Elvis Suspicious Minds By Viva Elvis


http://www.youtube.com/watch?v=e-NDXtDUcGQ&feature=related

07-06-2011 om 14:14 geschreven door zooroo  

The Essential Collection

Back in 2009 Spanish newspaper La Vanguardia and Sony/BMG Spain released some of Elvis' best albums in a series of illustrated 30 pages hard-cover books containing the CD discography and biography of Elvis. The series was entitled 'Essential Collection'. Italy followed in 2010. This series is now available to collect for U.K. fans through a monthly subscription.


The series consists of 20 of Elvis' very best albums selected to form the collection. Each book is divided into the following chapters; Recording sessions, The musicians, The songs & The Legacy. Each book also comes with a biography where you can read all about his family, friends and his attempts to balance his public and private life. Albums included are:

1 - From Elvis In Memphis (1969)
2 - That´s The Way It Is (1970) - Original Soundtrack
3 - Elvis Gold Records, vol.2 (1959)
4 - Elvis, NBC TV Special (1968) - Original Soundtrack
5 - Elvis Presley (Nº1) (1956)
6 - His Hand in Mine (1960)
7 - King Creole (1958) - Original Soundtrack
8 - Elvis Golden Records, vol.1 (1958)
9 - Elvis Country (1971)
10 - Elvis (Nº2) (1956)
11 - Blue Hawaii (1961) - Original Soundtrack
12 - For LP Fans Only (1959)
13 - Elvis Golden Records, vol.3 (1964)
14 - Elvis Is Back! (1960)
15 - Elvis In Person (1969) - en directo
16 - Loving You (1957) - Original Soundtrack
17 - Elvis Gold Records, vol.4 (1968)
18 - Aloha from Hawaii Via Satellite (1973) - en directo
19 - From Elvis Presley Boulevard, Memphis, Tennessee (1976)
20 - Jailhouse Rock / Love Me Tender (1997)- Original Soundtrack

07-06-2011 om 14:03 geschreven door zooroo  

07-06-2011 om 14:01 geschreven door zooroo  

Elvis en de C&A reclame





http://www.youtube.com/watch?feature=player_embedded&v=xhas9KJU7NU

26-05-2011 om 19:26 geschreven door zooroo  

26-05-2011 om 13:48 geschreven door zooroo  

"STAGE REHEARSAL"

Een collectie van repetities uit 1970, 1972 en 1973 zoals opgenomen in het International Hotel, Las Vegas (later Hilton).
Tracklist: You Don't Have To Say You Love Me (version 1) / I Just Can't Help Believin'/ Something / Sweet Caroline / Polk Salad Annie / You've Lost That Loving Feelin' (version 1) / I've Lost You / Bridge Over Troubled Water / Patch It Up / Can't Help Falling In Love / You Don't Have To Say You Love Me (version 2) / You've Lost That Loving Feelin' (version 2) /

BONUS SONGS: Any Day Now / True Love Travels On A Gravel Road / The First Time Ever I Saw Your Face (a few lines) / Fever / Portrait Of My Love / I'm Leavin' It All Up To You

26-05-2011 om 13:45 geschreven door zooroo  

"AMARILLO '77", een soundboard recording van 24 maart 1977 (Civic Center, Amarillo) Texas.

Tracklist: That's All Right / Are You Lonesome Tonight? / Reconsider Baby (intro only) / Love Me / If You Love Me (Let Me Know) / You Gave Me a Mountain / Jailhouse Rock / O Sole Mio / It's Now or Never / Little Sister / Teddy Bear / Don't Be Cruel / My Way / Band Introductions / Early Mornin' Rain / What'd I Say / Johnny B. Goode / Band Introductions / School Days / Hurt / Hound Dog / Can't Help Falling in Love. BONUS TRACKS: And I Love You So / Fever / Love Me Tender / Blue Suede Shoes / Steamroller Blues / Help Me / Why Me, Lord / Bosom of Abraham / You Better Run / How Great Thou Art / Trying to Get to You.

26-05-2011 om 13:45 geschreven door zooroo  

Largo Maryland


22 mei 1977, Largo MD Capitol Centre

Er werden deze dag 34 jaar geleden 19000 tickets verkocht. Tracklist van deze show:

Also Sprach Zarathustra/See See Rider/I Got A Woman/Amen/Love Me/Fairy Tale/You Gave Me A Mountain/Jailhouse Rock/Funny How Time Slips Away/O Sole Mio/It's Now Or Never/Little Sister/Teddy Bear/Don't Be Cruel/My Way/[band introductions]/Blueberry Hill [excerpt]/Early Morning Rain/What'd I Say/Johnny B. Goode/Battle of New Orleans
Hail Hail Rock'n'Roll/Danny Boy [S.Nielsen]/Walk With Me [S.Nielsen]/Hound Dog/Can't Help Falling In Love.

26-05-2011 om 13:44 geschreven door zooroo  

Gates Lisa Presley en haar man Mike in East Sussex

foto: Mike Gunnill / Rex Features

Lisa Marie woont al een tijdje in East Sussex. Tot op heden waren alleen vermeende foto's beschikbaar van het domein alsook een luchtfoto. Mike Gunhill ging verder op zoek en vond aan het eind van een privaatweg door het bos de ingang van het immense domein "Coes Hall", nabij Rotherfield. Het domein werd eerder gebruikt voor huwelijksfeesten van welgestelden. Volgens inwoners van het dorpje houden Lisa en Mike zeer van de stilte en laten ze zich weinig zien, alhoewel ze toch al eens gespot zijn in een lokale pub. Het domein ligt op enkele kilometer van Saint Hill Manor in East Grinstead, het vroegere tehuis van de Scientology kerk, waarvan Lisa ook lid is.

26-05-2011 om 13:42 geschreven door zooroo  

Keep Rollin’ On From Venus

May 24th, 2011

The guys at Venus Productions are proud to be able to keep up their image of bringing you quality products with unreleased recordings with an “out of space” sound. This time they’ll take you back to January / February 1969 to the American Sound Studios in Memphis. As a special bonus to you, they’ve also included four goodies from 1971 & 1973.

Sit back and feel the thrill of listening to unreleased versions of songs that Elvis recorded at the height of his career – And be prepared for great sound quality.

This is Special Products, Extended Play release.

Tracklisting: I’m Movin’ On (Take 2 – Jan. 15, 1969 – Brass & Backup O.V) / In The Ghetto Master (Jan. 21, 1969 – Backup O.V. – unrepaired vocal) / I’ll Be There (Take 6 - Jan. 23, 1969 – Alternate Master) / Inherit The Wind (Alternate vocal) – Jan. 21, 1969 – Strings & 1st Backup O.V. – V.O.) / After Loving You (Master - Feb. 18, 1969 - Unedited) / Any Day Now (Master - Feb. 21, 1969 – unedited & unrepaired vocal) / Mama Liked The Roses (Alternate vocal - Jan. 21, 1969 - Undubbed – V.O.) / It Keeps Right On A-Hurtin’ (Master - Feb. 20, 1969 – undubbed) / You’ll Think Of Me (Take 14 - Jan. 14, 1969 - Unedited – No fade out) / Good Time Charlie’s Got The Blues (Take 8 - Dec. 13, 1973 – unedited – No fade out) / Lead Me Guide Me – Master - May 17, 1971) / I ‘ve Got Confidence (Take 2 - May 18, 1971 – unedited) / Are You Sincere (Take 3 - Sept. 23, 1973 – previously unreleased – no B.V.

O.V. = overdub / V.O. = vocal overdub

26-05-2011 om 13:33 geschreven door zooroo  

26-05-2011 om 13:29 geschreven door zooroo  

Elvis in Speedway



http://www.youtube.com/watch?v=iDbaPhkAsJQ

20-02-2011 om 18:41 geschreven door zooroo  

FTD Elvis Presley - Spring Tours ‘77 Review

By: George Nelson 

This review will be over the newly released SPRING TOURS ‘77. First off I would like to thank the FTD label for providing us with these songs. I personally think they are doing a good job.

This CD has already taken a beaten. I’ve read many of the reviews on other Elvis websites and I would just like to say WE ASKED FOR IT! The reason this label was created was to release stuff that wouldn’t have done to well on a regular release.

Then when the label releases some of these recordings a select few practically trash BMG/FTD for what they are putting out. I have not seen a good review of a FTD label CD yet. Most of the recordings are not up to parr, that’s why they are released on this label.

Don’t knock BMG / FTD for doing what we wanted. I would like to take this opportunity to thank Ernst and the other people who work for BMG / FTD for there hard work and I hope you do realize that 95% of the Elvis fans appreciate the work you’re doing. Now on with the review.

First off the cover isn’t that great, but that’s nothing new. I don’t buy CD’s just for the art work in the first place. What counts is the content. The sound is excellent.

The first date featured is March 26, 1977, recorded at the University of Oklahoma Lloyd Noble Center, Noble, Oklahoma. A false start of his first release, That’s all right, kicks off this CD, then Elvis goes right into the song. I’m going to tell you, this blew me away. After listening to Elvis in concert, this version is a solid rocker. What a great job.

A semi serious Are You Lonesome Tonight? is up next. Elvis did good until he says "Do you gaze at Charlie" the he loses it for a couple of lines, but he almost gets through the spoken part. Elvis follows this up with Blue Christmas. Elvis admits that it’s not the right time of year for the song, but he did it anyway and listening to the crowd they didn’t care either. Blue Suede Shoes form this same concert appears later on in the CD and it is miles away from the 1969 version. It is not one of the best versions I’ve heard of the song.

The next Night, March 27, 1977, Taylor County Coliseum, Abilene, Texas, we hear two songs from. Elvis does Trying to get to you and messes up on the first verse but catches himself and gives a great rendition of this. Lawdy, Miss Clawdy was captured on the tape machine as well. What a great rendition of that. Even though Elvis hadn’t performed the song in quite sometime, the band, and Elvis do a wonderful job at it. I love the ending "You can bet your bottom dollar, I won’t be home no more".

We only see one song from March 28, 1977, Austin, Texas. Jailhouse Rock, done better than the version on the ELVIS IN CONCERT, CD, but still by this time Elvis should have just stopped singing this song.

The Next recording date we have is March 30, 1977 is from Alexandria, Louisiana. Fever is the only song heard from this date. This is a fair version of this song. I have a soundboard of this concert and the sound quality is about the same.

April 24, 1977, Ann Arbor, Michigan. We are treated to 5 songs from this date. An Excerpt of Blue Hawaii can be heard before Elvis says "watch the musicians panic". Then he goes into Little Sister, followed by Teddy Bear / Don’t Be Cruel. Both songs are not that great, It sounds like Elvis is just glad to get them over with. Help Me is a great rendition. It’s probably the best version of the song I’ve heard live. Then we come to the songs that appeared on the original Moody Blue album. Unchained Melody and Little Darlin are the undubbed masters. Unchained Melody is done well until the end, where you can hear Sherrill Neilsen try to cover Elvis up, but the mic is to high in the mix.

The Next night in Saginaw, Michigan, we are treated to 2 songs. Heartbreak Hotel is almost as good as the Madison Square Garden version. My Way is also from this show and ends the CD. I’ve read that this is the version found on platinum. If the booklet of Platinum is correct then this is possible. However according to Ernst Jorgensens sessionography book My Way on the PLATINUM release is from May 02, 1977 in Chicago, This would make this version of My Way a new. The two versions do not sound all that much alike, most noticeable is the drumming on the song towards the end.

April 26, 1977 in Kalamazoo we are treated to 2 more songs. According to the "Elvis is still active in Norway" web site, the version of If you Love me (Let Me Know) is the undubbed master or the first few minutes may be spliced with the version recorded on April 25. The master is listed as being from April 25 and according to FTD the vocal is missing from the first few minutes of the song. I listened to the 2 versions and it is possible, most noticeable is the beginning, with the feedback problem. The O Sole Mio / It’s Now or Never medley is ok. I don’t know why Elvis had Sherrill Nielsen do so many solo’s on stage in the last couple of years, but It gets annoying. Elvis did a great job on It’s now or never.

We only get one track from April 27, 1977 in Milwaukee, Wisconsin. Polk Salad Annie, I don’t know why but I like this version. I like how the band wraps the song up. You can just picture Elvis moving to the tune. The version on Tucson ‘76 isn’t that bad either.

April 29, 1977, Duluth, Minnesota, we get 2 more songs, this time rarely sung songs. Bridge Over Troubled Water and Big Boss Man. Ok, I read on "Elvisnews.com" that Elvis raped this song. This is totally untrue. This a great version, not as good as a 1970 version, but Elvis is trying and does a fair job to it. Big Boss Man, is probably one of the highlights of this CD. It is so good. It doesn’t even sound like 1977 Elvis.

From April 30, 1977, St.Paul, Minnesota, we get Hound Dog. Hound Dog was basically a throw away by this point, I can’t really say I blame Elvis either. After the 1000 time of singing the song I’d be tired of it to.

May 02, 1977, Chicago, Illinois, Fairytale is recorded. Fairytale is another highlight of this CD. It’s probably the best live version of the song I’ve heard. I couldn’t believe it when I heard it.

May 03, 1977, Saginaw, Michigan was the last night of this tour. Elvis was pretty well disturbed by the end of this concert because his sound system went. One song from this appearance appears on this CD and that’s the medley of Mystery Train / Tiger Man. Elvis’ voice sounds weak at the beginning of this song. However it’s a nice version.

In conclusion, this ought to put to rest any thoughts that Elvis was a fat, lazy performer at the end of his career, some of these performances are way above what anyone would expect from Elvis in this period of his career.

Tracklist:

• That's All Right, Mama (1977/03/26)
• Are You Lonesome Tonight? (1977/03/26)
• Blue Christmas (1977/03/26)
• Tryin' to Get to You (1977/03/27)
• Lawdy Miss Clawdy (1977/03/27)
• Fever (1977/03/30)
• Heartbreak Hotel (1977/04/25)
• If You Love Me (Let Me Know) (1977/04/26)
• It's Now or Never (1977/04/26)
• Little Sister (1977/04/24)
• Teddy Bear (1977/04/24)
• Don't Be Cruel (1977/04/24)
• Help Me (1977/04/24)
• Blue Suede Shoes (1977/03/26)
• Hound Dog (1977/04/30)
• Jailhouse Rock (1977/03/28)
• Polk Salad Annie (1977/04/27)
• Bridge over Troubled Water (1977/04/29)
• Big Boss Man (1977/04/29)
• Fairytale (1977/05/02)
• Mystery Train (1977/05/03)
• Tiger Man (1977/05/03)
• Unchained Melody (1977/04/24)
• Little Darlin' (1977/04/24)
• My Way (1977/04/25)

19-02-2011 om 12:47 geschreven door zooroo  

'The Last Vegas Opening Night' - import CD delay: Straight Arrow label announced its 12th release near the end of December; a double CD with the famous December 2nd, 1976 Opening Night. Some fans are asking, "Why is this release delayed and will it ever see the daylight?". The answer is very simple: Straight Arrow is here to give you the best possible quality. We originally intended to use a 1978 first generation copy for this release, simply because we figured that the original tape was no longer around or could no longer be traced. But then, as the project was almost near completion, our search for the original tape finally paid off, and we got in touch with the person who recorded the concert and owns the original 120-minute master tape. The sound fidelity and overall quality of this tape is FAR superior to any copy in circulation, and unlike these copies is also 100% complete! The negotiations took some time, but we came to an agreement, and the Straight Arrow team is now working its magic on the original tape. We can assure you that you will be impressed when you hear this; one of the King’s finest ’76 concerts in a remarkably clear and dynamic sound. The person who recorded the show also wrote the liner notes, a unique eye-witness perspective from a person who was THERE and describes the show in fascinating detail.

24-01-2011 om 18:07 geschreven door zooroo  

24-01-2011 om 18:04 geschreven door zooroo  

Viva Las Vegas

Elvis Movie #15
Metro-Goldwyn-Mayer, 1964

Certainly Viva Las Vegas is one of the most remembered of Elvis Presley’s 3l theatrical films. That’s due to two factors. The first is the pairing in the lead roles of Presley and Ann-Margret, two of Hollywood’s hottest film commodities in 1964. The second is the film’s theme song, which through the years has served as the unofficial anthem of the booming entertainment center in the Nevada desert.

While not considered a critical masterpiece, Viva Las Vegas is a classic in its presentation of its two energetic, young musical stars. Everything else in the film is secondary to the screen rapport between Elvis and Ann-Margret. With camera angles accentuating the attractive physical features of both, it is difficult for the average viewer to focus on other aspects of the movie.

When reviewers considered Viva Las Vegas on its release in 1964, however, they were obliged to look beyond the film’s stars in forming their assessment. Their appraisals varied, and so the movie received mixed reviews.

Variety’s review appeared on May 20, 1964, and the New York Times printed its analysis the next day. Variety’s reviewer, identified only as “Tube,” acknowledged that the “sizzling co-star combination” guaranteed box office success for the film. On the screen, however, "Tube" judged Viva Las Vegas to be a “pretty trite and heavy-handed affair, puny in story development and distortedly preoccupied with anatomical oomph.”

The Times calls it a pleasant, musical romp

For the Times, however, Howard Thompson gave the picture a pleasant, if not glowing, review. “Coming on a balmy day, with no pretensions of art,” Thompson wrote, “’Viva Las Vegas,’ the new Elvis Presley vehicle is about as pleasant and unimportant as a banana split. And as fetching to look at, it might be added. By now, after some rocky beginnings, the Presley movie formula has leveled off to a series of musical romps that are extremely easy to take.”

The difference between the two reviewers was that Variety’s still operated under the impression that Presley should be making more serious films, while Thompson at the Times understood that Elvis and his Hollywood handlers had come to the realization that light, musical comedy was the star’s box office niche in pictures. So, while “Tube” kept looking for dramatic substance in Viva Las Vegas and found only a “hackneyed yarn,” Thompson sat back and allowed the unassuming and visual narrative to have its way with him.

“This time Metro-Goldwyn-Mayer happily teams him with Ann-Margret, a perfect musical foil with her galvanized dancing,” Thompson noted. “The story … as directed by George Sidney, tools along rosily.

“All this, from the pen of no less a writer than Sally Benson, unfolds against the stunningly picturesque background of the famed desert resort, photographed in excellent color. Miss Benson’s script snugly combs the entire area, from the neon-spangled clubs, casinos and hotels to Boulder Dam Lake. And the picture winds up with a wing-ding of an auto race across the countryside. Whatever it isn’t, ‘Viva Las Vegas’ remains friendly, wholesome and pretty as all get-out.”

Auto race one of most exciting passages ever put on film

Even “Tube,” who seemed disappointed with most of the film, was impressed with its car race sequence. “This depiction of an auto race is one of the most exciting passages of its type ever put on film,” the Variety reviewer gushed. “The driver’s eye-view position in which the audience is placed as the cars whoosh over the swoops and dips of the desert highway engenders a genuine sensation of giddiness in the spectator—much like that generated by a roller coaster ride in Cinerama.”

One puzzling element of the race sequence involves the fate of Cesare Danova, Elvis’s romantic and racing rival in the film. Danova’s character, Count Mancini, receives sympathetic play through much of the film, but when he apparently dies in a horrific crash near the story’s end, no one seems to care beyond a “that’s-a-shame” shrug from Elvis as he drives on to victory.

Elvis and Ann-Margret share musical spotlight

Of course, with two versatile musical talents available, Viva Las Vegas is packed with song and dance numbers throughout. Elvis sings seven solo tunes, and Ann-Margret performs two songs, along with showcasing her dancing talent several times. The two also combine for a vocal duet and a couple of dance numbers. It was the only time in Presley’s film career that he shared the spotlight with a performing talent of comparable ability. Reluctantly, this Elvis fan must admit that Ann-Margret held an edge over him in their musical performances in Viva Las Vegas. Choreographed dancing was never Elvis’s strength, and while he was lively enough on his feet in this film, he couldn’t quite match his co-star’s energetic dancing style.

Variety parceled out the performing kudos as follows: “Neither EP nor A-M fares too well histrionically, but then this isn’t the kind of vehicle that demands high-powered emoting … A few of the musical specialties have some merit and sparkle. The title tune gives Presley his meatiest and most commercial sounding material. His co-star’s best number, although not her most sensually torrid, is the ‘My Rival’ routine in which she laments the competition of his would-be profession. They pair up most successfully on ‘The Lady Loves Me,’ which has the earmarks of a fairly popular wax entry.”

Too much emphasis on female physical assets, says Variety

For other reasons, though, Ann-Margret received some scolding from “Tube.” He thought the starlet’s physical assets were overstressed in the film:

“Any excuse to stare at a derrierre in motion seems good enough for director George Sidney and cameraman Joseph Biroc. The provocative pulchritude of Ann-Margret and assorted other chicks and chorines makes the sexy scrutiny downright pleasurable to the male eye, but there is a certain lack of tastefulness or subtlety about the film’s obsession with peeping at anatomical contours and epidermis simply for the sake of peeping.” Of course, norms for such arousing displays in films have changed in the past 45 years. Today the worst that can be said about Ann-Margret in Viva Las Vegas is that she was just too darn cute.

Elvis and Ann-Margret shared no classic romance (at least on-screen) in Viva Las Vegas. In fact, the stubbornness of their characters was more reminiscent of a volatile teenage romance. The only real amorous stretch in the film was the day the two starry-eyed young lovers spent together flying, waterskiing, and nightclubbing. It was enough, though, to link the two young entertainers together in the public consciousness for decades to come. There will always be speculation concerning the personal relationship between Elvis Presley and Ann-Margret, but Viva Las Vegas will always be ready to testify to the magic they created together on-screen back in 1964.— Alan Hanson (June 2008)

24-01-2011 om 17:51 geschreven door zooroo  

Lamar Fike overleden


Vanmorgen ontvingen we het trieste nieuws dat Lamar Fike is overleden. Lamar was het zwaargewicht binnen de Memphis Mafia. Hij verzorgde de verlichting tijdens de optredens van Elvis in de seventies. 
Omwille van zjn gewicht noemde Elvis hem "Buddah", en ook wel 'The Great Speckled Bird". Hij hing al in 1956 rond bij het huis aan Audubon Drive waar Elvis toen woonde tot Gladys hem eindelijk binnen liet. Lamar was bij Elvis tijdens zijn dienstperidode in Duitsland. Daarna bleven Elvis en Lamar close tot 1962, waarna hij manager werd van Brenda Lee. Enige tijd later vervoegde hij zich opnieuw bij de Elvisclan. Hij speelde na de dood van Elvis een wat onduidelijke (en onbegrepen) rol als raadgever bij het controversiële boek van Albert Goldman. Lamar Fike kampte al een tijdje met zijn gezondheid. Moge hij rusten in vrede, onze gedachten gaan uit naar Lamar's directe familie en vrienden.

I have the unfortunate task of officially sadly announcing the passing of Lamar Fike as authorized by his cousin Tommy McDonald who was very close to Lamar and was with him daily in his hospital room in Arlington,Texas. Lamar passed away very peacefully last night, Friday, January 21.

Lamar had been hospitalized since last October 14th and then transferred to the physical therapy wing of the hospital. Unfortunately he did not improve and was sent back to the hospital about a month ago.

Outside of Red West, Lamar was with Elvis the longest and he remained close to him until Elvis' passing. Lamar was also very close to Elvis' mother.

Lamar's wishes to be cremated will be carried out and the Brown,Owen,Brumley Funeral Home, Ft. Worth are handling his funeral. A memorial service will be held in Mart, Texas, one of Lamar's boyhood homes at a date to be announced. He was born in Cleveland,Mississippi on November 11,1935.

Those of us in the Memphis Mafia who remained his friend are greatly saddened by the loss of yet another member of our close group. May G-d Bless his Soul and may he Rest In Peace.

Marty Lacker

PS: This is the official announcement, his family has asked that it you hear anything else from anyone else do not believe it.

24-01-2011 om 16:48 geschreven door zooroo  

Speedway boek met promo cd vanaf maart leverbaar

In de loop van de maand maart verschijnt het nieuwe fotoboek van JAT: Speedway.  Wederom een hardcover boek van een honderdtal bladzijden boordevol foto's uit deze Elvisfilm met Nancy Sinatra. Als extraatje wordt er een promo-CD bijgeleverd. Zodra de prijs bekend is hoort u meer van ons. Hierboven vindt u alvast de covers.

24-01-2011 om 16:46 geschreven door zooroo  

White Knight In Vegas (5" Digipack)

We kunnen op 15 februari 2011 weer nieuwe titels van het FTD collectors label verwachten.
De titel van de eerste cd is nog niet helemaal zeker en de lay-out onder voorbehoud, maar we weten wel dat het gaat om een concert van 26 augustus 1969 uit LasVegas. De foto's van Ann Moses zijn gebruikt in de lay-out van het boekwerkje (12 paginas). Zij was correspondent voor de NME en Tiger Beat en gezegend tijdens deze magische periode uit Elvis zijn carriere aanwezig te zijn.

01 Blue Suede Shoes 3:06
(Carl Perkins)
02 I Got A Woman 2:44
(Ray Charles)
03 All Shook Up 3:50
(Otis Blackwell/Elvis Presley)
04 Love Me Tender 3:04
(Vera Matson/Elvis Presley)
05 Jailhouse Rock / Don't Be Cruel 2:23
(Jerry Leiber/Mike Stoller) / (Otis Blackwell/Elvis Presley)
06 Heartbreak Hotel 4:56
(Mae Boren Axton/Tommy Durden/Elvis Presley)
07 Hound Dog 1:35
(Jerry Leiber/Mike Stoller)
08 Memories 2:42
(Billy Strange/Mac Davis)
09 My Babe 4:23
(Willie Dixon)
10 Mystery Train / Tiger Man 3:39
(Junior Parker/Sam Phillips) / (Joe Hill Louis/Sam Burns)
11 Monologue 8:39
12 Baby, What You Want Me To Do 3:29
(Jimmy Reed)
13 Runaway 2:58
(Max Crook/Del Shannon)
14 Inherit The Wind 3:06
(Eddie Rabbitt)
15 Yesterday / Hey Jude 4:35
(John Lennon/Paul McCartney)
16 Introductions 4:35
17 In The Ghetto 3:04
(Scott 'Mac'Davis)
18 Suspicious Minds 7:48
(Mark James)
19 Can't Help Falling In Love 2:10
(Hugo Peretti/Luigi Creatore/George Weiss)

c. It's Elvis Time

24-01-2011 om 16:45 geschreven door zooroo  

Nieuw boek Paul Lichter 


Paul Lichter kondigt zijn nieuw te verschijnen boek Elvis In Vegas aan. Paul Lichter heeft inmiddels al heel wat titels op zijn naam staan, kijkt u even mee:

24-01-2011 om 16:43 geschreven door zooroo