Elvis Presley and Mary Kathleen Selph (cq) (Left) seen at the corner of South Parkway and Elvis Presley Blvd. in Memphis, Tennessee June 30, 1972. (By Dave Darnell / The Commercial Appeal) *** NOTE: ID on Selph from her mother, Peggy Selph Cannon (cq) on 5 Jan 00. Mrs. Cannon lives at 7706 Deer Trail Lane, Bartlett, TN 38133. Mrs. Cannon says her daughter was killed in an auto accident on 18 Jul 72 at the age of 20 and was the 60th traffic fatality in Memphis that year.
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- Gemiddelde waardering: 1/5 - (18 Stemmen) Categorie:Elvis and Women Tags:Elvis Presley and Mary Kathleen Selph ,
26-12-2011
Pat Parry
Pat Parry
Patti Parry spent 17 years being a
little sister to Elvis & sometimes noted as being the only female member of
the 'Memphis Mafia'.
Patti Parry was, in fact, one of a small number of girls
who hung out with Elvis and the guys for many years in L.A. from the time they
were young in the early 60s.
Patti was also Elvis' hairdresser
but, unlike some, has never bragged about her association with him. It was
therefore a pleasure for EIN to get a chance to talk to Patti in her Beverly
Hills home about a few of her experiences.
October 27, 2011 - Patti Parry, Elvis
Little sister has Died: EIN has confirmed the terrible news that
Elvis good friend Patti Parry passed away this morning in hospital. We have
heard that her brother took her to a hospital last night, and that she passed
this morning. Patti Parry was a good friend to EIN and was always a joy to be
with, full of fun and life and wonderful stories of times spent with Elvis.
Patti Parry was one of a small number of girls who hung out with Elvis and
the guys for many years in L.A. from the time they were young in the early
60s. When EIN interviewed Patti Parry in 2003 she recalled that when she knew
him .. Elvis didn't have a Mum, he didn't have a
sister so I was a girl who was around who could nurture him. He needed that
nurturing. I was the only girl there and if he needed it I would give him a lot
of help and a shoulder to cry on. I was his Little Sister, I was a very lucky
girl. (laughing) They were lucky too!
EIN passes on our deepest sympathies to her family and
friends.
Interview: Patti Parry By Piers Beagley (August 12, 2003)
EIN
- Patti thank you so much for finding the time to talk to us. I think I can
detect a slight English lilt to your accent, are you originally from the USA and
please tell us how you ended up meeting Elvis?
Patti Parry - I am
British originally born in Stamford Hill, in London, but I came over here with
my parents in 1953. I moved to the U.S. when I was 10 and I met Elvis when I was
just 17. It was November 1960 and I was going to Beauty school. In fact, of all
coincidences, I ended up in Beauty school with Larry Geller!
Anyway I was driving with my friend
in this old Buick down Santa Monica Boulevard and we see this Rolls Royce. It
was obviously Elvis but I pretended I didn't know who he was. He rolled down the
window and said "Hey girls. Hi". I replied "Hey, you look familiar do I
know you from somewhere?" Well he knew that we knew who he was and he laughed
and said "Hey girls, pullover!" Well we chatted and our personalities
clicked & so he invited me up to the Perugia Way house. I got on well with
all the guys so they all just adopted me and from that time on that was it! I
was around until he died, amazing isn't it?
EIN
- What did your parents think of you, at such a young age, hanging around with
Elvis?
Patti Parry
- They weren't really happy about my life with him! I wasn't
dating anybody and I just wanted to hang out with Elvis. Think about it, I was
only seventeen years old and hanging out with Elvis Presley! They did eventually
come around to the idea. They knew how much I loved him and they knew how much
he loved me and they finally accepted that. In fact Priscilla would sometimes
come around to my parent's house which was nice.
EIN
- Tell me about the recent reunion event you all had this year in Palm Springs.
Patti Parry
- The event was the first time in ages that 'all my boys' were
with me. I knew that Sonny West was going and Charlie Hodge too so I called up
Joe (Esposito) and Jerry (Schilling) and said, "Let's all get together." This
would be like the first time we had all been together in so long. It was like a
dream to have all my boys together. (Laughing) I call them "my boys" but they
are like 68 years old but they are still 'my boys'! See, I've been with them
since I was 17! It was fantastic and we'll be doing it again next year. Although
some of them have had their differences I said, "C'mon guys, it's 25 years you
can let it go". We had the best time I was thrilled. We have also been doing
some fundraising for the 'Special Olympics' which is a fun thing to do.
* Zie linksboven foto,
*Col.
Parker, Elvis, Lamar Fike, Joe Esposito, and Charlie Hodge, June
1968.
EIN
- We recently interviewed Jimmy Velvet, did you know him?
Patti Parry
- Well he never hung around with my gang but I do know him and
he is a lovely man. He once bought Elvis' guitar from me! Years ago when I took
guitar lessons Elvis gave me this old acoustic guitar of his to practice on. It
was no big deal and I had it in my closet for 25 years. I didn't really think
about the fact that it was once Elvis' and so eventually I ended up selling it
to Jimmy for his collection.
EIN
- Are you still working along with your Elvis commitments?
Patti Parry
- I am semi-retired but I still work 2 days a week in Beverly
Hills. I still am a hairdresser for Heads of Studios and Producers &
Directors. I have an incredible cliental who just won't let me retire! I also
keep myself busy with a lot of TV shows and I also do a few Elvis things for
charity but I have never made my living off Elvis.
EIN
- Now the story is that Elvis paid you $750 for the first haircut you did for
him!
Patti Parry
- That's true but after that first time I never took Elvis'
money because I ended up travelling with him and I practically lived at his L.A
homes. He bought me gifts and I ate there every night going over to the house
every day after work. Elvis was like my family because I knew him since I was 17
and so we grew up together. He brought me up. Wherever he was he'd bring me in
to either Palm Springs or Vegas & I even got to go over to Hawaii for the
satellite special. I just wouldn't go on payroll.
EIN
- I believe that you also did Priscilla's hair!
Patti Parry
- I did Elvis' hair that first time and then I did Priscilla's
hair for a while. I did her hair in that big "Boombah" hairdo. What an amazing
hairstyle that was!
I
got put on salary for that for a short time but I didn't want that and Priscilla
could be a little, uh, difficult at times.. whatever! I saw Priscilla last year
in Memphis and we hugged and kissed.
EIN
- What about the disturbing concept that Elvis surrounded himself with paid
friends rather than real friends. I always think it is great that you are
referred to more as a friend than as a member of "the Gang."
Patti Parry
- Listen, the guys who worked for Elvis worked very hard. I mean
it was a 24/7 job for them. But I had my hairdressing and was working 4 days a
week. I was kid, I was seventeen and I was a girl, I couldn't give up my
complete life to work for him. Elvis lavished us with gifts but above all he was
a friend. He didn't have a Mum, he didn't have a sister so I was a girl who was
around who could nurture him. He needed that nurturing. I was the only girl
there and if he needed it I would give him a lot of help and a shoulder to cry
on. I was his Little Sister, I was a very lucky girl. (laughing) They were lucky
too!
EIN
- So tell me how you managed to stay a little sister without romance creeping
in?
Patti Parry
- We met when I was 17 and I was a nice innocent woman when I
met him and he liked to bring up his women. He just adopted me and protected me
and wouldn't let anyone hit on me. Even when I was in my thirties Elvis used to
say, "Patti is family she doesn't fool around". I'd say, "Hey, I can fool
around!"
EIN
- Were his girlfriends like Priscilla or Linda Thompson ever jealous of the fact
that you were the only girl there?
Joe Esposito and Linda Thompson
Patti Parry
- Oh no, they knew exactly who I was and what I was. When he
brought new girls up he would say, "This is Patti she is part of the family."
The women knew our relationship was like brother & sister. But with Linda,
you know, I got on so well with her. She's such an incredibly nice woman. She
was the most fun, so wonderful. You know she looked after him and if Linda was
with him he would never have died. But living with Elvis was really difficult.
You really had to be mother, sister and confidant. When I got the call about him
dying I ran to Linda's house. She's an incredible woman.
EIN - Is
there one of the boys that you are closer to than the others?
Patti Parry
- Well I am closer to Joe & Jerry. Joe is like my big bother
and Jerry lives just up the street from me now. And I've got back being friends
with Sonny after a long, long time. You know 'that book' really put a bit of
distance between all of us but I knew that after 25 years it was time to get
over it and that we were a family and we should be together. We were the only
ones that really knew him so that is why it was so good to see them together in
Palm Springs. EIN
- How much time did you spend in Memphis, because I heard that Elvis gave you a
personal guided tour?
Dick Grob, Sonny and Red West, Elvis, Jerry Schilling, Lamar Fike, Joe Esposito, Vernon Presley
Patti Parry
- I didn't spend much time there as when I met Elvis he was
doing the movies & I was living in L.A. I sometimes went back for
Christmases when he did. When I first arrived at Graceland he took me on this
crazy ride on this golf cart which had, like, jet-engines! I thought it was
going to be nice and sedate! He laughed as we bounced over the farmland at the
back. I screamed and he loved that!
Then
he took me to Humes High School and to Sun Records and places he grew up. He
took me to Gladys' grave, which was the biggest honour he could ever do for me.
We were standing right by the grave sight and then he teased me and said "Hey,
Patti you're standing on my Mother!" and started laughing. He had a strange
personality!
EIN
- Elvis obviously had a very strong personality that would be have been very
hard to say 'No' too. I can understand what an awkward position someone like Dr
Nick, for instance, would have been in.
Patti Parry
- You're right it was very hard to say 'no' to Elvis. In fact Dr
Nick was a very nice man but he got caught up in the, how do I word it, "The
Elvis syndrome." Nobody could say, "No." In fact I was always managed to be
honest with him and told him the truth. I gave him hell when he needed it and he
respected that! But Elvis was very crafty, he knew how to work around you!
Dr. Nick and his wife with Elvis
EIN
- Maybe that was it Elvis needed more people to actually tell him how it was.
Did you tell him to stop and cut back on those fatty sandwiches?!
Patti Parry
- (Laughing) Oh no, I never could do that! When we were
at Graceland we'd all be eating like red-eyed gravy and grits together! Those
were some of my favourite times when Elvis and the guys would sit around and
just sing gospel songs. In fact the guys commented, when I was singing along,
that I was Jewish and shouldn't know all those songs. But I loved that music.
EIN
- So were you at the Perugia Way house when The Beatles visited?
Patti Parry
- Yes I was but, to be honest, it was not really that exciting.
They came up and they all sort of stared at him. Elvis said, "Well if you're
just going to stare at me I'm going to bed"! That sort of broke the ice and then
they started playing some music together. At the time I wasn't really into their
music and this was the period when we were more into playing Gospel at the
house.
EIN
- You were lucky enough to be in the audience for the '68 Comeback Special. What
was that like seeing him perform live again? Was he nervous?
Patti Parry
- It was amazing seeing him perform. I was there with Priscilla
& Joannie Esposito and they said for me to go down and sit next to Elvis. It
was incredible and every time he looked over at me he would laugh. He was really
nervous about the show but at the same time really excited about doing it. He
didn't get along that well with the director, Steve Binder, but he so loved to
perform and that was when he was his happiest. Even though his records weren't
doing so well at the time he knew his own talent and being surrounded by the
guys he was really comfortable. He liked that so much more than making those
movies.
Patti in white dress
EIN
- Was there a big party afterwards to celebrate its success?
Patti Parry
- No, he never really liked those kind of parties, it was more
like family parties for him. In Vegas after the shows we'd go backstage and he
would change. Then all these movie stars would come in but I think he was the
most uncomfortable of everybody. He was very shy. Elvis was basically a
19-year-old truck driver and he was still shy but with his friends he could
really relax. He was so different the first time I saw him on stage it blew me
away. To see how the audience reacted to him and how he reacted to the people.
He always went down and kissed the girls and shook hands which is very special
for an entertainer to do.
EIN
- Tell me about the Aloha Special. We know that Elvis was not happy with his
hairstyle after he saw the dress rehearsal tape and wanted it changed for the
final show.
Patti Parry
- I did his hair for that! I wasn't there for the rehearsal and
Elvis was very unhappy about that first haircut. It looked like hell! Elvis
wanted his hair cut properly and it was Marty Lacker, who was in LA, who called
me and we flew in together.
I
cut his hair for the final show and Marty Pasetta, the producer, said to me that
Elvis had never looked so great. While I cut his hair Elvis said,
"Patti, look, I've got really thin, I feel really good.."
EIN
- Tell me about the Aloha Special. We know that Elvis was not happy with his
hairstyle after he saw the dress rehearsal tape and wanted it changed for the
final show.
Patti Parry
- I did his hair for that! I wasn't there for the rehearsal and
Elvis was very unhappy about that first haircut. It looked like hell! Elvis
wanted his hair cut properly and it was Marty Lacker, who was in LA, who called
me and we flew in together. I cut his hair for the final show and Marty Pasetta,
the producer, said to me that Elvis had never looked so great. While I cut his
hair Elvis said, "Patti, look, I've got really thin, I feel really good.."
Elvis was very happy and really
stoked about doing the show. I think that was his prime, he looked gorgeous. We
were all staying on the 30th floor of the Hilton and had a ball together. The
sad thing was that we all went to the beach but Elvis would be stuck in his
room. We all also went to see the Arizona Memorial that he had put a lot of
money into but again he couldn't go.
EIN
- In the Aloha Special Elvis is obviously very tanned especially compared with
his look in the 'On Tour' film. Since Elvis slept most of the day when and how
did he ever get so tanned?
Patti Parry
- He would usually get tanned & fit by relaxing in his home
in Palm Springs. Elvis would go outside and we would put a fan out there and
he'd put on 'Man Tan' (which was a version of today's suntan lotions &
bronzers). I'd put it all over his face and he'd sit there and get tanned. Elvis
was nocturnal, as you know, but he took time out in Palm Springs to get fit.
He'd still get up around 4 o'clock in the afternoon but the sun in Palm Springs
is still hot until eight o'clock at night. It was like our getaway place. We all
just hung out & kicked back. I found out that the place is up for sale again
right now.
EIN
- Tell me about your TLC necklace. Do you remember exactly which year Elvis gave
it to you, as EIN often gets asked which year they started?
Patti Parry
- Tender Loving Care with the lightning-bolt standing for 'in a
flash'! You know I've had it around my neck for so many years I can't remember
exactly. It was the early seventies and we got it a Sol Schwartz's on Beverly
Drive. Some people are really surprised that it is an original but I can tell
you that this has never been off my neck! I've never taken it off and I never
will. He gave it to me and Elvis was so special to me, he changed my life.
EIN
- There is a new fascinating book on Colonel Parker coming out. Did you ever see
Elvis react about Colonel Parker?
Patti Parry
- You know in all the years I was around, The Colonel hardly
ever came to the house. That was business you know. Joe handled the personal
stuff but The Colonel was business. In Vegas The Col would come backstage at
night. In fact the first time I took my parents to Vegas, The Col came over and
introduced himself which sort of shocked me because he wasn't really part of our
Elvis life. Elvis was always good to all my family. My own brother used to come
along to Vegas too and we would always get front tables to see the show.
EIN
- As you live in LA did you get to spend time with Elvis on the movie sets and
did he ever tell you how bad he thought the later ones were?
Patti Parry
- Sure, I was there at Kid Galahad, Wild in the Country, Viva
Las Vegas and others. He said how he hated some of them. He said how they would
just cut to a song and that it was stupid! But he knew that it was his job and
he did the best he could. He was an incredible actor especially in King Creole
(that was before my time) but also in Wild in the Country. Some of them, like
Clambake though, oh dear, give me a break! During that time Elvis started into
his self-realisation period seeing Daya Mata and stuff. He was always trying to
figure out "Why me?"
EIN
- How often did you get to see Elvis perform on stage? Were you there for that
first 1969 season in Vegas?
Patti Parry
- Of course I was there, are you kidding?!! It was The
International then and I got there every weekend. I never went on the payroll
and so I couldn't go with him on tour 'cos I had to work but in Vegas I would
fly in every weekend to see him or sometimes limo in. I saw him there every year
through to the final one in '76 but by then, after the season, he would always
return to Memphis. He was always so proud of the way he looked but by the end in
1977, he really let it go. It broke my heart.
EIN
- When was the last time you saw Elvis?
Patti Parry
- I last saw him about 7 months before he died. He wasn't
looking good and it worried me. You've got to understand, he was not really
healthy and his kidneys were really shot. It just made me so sad. Unfortunately
at the end most of his closest friends had gone and he had just a bunch of young
kids around him. That book really hurt him a lot. I think part of his demise was
because all the gang was gone and he didn't have anybody left to play with. We
used to all play and have so much fun together. I loved him, you know, he was my
big brother.
EIN
- You were there for so much of the music. Is there any Elvis song that means
something special to you?
Patti Parry
- (Laughing) "Little Sister" of course! But I love so
many of them, like "It's Impossible."
EIN
- I have to ask you that of all the time you spent with Elvis, what was the most
special moment for you & why?
Patti Parry
- Every moment, every minute of every day I spent with Elvis was
really special. I can't really think of any moment that was the 'most special'.
However when my parent's first met him was really special. When my Mum met him
Elvis came up and whispered in her ear. He said, "Didn't I do a good job of
bringing up Patricia?" He always called me Patricia. My Mum laughed and said
"You know Elvis, I had something to do with it too!" But he did bring me up and
he liked bringing up his women. As I said I was a really lucky girl, but you
know what, he was really lucky to have me too.
EIN
- Any final words you'd like to add?
Patti Parry
- In my heart and my mind, that's where Elvis is. I still dream
of him. I'm a very lucky woman. I always say to every fan "I'm glad that
everybody loves my friend."
EIN
- Thank you so much Patti, it has been fantastic talking to you.
Joe Moscheo, baszanger van the Imperials, stuurde ons zopas
een reeks foto's door van Patti Parry, die ook hij leerde kennen als één van de
liefste en respectvolle fans die er al vanaf de jaren '60 bij was. Op de foto
linksboven herken je Patti in het witte jurkje. De foto onderaan toont Myrna
Smith (overleden in 2010), Joe en Patti. Deze fotot werd in 2009
genomen.
Gepubliceerd: 28 oktober 2011, 05:41 Bron:
ElvisMatters / Gepubliceerd door: ElvisMatters - Peter Verbruggen . -
Fotograaf: Joe Moscheo
Patti Parry met Elvis Presley when she was 17, and
it was just as you might imagine it. The year was 1960 and it was a sunny day in
California. She and her girlfriend were driving down Santa Monica Boulevard in
an old Buick on their way to a fraternity party and they spotted a fancy black
Rolls Royce.
Its Elvis, they realized, and Parry
pretended not to recognize him.
You look familiar. Do I know you from
somewhere? she coyly asked.
Pretty soon, she was living with Elvis not
as a girlfriend but as a member of the Memphis Mafia. She was a little sister to
the men who hung in a tight circle around Elvis and she gave up her youth and a
chance at romance so she could hang with The King.
Our personalities just bonded, said Parry, who
will attend the Elvis Explosion Sept. 7-9 at the La Crosse Center.
He
was gorgeous, he was 25, but Perry knew she was not meant for a romance with
Elvis.
So he adopted me. I didnt leave for 17 years. I gave up my life
to Elvis.
Her parents werent happy. She stopped dating, gave up life as
she knew it, and traveled with Elvis and the gang. And because of that, she
said, she never had children.
Where he went, I went. I have no children
because I gave up my life for him. Where he went, I followed.
Maybe you
had to know Elvis to understand. But 30 years after his death, Parry said she
still misses him. Shes almost 65 and has just retired from her work as a hair
dresser. And its only recently that shes gotten on the Elvis circuit to talk
about her time spent with Elvis.
Parry said Elvis was probably attracted to
her honesty and the sense of family she gave him.
I told him the truth,
and he loved me for that. I looked after him. He trusted me. Those guys, they
adopted me.
She enjoys the tribute shows, she said, because they keep
Elvis memory alive.
They have wonderful, wonderful tribute artists. I
do not have any problem with tribute artists as long as they dont think theyre
Elvis. They love him and they honor him.
At the Elvis Explosion, she
will share stories of life with Elvis and what it was like to live the life. We
shared the life of a millionaire. This is to honor Elvis. This is about my
friend. I love to talk about it and people love it. Thats what its all
about.
IF YOU GO
What: 10th annual Elvis Explosion, hosted by
Ronny Craig with convention, competition and benefit, featuring more than 25
impersonators and Patti Parry, a member of the Memphis Mafia.
When: 7
p.m. Friday and Saturday for semifinals and 1 p.m. Sunday for
finals
Where: La Crosse Center
Tickets: $23 to $30 in advance, $2
more at the door; sold at Quillins IGA stores, WLFN Radio Group, Mirage Sports
Bar, Salon Medusa, Lennys Boot and Shoe Repair, Glory Days Sports Pub, Visual
Changes in La Crosse and West Salem and Crazy Horse Saloon in West Salem, or
(608) 386-7809.
Barbara Jean Morehead August 23, 1934 (1934-08-23)(age 77) Tucson, Arizona, U.S.
Years active
1956present
Spouse
Michael Ansara (1958-1974; divorced); 1 child Charles Fegert (1977-1982; divorced) Jon Eicholtz (1991-present)
Barbara Eden (born August 23, 1934) is an American film and television actress and singer who is best known for her starring role in the sitcomI Dream of Jeannie.
Eden was born Barbara Jean Morehead in Tucson, Arizona, the daughter of Alice Mary (née Franklin) and Hubert Henry Morehead. Her parents divorced when she was three; she and her mother Alice moved to San Francisco where later her mother married Harrison Connor Huffman, a telephone lineman. The Great Depression deeply affected the Huffman family, and as they were unable to afford many luxuries, Barbara's mother entertained the children by singing songs. This musical background left a lasting impression on the actress, who began taking acting classes because she felt it might help her improve her singing.
Her first public performance was singing in the church choir. She was always doing the solos. When she was 14 she was singing in local bands for $10 a night in night clubs. At age 16 she became a member of Actor's Equity.She studied singing at the Conservatory of Music in San Francisco and acting with the Elizabeth Holloway School of Theatre. She graduated from Abraham Lincoln High School in San Francisco in 1949 and studied theater for one year at City College of San Francisco. Then she was elected Miss San Francisco in 1951. Barbara also entered the Miss California pageant, but did not win.[citation needed]
She guest starred in four episodes of Burke's Law playing different roles each time. She was an uncredited extra in the movie The Tarnished Angels with Rock Hudson, in partnership with 20th Century Fox studios. She then starred in the syndicated comedy How To Marry A Millionaire. The show was based on the film of the same name.
Discovery in the Hollywood sense came when she starred in a play with James Drury. Film director Mark Robson, who later directed her in the movie From The Terrace, had come to the play and wanted her for 20th Century Fox studios. Her screen test was the Joanne Woodward role in No Down Payment. Though she did not get the role, the studio gave her a contract. Eden did a screen test for the role of Betty Anderson in 1956 for the movie Peyton Place, though Terry Moore got the role. She had minor roles in Bailout At 43,000, Will Success Spoil Rock Hunter? and The Wayward Girl, and then became a leading lady in films and starred opposite Gary Crosby, Barry Coe, and Sal Mineo in A Private's Affair, and had a costarring role in Flaming Star (1960), with Elvis Presley.
Her last film for 20th Century Fox was The Yellow Canary (1963). She left Fox studios (due to budget cuts) and began guest-starring in shows such as Saints And Sinners and also doing films for MGM, Universal, and Columbia. She played supporting roles over the next few years, including The Brass Bottle, and the notable, if odd, movie 7 Faces of Dr. Lao, both with Tony Randall. In The New Interns, she co-starred with Michael Callan. Then she signed to become "Jeannie," a genie in a bottle rescued by an astronaut in the television sitcomI Dream of Jeannie. She played this role for five years and 139 episodes. Eden also played Jeannie's sister in nine episodes and Jeannie's mother in two.[citation needed]
After that, Eden did an unaired pilot, The Barbara Eden Show, and another pilot, The Toy Game. She also began starring in and sometimes producing a string of successful made-for-TV movies, making at least one a year for one of the networks and they all were top-rated.[citation needed] Her first TV movie was called The Feminist And The Fuzz. Although best known for comedy, most were dramas, as when she starred with her "Jeannie" co-star Larry Hagman in A Howling in the Woods (1971). She starred in The Woman Hunter (1972) with Robert Vaughn, an earlier co-star from Gunsmoke. In The Stranger Within (1974), Eden plays unwitting housewife Ann Collins, who becomes one of many earthling women that are extraterrestrially impregnated. Like the mother-to-be in Rosemary's Baby, Ann develops unusual prenatal cravings (in this case, coffee grounds instead of blood-rare meat). The screenplay was written by Richard Matheson and directed by Lee Philips.
Eden played Liz Stonestreet, a former policewoman now private detective investigating the disappearance of a missing heiress in a critically acclaimed TV movie Stonestreet: Who Killed The Centerfold Model? (1977) co starring Louise Latham, James Ingersoll, Elaine Giftos, Ann Dusenberry. and Sally Kirkland. She played Lee Rawlins, a woman who worked at a department store, in the ABC TV movie The Girls in The Office (1979) and starred in and co-produced with her own production company (MI-Bar Productions) the NBC TV movie romantic comedy The Secret Life Of Kathy McCormick (1988) about "a simple grocery clerk, finds her way into her local high society and the life of a wealthy suitor who thinks she's a stockbroker." In addition, she starred in and produced the romantic comedy TV movie Opposites Attract (1990) co-starring John Forsythe, their first joint screen appearance since her guest-starring role in a 1957 episode of his Bachelor Father TV series.
She continued to appear regularly on stage starring in the play Blithe Spirit and in television specials like Telly...Who Loves Ya Baby? with Telly Savalas and The Best Of Everything with Hal Linden and Dorothy Loudon.
In 1978 she starred in the feature film Harper Valley PTA based on the popular country song. This led to a namesake television series in 1981; in both the movie and the TV series, she played the show's heroine, Stella Johnson. The show won 11 of its 13 time slots during its first season. It was a comedy version of Peyton Place with Anne Francine playing wealthy villain Flora Simpson Reilly. In one episode Stella dressed in a blue and gold genie costume and in another she played both Stella and her cousin Della Smith (similar to Jeannie's evil twin-sister character). The show Harper Valley PTA began January 16, 1981, and was renamed simply Harper Valley when the show began its second season on October 29, 1981. The show ran until August 14, 1982, producing 29 episodes for NBC and Universal MCA, which were rerun in 2000 by TV Land.
Eden at a United Services Organization (USO) show aboard the amphibious assault ship USS Okinawa
From April 3 through September 16, 1984, Eden starred in the Lee Guber and Shelly Gross national production of the John Kander and Fred Ebb Tony Award-winning musical comedy Woman Of The Year, playing the role of Tess Harding Craig, alongside Don Chastain (as Sam Craig), and Marilyn Cooper (as Jan Donovan, reprising her Tony Award-winning role).
In 1990, Eden had a recurring role of a billionairess seeking revenge against JR Ewing in five episodes of the final season of Dallas, playing the captivating character Lee Ann De La Vega, reuniting her with her I Dream of Jeannie co-star Hagman. In her final episode the character admits that her maiden name was "Lee Ann Nelson," which was a production gag as "Nelson" was the surname of Hagman's character, and Eden's character's married name in I Dream of Jeannie.[citation needed]
In 1991 she starred in the stage play Same Time, Next Year with Wayne Rogers, and reprised her role of Jeannie in a television movie of the week. In 1993 she starred in an 11 city national tour of the play Last Of The Red Hot Lovers with Don Knotts. She also made three guest appearances in the last few seasons of Sabrina, the Teenage Witch as the evil family matriarch, Great Aunt Irma.
Eden wrote an autobiography, Barbara Eden: My Story, published in October 1989. (Although issued an ISBN number 978-0025349308 for cataloging, Barbara Eden: My Story was not mass-produced due to content disputes between the publisher and Eden.)
She received an honorary Doctor of Laws degree in the spring of 1990 from the University of West Los Angeles School of Law. On November 17, 1988, she received the honor of a star on the Hollywood Walk of Fame sidewalk for her contributions to television at 2003 Hollywood Boulevard.
From 2000 until 2004, Eden starred in the national touring production of the play, The Odd Couple ... The Female Version, playing the role of Florence Unger opposite Rita MacKenzie as Olive Madison.
Eden's most recent work was starring in the play Love Letters with Hal Linden, and a guest-starring role on the Lifetime series Army Wives, written and produced by her niece, Katherine Fugate. In December 2008 she began filming the TV Movie Always and Forever for the Hallmark Channel that was shown in October 2009.[2]
Eden wrote a memoir, Jeannie Out of the Bottle, released April 5, 2011, about her personal life. The book includes intimate details about her two failed marriages and her "emotional breakdown" following the death of her only child, her son, Matthew Ansara, from a drug overdose.[3]
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- Gemiddelde waardering: 4/5 - (6 Stemmen) Categorie:Elvis and Women Tags:Barbara Eden
Leticia Roman
Leticia Roman
Elvis Presley chats with leading lady, Leticia Roman, 19, on the set of G.I. Blues at Paramount Studio in Hollywood May 26, 1960. The film was Presley's first since his release from the Army, and the first ever for Miss Roman, an import from Italy. One Hollywood producer was already pegging her as another Lollobrigida.
Mostly Credited As: Leticia Roman Birth Name: Letizia Novarese Date Of Birth: August 12, 1941 (Age 70) Country Of Birth: Italy Birth Place: Rome
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the press reports that she refuses to date Elvis Presley. "He kept asking me to go out with him, but I tell him no," she says. "I don't think it would be a good idea. It would seem too much like a publicity date. Besides, I don't think my parents would approve."
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lives with her parents and must be home by midnight when she dates. "In Rome I went never out without a chaperone," she says. "Even then it was to parties and never with a date of my own. Boys didn't come to parties until we were 15 years old. We grow up more slowly in Italy than girls do here."
columnist Harrison Carroll reports that Ken Scott, her co-star in Pirates of Tortuga, divides his time between her and Julie
Prowse was born in Bombay, India and brought up in South Africa. She began studying dance at the age of four. In her early twenties she was dancing at a club in Paris when she was spotted by a talent agent and eventually signed to play the part of "Claudine" in the 1960 Walter Lang film, Can-Can.
It was during the filming of Can-Can in 1959 that she captured the international spotlight. Soviet leader Nikita Khrushchev visited the set of the film and after Prowse performed a rather saucy can-can for the Russian leader, he proclaimed her dance "immoral". Little did Khrushchev know that he was a great press agent, because the publicity brought Prowse considerable attention in the United States. From there, her career took off.[1]
Prowse met Frank Sinatra on the set of Can-Can. Time magazine did not care for the movie but said that Prowse was the best thing in it: "In fact, the only thing really worth seeing is Juliet Prowse, a young South African hoofer who puts some twinkle in the stub-toed choreography. And the only thing really worth hearing is the crack that Frank flips back at Juliet when she whips a redoubtable hip in his direction. "Don't point", he gasps. "It's rude."[2] She would go on to appear with Sinatra and other notable guests such as Ella Fitzgerald, Peter Lawford, Hermione Gingold, the Hi-Lo's, Red Norvo, Nelson Riddle and his orchestra on the 1959, Frank Sinatra Show. She at times would sing in the chorus with other guests or Sinatra would sing to her.[3]
Sinatra and Prowse announced their engagement in 1962. Soon afterwards, they broke up reportedly because Prowse wanted to concentrate on her career. Prowse later admitted, "I was as much flattered as I was in love. He (Sinatra) was a complex person, and after a few drinks he could be very difficult."[4]
Prowse co-starred in 1960 alongside Elvis Presley in G.I. Blues. During shooting of the film they had a short and intense fling. "Elvis and I had an affair.... We had a sexual attraction like two healthy young people, but he was already a victim of his fans. We always met in his room and never went out."[4]
She starred in her own NBC sitcom for one season: 1965's Mona McCluskey, which was produced by George Burns. She also did other feature films, including The Fiercest Heart (1961) and Who Killed Teddy Bear? (1965) with Sal Mineo and Elaine Stritch.
Although her film and television career did not make her as big a star as predicted, Prowse had a rather philosophical way of looking at it. "Things generally happen for the best... I never worry about what happens in my career, because I can always do something else."[5] Prowse would later go on to headline successful Las Vegas shows, commanding a very high salary. Stating that Las Vegas was the most demanding place she ever worked, she won Entertainer of the Year for the Vegas run of Sweet Charity. She would later show off her famous dancer's legs in a series of lucrative nationwide commercials for a number of advertisers, including L'eggs hosery and Mannington flooring.
Prowse was the first guest to appear on an episode of The Muppet Show.[6]
In the late 1980s, she was mauled by an 80-pound leopard twice. Once, while filming a scene for Circus of the Stars in 1987 and later that same year rehearsing a promotional stint on The Tonight Show, when the same leopard attacked her. The later attack was more serious, requiring upwards of twenty stitches to reattach her ear.[7]
Throughout the mid 1980s and 1990s, Prowse hosted the Championship Ballroom Dance Competition on PBS.
In 1994, Prowse was diagnosed with pancreatic cancer. In 1995, she went into remission and was well enough to tour with Mickey Rooney in Sugar Babies. The cancer subsequently returned and she died on September 14, 1996.
She was survived by her son and her mother, and also her ex-husband, TV actor John McCook, who is the father of her only child, Seth.[8]
Sinatra began her career as a singer and actress in the early 1960s, but initially achieved success only in Europe and Japan. In early 1966 she had a transatlantic number-one hit with "These Boots Are Made for Walkin'", which showed her provocative but good-natured style, and which popularized and made her synonymous with go-go boots. The promo clip featured a big-haired Sinatra and six young women in tight tops, go-go boots and mini-skirts. The song was written by Lee Hazlewood, who wrote and produced most of her hits and sang with her on several duets, including the critical and cult favorite "Some Velvet Morning". In 1966 and 1967, Sinatra charted with 13 titles, all of which featured Billy Strange as arranger and conductor.
In the late 1950s, Sinatra began to study music, dancing, and voice at the University of California in Los Angeles. She dropped out after a year,[citation needed] and made her professional debut in 1960 on her father's television special, The Frank Sinatra Timex Show: Welcome Home Elvis, welcoming the return of Elvis Presley home from Europe following his discharge from service in the US Army. Nancy was sent to the airport on behalf of her father to welcome Elvis when his plane landed. On the special, Nancy and her father danced and sang a duet, "You Make Me Feel So Young/Old". That same year she began a five-year marriage to Tommy Sands.[citation needed]
Sinatra was signed to her father's label, Reprise Records, in 1961. Her first single, "Cuff Links and a Tie Clip", went unnoticed. However, subsequent singles charted in Europe and Japan. Without a hit in the US by 1965, she was on the verge of being dropped. Her singing career received a boost with the help of songwriter/producer/arranger Lee Hazlewood, who had been making records for ten years, notably with Duane Eddy. Hazlewood became Sinatra's inspiration. He had her sing in a lower key and crafted pop songs for her. Bolstered by an image overhaul including bleached-blonde hair, frosted lips, heavy eye make-up and Carnaby Street fashions Sinatra made her mark on the American (and British) music scene in early 1966 with "These Boots Are Made for Walkin'", its title inspired by a line in Robert Aldrich's 1963 western comedy 4 for Texas starring her father and Dean Martin. One of her many hits written by Hazlewood, it received three Grammy Award nominations, including two for Sinatra and one for arranger Billy Strange. It sold over one million copies, and was awarded a gold disc.[2] The camppromo clip featured a big-haired Sinatra and six young women in loose sweaters, go-go boots and hot pants. The song has been covered by artists such as Geri Halliwell, Megadeth, Jessica Simpson, Lil' Kim, Little Birdy, Billy Ray Cyrus, Faster Pussycat, KMFDM, Symarip (band), Operation Ivy and the Del Rubio Triplets and The Supremes.[citation needed]
A run of chart singles followed, including the two 1966 Top 10 hits "How Does That Grab You, Darlin'?" (#7) and "Sugar Town" (#5). "Sugar Town" became her second million seller.[2] The ballad "Somethin' Stupid" a duet with her father hit #1 in the US and the UK in April 1967 and spent nine weeks at the top of Billboard's easy listening chart. It earned a Grammy Award nomination for Record of the Year and remains the only father-daughter duet to hit No.1 in the US It became Sinatra's third million-selling disc.[2] Other 45s showing her forthright delivery include "Fridays Child" (#36, 1966), and the 1967 hits "Love Eyes" (#15) and "Lightnings Girl" (#24). She rounded out 1967 with the raunchy but low-charting "Tony Rome" (#83) the title track from the detective film Tony Rome starring her father while her first solo single in 1968 was the more wistful "100 Years" (#69).
Sinatra enjoyed a parallel recording career cutting duets with the husky-voiced, country-and-western-inspired Hazlewood, starting with "Summer Wine" (originally the B-side of "Sugar Town"). Their biggest hit was a cover of the country song, "Jackson". The single peaked at #14 on the Billboard Hot 100 in the summer of 1967, when Johnny Cash and June Carter Cash also made the song their own. In December they released the "MOR"-psychedelic single "Some Velvet Morning", regarded as one of the more unusual singles in pop, and the peak of Sinatra and Hazlewoods vocal collaborations. It reached #26 in the US. The promo clip is, like the song, sui generis. The British broadsheetThe Daily Telegraph placed "Some Velvet Morning" in pole position in its 2003 list of the Top 50 Best Duets Ever. ("Somethin' Stupid" ranked number 27).[3]
In 1967 she recorded the theme song for the James Bond film You Only Live Twice. In the liner notes of the CD reissue of her 1966 album, Nancy In London, Sinatra states that she was "scared to death" of recording the song, and asked the songwriters: "Are you sure you don't want Shirley Bassey?" There are two versions of the Bond theme. The first is the lushly orchestrated track featured during the opening and closing credits of the film. The second and more guitar-heavy version appeared on the double A-sided single with "Jackson", though the Bond theme stalled at #44 on the Billboard Hot 100.[citation needed]
She also made appearances on The Ed Sullivan Show, The Smothers Brothers Comedy Hour, The Man from U.N.C.L.E., and Rowan & Martin's Laugh-In, The Virginian and starred in television specials. These include the Emmy-nominated 1966 Frank Sinatra special A Man and His Music - Part II,[citation needed] and the 1967 NBC Emmy Award nominated for 'Special Classification of Individual Achievements' by choreographer David Winters TV special Movin' With Nancy, in which she appeared with Lee Hazlewood, her father and his Rat Pack pals Dean Martin and Sammy Davis, Jr., with a cameo appearance by her brother Frank Sinatra, Jr. and guest star appearance by West Side Story dancer David Winters. At one point in the video, Nancy shared a kiss with Sammy Davis, Jr. She has stated "The kiss [was] one of the first interracial kisses seen on television and it caused some controversy then, and now. [But] contrary to some inaccurate online reports, the kiss was unplanned and spontaneous."[4] The special also features Winters' choreography, dancing and dancers. As there was no Emmy Award category for Choreography - the shows Emmy Nomination was placed in the 'Special Classification of Individual Achievements' category. Possibly due to this specials success and its choreography a new category for 'Outstanding Choreography' was created by the Emmy's the next year.[5]Movin' With Nancy was sponsored by Royal Crown Cola.[citation needed]
Sinatra remained with Reprise until 1970. In 1971, she signed with RCA, resulting in three albums: Nancy & Lee Again (1971), Woman (1972), and a compilation of some of her Reprise recordings under the title This Is Nancy Sinatra (1973). That year she released a non-LP single, "Sugar Me" b/w "Ain't No Sunshine". The former was written by Lynsey De Paul/Barry Blue and, with other covers of works by early-70s popular songwriters, resurfaced on the 1998 album How Does It Feel.[citation needed]
In the autumn of 1971 Sinatra and Hazlewoods duet "Did You Ever?" reached number two in the UK singles chart. In 1972 they performed for a Swedish documentary, Nancy & Lee In Las Vegas, which chronicled their Vegas concerts at the Riviera Hotel and featured solo numbers and duets from concerts, behind-the-scenes footage, and scenes of Sinatra's late husband, Hugh Lambert, and her mother.[6] The film did not appear until 1975.
By 1975 she was releasing singles on Private Stock, which are the most sought-after by collectors. Among those released were "Kinky Love", "Annabell of Mobile", "It's for My Dad," and "Indian Summer" (with Hazlewood). "Kinky Love" was banned by some radio stations in the 1970s for "suggestive" lyrics. It saw the light of day on CD in 1998 on Sheet Music: A Collection of Her Favorite Love Songs. Pale Saints covered the song in 1991.[citation needed]
By the mid-1970s, she slowed her musical activity and ceased acting to concentrate on being a wife and mother. She returned to the studio in 1981 to record a country album with Mel Tillis called Mel & Nancy. Two of their songs made the Billboard Country Singles Chart: "Texas Cowboy Night" (#23) and "Play Me or Trade Me" (#43).[citation needed]
In 1985, she wrote the book Frank Sinatra, My Father.
At 54 she posed for Playboy in the May 1995 issue and made appearances on TV shows to promote her album One More Time. The magazine appearance caused some controversy. On the talk show circuit, she said her father was proud of the photos, but not everyone was convinced. Those close to the Sinatras claimed that family members were upset with the nude photo spread. Nancy told Jay Leno on a 1995 Tonight Show that her daughters gave their approval, but her mother said she should ask her father before committing to the project. Nancy claims that when she told her father what Playboy would be paying her, he said, "Double it."[citation needed]
That year, Sundazed Records began reissuing Sinatra's Reprise albums with remastered sound, new liner notes and photos, and bonus tracks. She also updated her biography on her dad and published Frank Sinatra: An American Legend.[citation needed]
In 2003 she reunited with Hazlewood once more for the album Nancy & Lee 3. It was released only in Australia.[citation needed]
One of her recordings a cover of Cher "Bang Bang (My Baby Shot Me Down)" was used to open the 2003 Quentin Tarantino film Kill Bill: Vol. One. In 2005, Sinatra's recording was sampled separately by the Audio Bullys and Radio Slave into dance tracks (renamed into "Shot You Down" and "Bang Bang" respectively), and by hip-hop artist Young Buck in a song titled "Bang Bang", as well as covered for a single and music video by R&B artist Melanie Durrant. Sinatra recorded the song for her second Reprise album, How Does That Grab You? in 1966. She and Billy Strange worked on the arrangement, and it was Sinatra's idea to change from a mid-tempo romp (as sung in Cher's hit single) to a ballad. Sinatra's father asked her to sing it on his 1966 TV special A Man and His Music - Part II. The footage of Sinatra's performance on that special was used in the Audio Bullys' music video of "Shot You Down."[citation needed]
Taking her father's advice from when she began her recording career ("Own your own masters"), she owns or holds an interest in most of her material, including videos.[4]
In 2004 she collaborated with former Los Angeles neighbour Morrissey to record a version of his song "Let Me Kiss You", which was featured on her autumn release Nancy Sinatra. The single released the same day as Morrisseys version charted at #46 in the UK, providing Sinatra with her first hit for over 30 years. The follow-up single, "Burnin' Down the Spark", failed to chart. The album, originally titled To Nancy, with Love, featured rock performers such as Calexico, Sonic Youth, U2, Pulp's Jarvis Cocker, Steven Van Zandt, Jon Spencer, and Pete Yorn, who all cited Sinatra as an influence. Each artist crafted a song for Sinatra to sing on the album.[citation needed]
Two years later EMI released The Essential Nancy Sinatra a UK-only greatest-hits compilation featuring the previously unreleased track, "Machine Gun Kelly". The collection was picked by Sinatra and spans her 40-year career. The record was Sinatra's first to make the UK album charts (#73) in 30 years.[citation needed]
Nancy received her own star on the Hollywood Walk of Fame on May 11, 2006, which was also declared "Nancy Sinatra Day" by Hollywoods mayor, Johnny Grant.[citation needed]
Nancy Sinatra recorded a public service announcement for Deejay Ra's 'Hip-Hop Literacy' campaign, encouraging reading of Tarantino screenplays and related books.[citation needed]
September 2009 saw the release of Nancy's digital-only album Cherry Smiles: The Rare Singles, featuring previously unreleased tracks and songs only available on 45.[citation needed]
Nancy now hosts a weekly show on Sirius Satellite Radio - Siriusly Sinatra where she shares her personal insights about her father.[4]
Tina Blacker was born in New York City. She was raised by her mother, Betty Horn Myers (1916-2011), a fashion model. Her father, Joseph Blacker, was an accountant.[1] The name "Louise" was supposedly added during her senior year in high school when she mentioned to her drama teacher that she was the only girl in the class without a middle name. He immediately picked the name "Louise" and it stuck.[2] She attended Miami University in Oxford, Ohio. At the age of 17, Louise began studying acting, singing and dancing. During her early acting years, she was offered modeling jobs and appeared on the cover of several pinup magazines such as Adam, Sir! and Modern Man. Her later pictorials for Playboy (May 1958, April 1959) were arranged by Columbia Pictures studio in an effort to further promote the young actress. Her acting debut came in 1952 in the Bette Davis musical revue Two's Company, followed by roles in other Broadway productions, such as John Murray Anderson's Almanac, The Fifth Season, and Will Success Spoil Rock Hunter? She also appeared in such early live television dramas as Studio One, Producers' Showcase, and Appointment with Adventure.
In 1964, she left the Broadway musical Fade Out Fade In to portray movie star Ginger Grant on the situation comedyGilligan's Island, after the part was turned down by Jayne Mansfield. However, she was unhappy with the role and worried that it would typecast her. The role did make Louise a pop icon of the era, and in 2005 an episode of TV Land Top Ten ranked her as second only to Heather Locklear as the greatest of television's all-time sex symbols.
After the series ended in 1967, Louise continued to work in film and made numerous guest appearances in various television series. She appeared in the Matt Helm spy spoof The Wrecking Crew (1969) with Dean Martin. Louise played a doomed suburban housewife in the original The Stepford Wives (1975), and both the film and her performance were well received.
She attempted to shed her comedic image by essaying grittier roles, including a guest appearance as a pathetic heroin addict in a 1974 Kojak episode, as well as a co-starring role as an evil Southern prison guard in the 1976 ABC TV Movie Nightmare in Badham County. Her other television films of the period included Look What's Happened to Rosemary's Baby (1976), SST: Death Flight (1977), and Friendships, Secrets and Lies (1979).
The question "Ginger or Mary Ann?" is regarded to be a classic pop-psychological question when given to American men of a certain age as an insight into their characters, or at least their desires as regarding certain female stereotypes.
Later work
Despite successes on her own, she declined to participate in any of three reunion television films for Gilligan's Island and the role of Ginger was recast with Judith Baldwin and Constance Forslund. Although she did not appear in these television movies, she made brief walk-on appearances on a few talk shows and specials for Gilligan's Island reunions, including Good Morning America (1982), The Late Show (1988) and the 2004 TV Land award show with the other surviving cast members. In the 1990s, she was reunited with costars Bob Denver, Dawn Wells, and Russell Johnson in an episode of Roseanne. She did not reunite with them for the television film Surviving Gilligan's Island: The Incredible True Story of the Longest Three-Hour Tour in History (2001), co-produced by Wells. She was portrayed by Kristen Dalton in the television film.[4] Her relations with series star Denver were rumored to be strained, but in 2005, she wrote a brief, affectionate memorial to him in the year-end "farewell" issue of Entertainment Weekly.[5]
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she and Nancy Sinatra greet Elvis Presley upon his return from Germany at the Fort Dix, New Jersey, military base
Louise appeared as a semi-regular character in the prime-time soap operaDallas, as J.R.'s secretary, Julie Gray, during the 1978-79 seasons. In 1985, Louise played the second and final Taylor Chapin on the syndicated soap opera Rituals. Later film roles included a co-starring appearance in the Robert Altman comedy O.C. and Stiggs (1987) as well as the independently made satire Johnny Suede (1992) starring Brad Pitt. She appeared in Married... with Children as Miss Beck in episode Kelly Bounces Back (1990).
From 1966 to 1974, Louise was married to radio and TV announcer/interviewer Les Crane, with whom she has one daughter, Caprice Crane (born 1974), who became an MTV producer and a novelist. Crane's first novel, Stupid and Contagious, was published in 2006, and was warmly dedicated to her mother. Louise now resides in New York City. She is a member of the Academy of Motion Picture Arts and Sciences and a lifetime member of the Actors Studio. As a literacy and academic advocate, she became a volunteer teacher at Learning Leaders, a non-profit organization dedicated to providing tutoring to New York City school children. It has been her passion to help young students gain not only literary skills, but also confidence, self-determination and proof of their own potential. She has written two books: Sunday: A Memoir (1997) and When I Grow Up (2007). The latter is a children's book that inspires children to believe they can become whatever they choose through creative and humorous comparisons of animal kingdom achievements. She published a second children's book named "What Does A Bee Do?".[6]
It's Time For Tina LP
Louise made four record albums, two for Concert Hall, and two for Urania Record (1958 and 1959 respectively).[7] By far the most sought-after of these is the 1957 album It's Time For Tina (Concert Hall 1521). With arrangements by Jim Timmens and Buddy Weed's Orchestra, 12 tracks include "Tonight Is The Night" and "I'm in the Mood for Love". Coleman Hawkins is featured on tenor sax. A version of this album is planned by UK label Harkit Records.[8]