In a suffocating Andalusian summer, three people barely survive in a manor
house: a dying old lady whose ancestors date back to the Goths, her maid and a
cousin, awaiting death to inherit the old woman. Nothing remains in the home of
former glory (my blood watered until all dried up), because everything was taken
woodworm, thieves or banks, including health, because the, cycling clothing, lady have arm amputee
and I will cut another. The garden where the sun does not pona, a corner is now
dry. And the desired inheritance, oh surprise! SCREEN to be a dead. In this
space, swarm (what else) shadows and ghosts (the piece is subtitled "the
homeland of the spectra), who are left with only the taxonomy: dissecting the
dead to prolong their agony to no end. What is the land of ghosts It is a
metaphor for the destruction, illness and death of human beings It is a metaphor
for Spain and the West today A and other readings are possible in this
intelligent absurdity of the company ylcido Jerez, one of the best productions
seen this season. The Zaranda thus presents a work full of pace, strength and
freshness, which radiates black humor and engages the audience from the
beginning. Valle-Incln is present in this area of aacontrasts in which the
characters move like puppets, in their faces, their ruin beastly, womens bike jerseys,
body and gestures, we see the raven, the vultures and the spectra, ie what is
the human being robbed of s itself. For 80 minutes, the actors do not stop
playing with objects which have symbolic meaning, as usual in the company: a
wall clock is a coffin, covered chairs to serve as a bed or Bed Linen the
balcony, the old woman wearing, discount
cycling clothing, a fur coat but is dying of heat, the fans get stuck (can
not breathe.) Estn magnificent actors in their work (do not miss his ironic
dialogues). Many well-deserved applause.
