and doing other things. He wanted to act really badly, but not the kind of movies he was acting in. He wanted to be a dramatic actor. And, he was very hurt when a couple of things that were offered him he couldn't do because of,
    y'know, ego problems.


    Q : Like "A Star is Born," for example?

    A : Yeah. Well, the Colonel told him that it would be a problem because, there would be a problem with billing because who was gonna get top billing? Elvis or Barbra Streisand? And, of course, Barbra Streisand had brought the idea to Elvis. She and Jon Peters came to the dressing room one night and they were down there until about 5 o'clock in the morning and they were talking to Elvis and he was so excited. They explained the concept. So excited. And then, next night he came down to do the show and it was just like somebody had pulled the rug from under him. He was just real down because the Colonel had talked him out of it for professional reasons. And, Elvis really wanted to do it and he would have been great in it.


    Sweet Inspirations 1979


    Q : Is there a story about Priscilla and Elvis?

    A : A story about Elvis and Priscilla. Just that they were great parents. And they both have hearts of gold. Elvis had a heart of gold. Priscilla has a heart of gold still. I mean, I had some personal problems and recently, and I get a phone call and she says, "Myrna, you know, if there's anything you need, you can call me." And I know she means that, y'know? And her mom was trying to help me with my house. Y'know, I was trying to buy this house that I already bought and I was having some problems and her mom is in real estate. She was helping me. Priscilla was helping me. Her sister, Michelle, Gary. I mean, they just, it's a wonderful family.



    Q : How was he the last couple of years?

    A : I don't know what they saw, but he wasn't depressed when he was around us because we kept him laughing. When I would be around him when the other girls were not, he didn't seem to be, I mean he would have days when he wasn't up to par, just like the rest of us. But I had no idea that, I mean I'd seen him in the hospital with liver problems, with sleep problems and just staying awake for weeks without sleep. And he was all turned around. Like I am, y'know. I go to bed at five o'clock in the morning. Sometimes, y'know. But, I can't go to sleep before three because it's just from the lifestyle. But I've learned not to take anything to come. I go to sleep when my body finally gets tired because, y'know, taking medication to make you go to sleep means you're gonna have to take medication to wake you up. And then you have to take medication to keep you even. So, if I don't sleep, I just don't sleep.

    Q : There was no air-conditioning in Rapid City?

    A : I don't remember it, no air conditioning?

    Q : There was a new building.

    A : Oh yeah!

    Q : Elvis make-up looked smeared.

    A : Well he didn't actually wear that -- oh well, because they were filming, yeah. Yeah. When they did that special I thought Elvis looked great. When you're around somebody a lot, you don't notice that they've put on weight. Plus I had seen him heavy before and he lost it. But, he had been so much heavier before that, that when I saw him I thought he looked fabulous. Jerry called me after we had done the taping and said, "Well how did Elvis look?" I said, "He looked great". And then when I saw the show after Elvis died, I went like "Oh, my God. He didn't look like that to me". But, y'know, when you love somebody I guess, you know, you want them to look good, so they do.


    Q : Were you on the way to Portland when you found out he passed away?

    A : Yeah, we were in the air. And, I guess the pilot got information for us to turn around and go back to Burbank, because we were on the show plane. And, we thought probably we had left somebody and so we landed so we could tell them to tell the person we left to take a commercial flight, or whatever. And to find out what was wrong. And I don't remember where we landed. I think it was Utah. I'm not sure. Because, Marty Harrell is the one that went into -- it seemed like a small airfield, but I didn't get off the plane cause -- everybody got off and I was just sick of it, y'know? And Marty came back on the plane and said "Myrna, why don't you get off because what I have to

    03-12-2010 om 00:00 geschreven door zooroo  

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    Categorie:The Sweet Inspirations
    10-11-2010
    Klik hier om een link te hebben waarmee u dit artikel later terug kunt lezen.Elvis final
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    Elvis final


    http://www.youtube.com/watch?v=eDXsNyNmhF0&feature=related

    http://www.youtube.com/v/ILT9cgE_fxQ?http://www.youtube.com/v/ILT9cgE_fxQ?version=3"

    10-11-2010 om 20:59 geschreven door zooroo  

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    Tags:Elvis final


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